Canon 1D Mark III vs Sony HX80
The Canon EOS-1D Mark III and the Sony Cyber-shot DSC-HX80 are two digital cameras that were announced, respectively, in February 2007 and March 2016. The 1D Mark III is a DSLR, while the HX80 is a fixed lens compact. The cameras are based on an APS-H (1D Mark III) and a 1/2.3-inch (HX80) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Sony provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark III||Sony HX80|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-720mm f/3.5-6.4|
|10.1 MP, APS-H Sensor||18 MP, 1/2.3" Sensor|
|no Video||1080/60p Video|
|ISO 100-3200 (50-6400)||ISO 80-3200 (80-12800)|
|Optical viewfinder||Electronic viewfinder (638k dots)|
|3.0" LCD, 230k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|10 shutter flaps per second||10 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|2200 shots per battery charge||390 shots per battery charge|
|156 x 157 x 80 mm, 1155 g||102 x 58 x 36 mm, 245 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Sony Cyber-shot DSC-HX80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1D Mark III and the Sony HX80 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX80 is considerably smaller (76 percent) than the Canon 1D Mark III. It is worth mentioning in this context that the 1D Mark III is splash and dust resistant, while the HX80 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX80 has a lens built in, whereas the 1D Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1D Mark III gets 2200 shots out of its LP-E4 battery, while the HX80 can take 390 images on a single charge of its NP-BX1 power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the HX80 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D Mark III»||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Sony HX80«||4.0 in||2.3 in||1.4 in||8.6 oz||390||n||Mar 2016||349||Sony HX80|
|Canon SX720« »||4.3 in||2.5 in||1.4 in||9.5 oz||250||n||Feb 2016||379||-||Canon SX720|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon SX710« »||4.4 in||2.6 in||1.4 in||9.5 oz||230||n||Jan 2015||349||-||Canon SX710|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D3« »||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999||-||Nikon D3|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony HX90V« »||4.0 in||2.3 in||1.4 in||8.6 oz||360||n||Apr 2015||429||Sony HX90V|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The HX80 was launched at a lower price than the 1D Mark III, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Sony HX80 a 1/2.3-inch sensor. The sensor area in the HX80 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 5.6. The sensor in the 1D Mark III has a native 3:2 aspect ratio, while the one in the HX80 offers a 4:3 aspect.
Despite having a smaller sensor, the HX80 offers a higher resolution of 18 megapixels, compared with 10.1 MP of the 1D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 7.21μm for the 1D Mark III). However, it should be noted that the HX80 is much more recent (by 9 years) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the HX80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony HX80 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX80 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inch or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inch or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inch or 41.5 x 31.1 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inch or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inch or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inch or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Sony Cyber-shot DSC-HX80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D Mark III»||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Sony HX80«||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX80|
|Canon SX720« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX720|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon SX710« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX710|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Nikon D3« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2290||81||Nikon D3|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony HX90V« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX90V|
Many modern cameras cannot only take still pictures, but also record videos. The HX80 indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the HX80 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the HX80 has an electronic viewfinder (638k dots), while the 1D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 1D Mark III and Sony HX80 along with similar information for a selection of comparators.
|Canon 1D Mark III»||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Sony HX80«||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX80|
|Canon SX720« »||-||n||3.0||922||fixed||n||1/3200s||5.9||Y||Y||Canon SX720|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon SX710« »||-||n||3.0||922||fixed||n||1/3200s||6.0||Y||Y||Canon SX710|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Nikon D3« »||optical||Y||3.0||922||fixed||n||1/8000s||11.0||n||n||Nikon D3|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony HX90V« »||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
One feature that is present on the 1D Mark III, but is missing on the HX80 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The HX80 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1D Mark III does not have a selfie-screen.
The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the HX80 uses SDXC or Memory Stick PRO Duo cards. The 1D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the HX80 only has one slot. The HX80 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Sony Cyber-shot DSC-HX80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark III»||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Sony HX80«||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX80|
|Canon SX720« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX720|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon SX710« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX710|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Nikon D3« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony HX90V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
It is notable that the 1D Mark III has a hotshoe, while the HX80 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1D Mark III (unlike the HX80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The HX80 is a recent model that features in the current product line-up of Sony. In contrast, the 1D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1D Mark III was succeeded by the Canon 1D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 1D Mark III and the Sony HX80? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS-1D Mark III:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2200 versus 390) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in February 2007).
Advantages of the Sony Cyber-shot DSC-HX80:
- More detail: Has more megapixels (18 vs 10.1MP), which boosts linear resolution by 31%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (922k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Ready to shoot: Comes with an integrated lens, while the 1D Mark III requires a separate lens.
- More compact: Is smaller (102x58mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1D Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 9 years of technical progress since the 1D Mark III launch.
If the count of individual advantages (bullet points above) is taken as a guide, the HX80 comes out slightly ahead of the 1D Mark III (17 : 16 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark III and the Sony HX80 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 1D Mark III and the HX80 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark III»||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Sony HX80«||-||-||-||-||-||Mar 2016||349||Sony HX80|
|Canon SX720« »||+||-||4/5||-||4.5/5||Feb 2016||379||-||Canon SX720|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon SX710« »||+||-||4/5||-||3.5/5||Jan 2015||349||-||Canon SX710|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||-||+ +||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D3« »||-||+ +||5/5||o||4.5/5||Aug 2007||4,999||-||Nikon D3|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony HX90V« »||+ +||-||4/5||-||4.5/5||Apr 2015||429||Sony HX90V|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Canon 4000D
- Canon 1D Mark III vs Canon T100
- Canon 1D Mark III vs Leica V-LUX 4
- Canon 1D Mark III vs Panasonic FZ150
- Canon 1D Mark III vs Panasonic GH5
- Canon 1D Mark III vs Ricoh GR
- Canon G9 X Mark II vs Sony HX80
- Canon T3 vs Sony HX80
- Canon T6i vs Sony HX80
- Fujifilm X-H1 vs Sony HX80
- Nikon D50 vs Sony HX80
- Pentax MX-1 vs Sony HX80
Specifications: Canon 1D Mark III vs Sony HX80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark III||Sony HX80|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-720mm f/3.5-6.4|
|Launch Date||February 2007||March 2016|
|Launch Price||USD 4499||USD 349|
|Sensor Specs||Canon 1D Mark III||Sony HX80|
|Sensor Format||APS-H Sensor||1/2.3" Sensor|
|Sensor Size||28.1 x 18.7 mm||6.17 x 4.55 mm|
|Sensor Area||525.47 mm2||28.0735 mm2|
|Sensor Diagonal||33.8 mm||7.7 mm|
|Sensor Resolution||10.1 Megapixels||18 Megapixels|
|Image Resolution||3888 x 2592 pixels||4896 x 3672 pixels|
|Pixel Pitch||7.21 μm||1.25 μm|
|Pixel Density||1.92 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100-3200 ISO||80-3200 ISO|
|ISO Boost||50-6400 ISO||80-12800 ISO|
|Image Processor||DIGIC III||BIONZ X|
|DXO Sensor Quality (score)||71||..|
|DXO Color Depth (bits)||22.7||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||1078||..|
|Screen Specs||Canon 1D Mark III||Sony HX80|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||638k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 1D Mark III||Sony HX80|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1D Mark III||Sony HX80|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 1D Mark III||Sony HX80|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||2200 shots per charge||390 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
102 x 58 x 36 mm
(4.0 x 2.3 x 1.4 in)
|Camera Weight||1155 g (40.7 oz)||245 g (8.6 oz)|
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