Canon 1D Mark IV vs Leica V-LUX 3
The Canon EOS-1D Mark IV and the Leica V-LUX 3 are two digital cameras that were revealed to the public, respectively, in October 2009 and December 2011. The 1D Mark IV is a DSLR, while the V-LUX 3 is a fixed lens compact. The cameras are based on an APS-H (1D Mark IV) and a 1/2.3-inch (V-LUX 3) sensor. The Canon has a resolution of 16 megapixels, whereas the Leica provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark IV||Leica V-LUX 3|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||25-600mm f/2.8-5.2|
|16 MP, APS-H Sensor||12 MP, 1/2.3" Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-12800 (50-102400)||ISO 100-3200 (100-6400)|
|Optical viewfinder||Electronic viewfinder (202k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|10 shutter flaps per second||12 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1500 shots per battery charge||410 shots per battery charge|
|156 x 157 x 80 mm, 1230 g||124 x 81 x 95 mm, 540 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark IV and the Leica V-LUX 3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1D Mark IV and the Leica V-LUX 3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica V-LUX 3 is considerably smaller (59 percent) than the Canon 1D Mark IV. It is worth mentioning in this context that the 1D Mark IV is splash and dust resistant, while the V-LUX 3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 3 has a lens built in, whereas the 1D Mark IV is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D Mark IV and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1D Mark IV gets 1500 shots out of its LP-E4 battery, while the V-LUX 3 can take 410 images on a single charge of its BP-DC9 power pack. As can be seen in the images above, the 1D Mark IV has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 1D Mark IV»||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||Canon 1D Mark IV|
|Leica V-LUX 3«||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949||Leica V-LUX 3|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon G1 X Mark II« »||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G1 X« »||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||Canon G1 X|
|Canon 1D X« »||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799||Canon 1D X|
|Canon 60D« »||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||Canon 60D|
|Canon 7D« »||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||Canon 7D|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||Canon 5D Mark II|
|Canon 50D« »||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299||Canon 50D|
|Canon 1D Mark III« »||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||Canon 1D Mark III|
|Canon 1Ds Mark II« »||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||Canon 1Ds Mark II|
|Fujifilm X100« »||126 mm||75 mm||54 mm||445 g||300||n||Sep 2010||1,199||Fujifilm X100|
|Leica V-LUX 4« »||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949||Leica V-LUX 4|
|Leica V-LUX 2« »||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849||Leica V-LUX 2|
|Nikon D4« »||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999||Nikon D4|
|Nikon D3S« »||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199||Nikon D3S|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The V-LUX 3 was launched at a lower price than the 1D Mark IV, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Leica V-LUX 3 a 1/2.3-inch sensor. The sensor area in the V-LUX 3 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 5.6. The sensor in the 1D Mark IV has a native 3:2 aspect ratio, while the one in the V-LUX 3 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 16MP, the 1D Mark IV offers a higher resolution than the V-LUX 3 (12MP), but the 1D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.70μm versus 1.53μm for the V-LUX 3) due to its larger sensor. However, the V-LUX 3 is a much more recent model (by 2 years and 1 month) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the V-LUX 3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 1D Mark IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1D Mark IV for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inch or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inch or 41.5 x 27.6 cm. The corresponding values for the Leica V-LUX 3 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Canon EOS-1D Mark IV has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica V-LUX 3 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 3|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 60D||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 50D||APS-C||15.1||4752||3168||none||21.8||11.4||696||63||Canon 50D|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Fujifilm X100||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73||Fujifilm X100|
|Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 4|
|Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Leica V-LUX 2|
|Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82||Nikon D3S|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the V-LUX 3 provides a faster frame rate than the 1D Mark IV. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the V-LUX 3 has an electronic viewfinder (202k dots), while the 1D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 1D Mark IV and Leica V-LUX 3 along with similar information for a selection of comparators.
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 60D||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 50D||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Fujifilm X100||1440||n||2.8||460||fixed||n||1/4000s||5.0||Y||n||Fujifilm X100|
|Leica V-LUX 4||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Leica V-LUX 2|
|Nikon D4||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Nikon D3S||optical||Y||3.0||921||fixed||n||1/8000s||11.0||n||n||Nikon D3S|
One feature that is present on the 1D Mark IV, but is missing on the V-LUX 3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The V-LUX 3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1D Mark IV does not have a selfie-screen.
