Canon 1D Mark III vs Sony RX10 II
The Canon EOS-1D Mark III and the Sony Cyber-shot DSC-RX10 II are two digital cameras that were officially introduced, respectively, in February 2007 and June 2015. The 1D Mark III is a DSLR, while the RX10 II is a fixed lens compact. The cameras are based on an APS-H (1D Mark III) and an one-inch (RX10 II) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Sony Cyber-shot DSC-RX10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1D Mark III and the Sony RX10 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 II is considerably smaller (54 percent) than the Canon 1D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 II has a lens built in, whereas the 1D Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1D Mark III gets 2200 shots out of its LP-E4 battery, while the RX10 II can take 400 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the RX10 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1D Mark III||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499|
|Sony RX10 II||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299|
|Canon 80D||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon G3 X||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999|
|Canon 5D Mark III||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499|
|Canon 1D Mark IV||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Canon 1Ds Mark III||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999|
|Canon 1D Mark II N||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999|
|Canon 1D Mark II||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499|
|Canon 1Ds||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999|
|Nikon D3||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999|
|Nikon D2Xs||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699|
|Sony RX10 III||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
|Sony RX10||5.1 in||3.5 in||4.0 in||28.7 oz||420||Y||Oct 2013||1,299|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The RX10 II was launched at a lower price than the 1D Mark III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Sony RX10 II an one-inch sensor. The sensor area in the RX10 II is 78 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the RX10 II offers a higher resolution of 20 megapixels, compared with 10.1 MP of the 1D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 7.21μm for the 1D Mark III). However, it should be noted that the RX10 II is much more recent (by 8 years and 3 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony RX10 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX10 II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
|Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The RX10 II indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the RX10 II can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the RX10 II has an electronic viewfinder (2359k dots), while the 1D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the RX10 II has a higher magnification than the one of the 1D Mark III (0.70x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1D Mark III and Sony RX10 II along with similar information for a selection of comparators.
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n|
|Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
|Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The RX10 II has one, while the 1D Mark III does not. While the built-in flash of the RX10 II is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX10 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the RX10 II uses SDXC or Memory Stick PRO Duo cards. The 1D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX10 II only has one slot. The RX10 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Sony Cyber-shot DSC-RX10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Canon 1Ds Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1D Mark II N||Y||-||-||-||-||-||1.1||-||-||-|
|Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
|Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the RX10 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark III does not provide wifi capability.
Studio photographers will appreciate that the Canon 1D Mark III (unlike the RX10 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark III and the RX10 II have been discontinued, but can regularly be found used on eBay. The 1D Mark III was replaced by the Canon 1D Mark IV, while the RX10 II was followed by the Sony RX10 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is the Canon 1D Mark III better than the Sony RX10 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS-1D Mark III:
- Better low-light sensitivity: Requires less light for good images (1 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/3200s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2200 versus 400) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in February 2007).
Advantages of the Sony Cyber-shot DSC-RX10 II:
- More detail: Has more megapixels (20 vs 10.1MP), which boosts linear resolution by 41%.
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.58x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 1D Mark III requires a separate lens.
- More compact: Is smaller (129x88mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1D Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 8 years and 3 months of technical progress since the 1D Mark III launch.
If the count of individual advantages (bullet points above) is taken as a guide, the RX10 II is the clear winner of the contest (20 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark III and the Sony RX10 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1D Mark III and the RX10 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark III||..||..||..||o||..||Feb 2007||4,499|
|Sony RX10 II||+ +||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon G3 X||+||..||4.5/5||3.5/5||4/5||Jun 2015||999|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 1D Mark IV||..||89/100||..||5/5||..||Oct 2009||4,999|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Canon 1Ds Mark III||..||+ +||4.5/5||..||..||Aug 2007||7,999|
|Canon 1D Mark II N||..||..||..||..||..||Aug 2005||3,999|
|Canon 1D Mark II||..||+ +||..||o||..||Jan 2004||4,499|
|Canon 1Ds||..||+ +||..||..||..||Sep 2002||8,999|
|Nikon D3||..||+ +||5/5||o||4.5/5||Aug 2007||4,999|
|Nikon D2Xs||..||..||..||o||..||Jun 2006||4,699|
|Sony RX10 III||+||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Sony RX10||+||80/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Canon T2i
- Canon 1D Mark III vs Canon T6s
- Canon 1D Mark III vs Leica D-LUX 7
- Canon 1D Mark III vs Panasonic GH1
- Canon 1D Mark III vs Sony A7 II
- Canon 1D Mark III vs Sony RX10
- Canon 750D vs Sony RX10 II
- Fujifilm X-T3 vs Sony RX10 II
- Fujifilm X100 vs Sony RX10 II
- Nikon B500 vs Sony RX10 II
- Panasonic FZ1000 II vs Sony RX10 II
- Sony RX10 II vs YI M1
Specifications: Canon 1D Mark III vs Sony RX10 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark III||Sony RX10 II|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-200mm f/2.8|
|Launch Date||February 2007||June 2015|
|Launch Price||USD 4,499||USD 1,299|
|Sensor Specs||Canon 1D Mark III||Sony RX10 II|
|Sensor Format||APS-H Sensor||1" Sensor|
|Sensor Size||28.1 x 18.7 mm||13.2 x 8.8 mm|
|Sensor Area||525.47 mm2||116.16 mm2|
|Sensor Diagonal||33.8 mm||15.9 mm|
|Sensor Resolution||10.1 Megapixels||20 Megapixels|
|Image Resolution||3888 x 2592 pixels||5472 x 3648 pixels|
|Pixel Pitch||7.21 μm||2.41 μm|
|Pixel Density||1.92 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 12,800 ISO|
|ISO Boost||50 - 6,400 ISO||64 - 25,600 ISO|
|Image Processor||DIGIC III||BIONZ X|
|DXO Sensor Quality (score)||71||70|
|DXO Color Depth (bits)||22.7||23.0|
|DXO Dynamic Range (EV)||11.7||12.6|
|DXO Low Light (ISO)||1078||531|
|Screen Specs||Canon 1D Mark III||Sony RX10 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||230k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 1D Mark III||Sony RX10 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/3200s|
|Continuous Shooting||10 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1D Mark III||Sony RX10 II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 1D Mark III||Sony RX10 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||2200 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||1155 g (40.7 oz)||813 g (28.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.