Canon 1D Mark IV vs Olympus E-520
The Canon EOS-1D Mark IV and the Olympus E-520 are two digital cameras that were announced, respectively, in October 2009 and May 2008. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-H (1D Mark IV) and a Four Thirds (E-520) sensor. The Canon has a resolution of 16 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark IV and the Olympus E-520? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark IV and the Olympus E-520. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-520 is considerably smaller (49 percent) than the Canon 1D Mark IV. Moreover, the E-520 is substantially lighter (57 percent) than the 1D Mark IV. It is worth mentioning in this context that the 1D Mark IV is splash and dust resistant, while the E-520 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark IV) and the Four Thirds Lens Catalog (E-520).
Concerning battery life, the 1D Mark IV gets 1500 shots out of its LP-E4 battery, while the E-520 can take 750 images on a single charge of its BLM-1 power pack. As can be seen in the images above, the 1D Mark IV has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D Mark IV||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999|
|Olympus E-520||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699|
|Canon 1D X Mark II||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 1D X||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799|
|Canon 60D||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399|
|Canon 7D||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Canon 1D Mark III||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499|
|Canon 1D Mark II||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499|
|Canon 1Ds Mark II||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999|
|Nikon D4||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999|
|Nikon D3S||6.3 in||6.2 in||3.5 in||43.7 oz||4200||Y||Oct 2009||5,199|
|Olympus E-600||5.1 in||3.7 in||2.4 in||18.9 oz||500||n||Aug 2009||449|
|Olympus E-620||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699|
|Olympus E-420||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599|
|Olympus E-410||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699|
|Olympus E-510||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-520 was launched at a markedly lower price (by 86 percent) than the 1D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Olympus E-520 a Four Thirds sensor. The sensor area in the E-520 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark IV has a native 3:2 aspect ratio, while the one in the E-520 offers a 4:3 aspect.
With 16MP, the 1D Mark IV offers a higher resolution than the E-520 (10MP), but the 1D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.70μm versus 4.74μm for the E-520) due to its larger sensor. Moreover, the 1D Mark IV is a somewhat more recent model (by 1 year and 5 months) than the E-520, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 1D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1D Mark IV for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inches or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inches or 41.5 x 27.6 cm. The corresponding values for the Olympus E-520 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Canon EOS-1D Mark IV has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus E-520 are ISO 100 to ISO 1600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 1D Mark IV provides substantially higher image quality than the E-520, with an overall score that is 19 points higher. This advantage is based on 1.4 bits higher color depth, 1.6 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
Many modern cameras cannot only take still pictures, but also record videos. The 1D Mark IV indeed provides movie recording capabilities, while the E-520 does not. The highest resolution format that the 1D Mark IV can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The 1D Mark IV and the E-520 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 1D Mark IV offers a wider field of view (100%) than the one in the E-520 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 1D Mark IV has a higher magnification (0.58x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 1D Mark IV, the Olympus E-520, and comparable cameras.
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
One feature that is present on the 1D Mark IV, but is missing on the E-520 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1D Mark IV writes its imaging data to Compact Flash or SDHC cards, while the E-520 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark IV and Olympus E-520 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|Canon 1D X||Y||mono||-||Y||-||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
|Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Canon 1D Mark IV (unlike the E-520) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark IV and the E-520 have been discontinued, but can regularly be found used on eBay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Canon and Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is the Canon 1D Mark IV better than the Olympus E-520 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS-1D Mark IV:
- More detail: Offers more megapixels (16 vs 10MP) with a 29% higher linear resolution.
- Better image quality: Scores substantially higher (19 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.58x vs 0.46x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 215k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3.5 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1500 versus 750) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Is somewhat more recent (announced 1 year and 5 months after the E-520).
Reasons to prefer the Olympus E-520:
- More compact: Is smaller (136x92mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 695g or 57 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (86 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in May 2008).
If the number of relative strengths (bullet points above) is taken as a guide, the 1D Mark IV is the clear winner of the match-up (18 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark IV and the Olympus E-520 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1D Mark IV or the E-520 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark IV||..||89/100||..||5/5||..||Oct 2009||4,999|
|Olympus E-520||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699|
|Canon 1D X Mark II||..||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 1D X||..||..||4.5/5||4.5/5||4.5/5||Oct 2011||6,799|
|Canon 60D||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399|
|Canon 7D||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Canon 1D Mark III||..||..||..||o||..||Feb 2007||4,499|
|Canon 1D Mark II||..||+ +||..||o||..||Jan 2004||4,499|
|Canon 1Ds Mark II||..||+ +||..||..||..||Sep 2004||7,999|
|Nikon D4||..||..||4.5/5||..||4.5/5||Jan 2012||5,999|
|Nikon D3S||..||89/100||4.5/5||5/5||5/5||Oct 2009||5,199|
|Olympus E-600||..||..||..||..||4.5/5||Aug 2009||449|
|Olympus E-620||88/100||72/100||4.5/5||o||5/5||Feb 2009||699|
|Olympus E-420||85/100||+ +||4/5||o||4.5/5||Mar 2008||599|
|Olympus E-410||86/100||+ +||4/5||o||4.5/5||Mar 2007||699|
|Olympus E-510||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 100D vs Canon 1D Mark IV
- Canon 1D Mark IV vs Canon T8i
- Canon 1D Mark IV vs Canon XS
- Canon 1D Mark IV vs Olympus E-P5
- Canon 1D Mark IV vs Olympus E-PL2
- Canon 1D Mark IV vs Pentax Q
- Canon 800D vs Olympus E-520
- Hasselblad X1D vs Olympus E-520
- Nikon W300 vs Olympus E-520
- Olympus E-520 vs Panasonic S1
- Olympus E-520 vs Sony A99 II
- Olympus E-520 vs Sony NEX-5N
Specifications: Canon 1D Mark IV vs Olympus E-520
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark IV||Olympus E-520|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||October 2009||May 2008|
|Launch Price||USD 4,999||USD 699|
|Sensor Specs||Canon 1D Mark IV||Olympus E-520|
|Sensor Format||APS-H Sensor||Four Thirds Sensor|
|Sensor Size||27.9 x 18.6 mm||17.3 x 13.0 mm|
|Sensor Area||518.94 mm2||224.9 mm2|
|Sensor Diagonal||33.5 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||10 Megapixels|
|Image Resolution||4896 x 3264 pixels||3648 x 2736 pixels|
|Pixel Pitch||5.70 μm||4.74 μm|
|Pixel Density||3.08 MP/cm2||4.44 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100 - 12,800 ISO||100 - 1,600 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||DIGIC IV||TruePic III|
|DXO Sensor Quality (score)||74||55|
|DXO Color Depth (bits)||22.8||21.4|
|DXO Dynamic Range (EV)||12.0||10.4|
|DXO Low Light (ISO)||1320||548|
|Screen Specs||Canon 1D Mark IV||Olympus E-520|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||920k dots||215k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1D Mark IV||Olympus E-520|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||10 shutter flaps/s||3.5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Canon 1D Mark IV||Olympus E-520|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark IV||Olympus E-520|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1500 shots per charge||750 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
136 x 92 x 68 mm
(5.4 x 3.6 x 2.7 in)
|Camera Weight||1230 g (43.4 oz)||535 g (18.9 oz)|
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