The 1D Mark IV writes its imaging data to Compact Flash or SDHC cards, while the V-LUX 3 uses SDXC cards. The 1D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the V-LUX 3 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark IV and Leica V-LUX 3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark IV||Y||stereo||none||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Leica V-LUX 3||Y||stereo||none||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon 1D X||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 60D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 50D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon 1D Mark III||Y||none||none||-||-||none||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark II||Y||none||none||-||-||none||2.0||-||-||-||Canon 1Ds Mark II|
|Fujifilm X100||Y||stereo||none||-||-||mini||2.0||-||-||-||Fujifilm X100|
|Leica V-LUX 4||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica V-LUX 2|
|Nikon D4||Y||mono||mono||Y||Y||micro||2.0||-||-||-||Nikon D4|
|Nikon D3S||Y||stereo||none||-||-||mini||2.0||-||-||-||Nikon D3S|
It is notable that the 1D Mark IV has a microphone port, which is missing on the V-LUX 3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 1D Mark IV (unlike the V-LUX 3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark IV and the V-LUX 3 have been discontinued, but can regularly be found used on eBay. The V-LUX 3 was replaced by the Leica V-LUX 4, while the 1D Mark IV does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So how do things add up? Is there a clear favorite between the Canon 1D Mark IV and the Leica V-LUX 3? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS-1D Mark IV:
- More detail: Offers more megapixels (16 vs 12MP) with a 18% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1500 versus 410) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2009).
Advantages of the Leica V-LUX 3:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 1D Mark IV requires a separate lens.
- More compact: Is smaller (124x81mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1D Mark IV).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 1 month of technical progress since the 1D Mark IV launch.
If the count of individual advantages (bullet points above) is taken as a guide, the 1D Mark IV is the clear winner of the match-up (18 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark IV and the Leica V-LUX 3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1D Mark IV or the V-LUX 3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark IV vs Canon T7i
- Canon 1D Mark IV vs Kodak S-1
- Canon 1D Mark IV vs Nikon W150
- Canon 1D Mark IV vs Olympus E-300
- Canon 1D Mark IV vs Olympus E-500
- Canon 1D Mark IV vs Panasonic GX1
- Canon 1D Mark IV vs Panasonic ZS80
- Canon 1D Mark IV vs Sony H300
- Canon 1D Mark IV vs Sony NEX-F3
- Canon 5D Mark IV vs Leica V-LUX 3
- Leica V-LUX 3 vs Olympus E-510
- Leica V-LUX 3 vs Panasonic GH3
Specifications: Canon 1D Mark IV vs Leica V-LUX 3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark IV||Leica V-LUX 3|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-600mm f/2.8-5.2|
|Launch Date||October 2009||December 2011|
|Launch Price||USD 4999||USD 949|
|Sensor Specs||Canon 1D Mark IV||Leica V-LUX 3|
|Sensor Format||APS-H Sensor||1/2.3" Sensor|
|Sensor Size||27.9 x 18.6 mm||6.17 x 4.55 mm|
|Sensor Area||518.94 mm2||28.0735 mm2|
|Sensor Diagonal||33.5 mm||7.7 mm|
|Sensor Resolution||16 Megapixels||12 Megapixels|
|Image Resolution||4896 x 3264 pixels||4000 x 3000 pixels|
|Pixel Pitch||5.70 μm||1.53 μm|
|Pixel Density||3.08 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-12800 ISO||100-3200 ISO|
|ISO Boost||50-102400 ISO||100-6400 ISO|
|DXO Sensor Quality (score)||74||..|
|DXO Color Depth (bits)||22.8||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||1320||..|
|Screen Specs||Canon 1D Mark IV||Leica V-LUX 3|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon 1D Mark IV||Leica V-LUX 3|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 1D Mark IV||Leica V-LUX 3|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark IV||Leica V-LUX 3|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1500 shots per charge||410 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
124 x 81 x 95 mm
(4.9 x 3.2 x 3.7 in)
|Camera Weight||1230 g (43.4 oz)||540 g (19.0 oz)|
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