Canon 1D Mark III vs Panasonic GF2
The Canon EOS-1D Mark III and the Panasonic Lumix DMC-GF2 are two digital cameras that were officially introduced, respectively, in February 2007 and November 2010. The 1D Mark III is a DSLR, while the GF2 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark III) and a Four Thirds (GF2) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark III||Panasonic GF2|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|10.1 MP, APS-H Sensor||12 MP, Four Thirds Sensor|
|no Video||1080/60i Video|
|ISO 100-3200 (50-6400)||ISO 100-6400|
|Optical viewfinder||Viewfinder optional|
|3.0" LCD, 230k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|10 shutter flaps per second||2.6 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|2200 shots per battery charge||300 shots per battery charge|
|156 x 157 x 80 mm, 1155 g||113 x 68 x 33 mm, 310 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Panasonic Lumix DMC-GF2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark III and the Panasonic GF2. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The GF2 can be obtained in four different colors (black, silver, red, white), while the 1D Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF2 is considerably smaller (69 percent) than the Canon 1D Mark III. Moreover, the GF2 is substantially lighter (73 percent) than the 1D Mark III. It is worth mentioning in this context that the 1D Mark III is splash and dust resistant, while the GF2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark III) and the Micro Four Thirds Lens Catalog (GF2). Mirrorless cameras, such as the GF2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1D Mark III gets 2200 shots out of its LP-E4 battery, while the GF2 can take 300 images on a single charge of its DMW-BLD10 power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D Mark III»||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Panasonic GF2«||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549||-||Panasonic GF2|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 1D Mark IV« »||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II« »||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D3S« »||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199||-||Nikon D3S|
|Nikon D3« »||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999||-||Nikon D3|
|Nikon D2Xs« »||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Panasonic G3« »||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||-||Panasonic G2|
|Panasonic GF1« »||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749||-||Panasonic GF1|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GF2 was launched at a markedly lower price (by 88 percent) than the 1D Mark III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Panasonic GF2 a Four Thirds sensor. The sensor area in the GF2 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark III has a native 3:2 aspect ratio, while the one in the GF2 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the GF2 offers a higher resolution of 12 megapixels, compared with 10.1 MP of the 1D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.33μm versus 7.21μm for the 1D Mark III). However, it should be noted that the GF2 is much more recent (by 3 years and 8 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GF2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF2 for good quality output (200 dots per inch) amounts to 20 x 15 inch or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inch or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inch or 33.9 x 25.4 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inch or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inch or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inch or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Panasonic Lumix DMC-GF2 are ISO 100 to ISO 6400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 1D Mark III provides substantially higher image quality than the GF2, with an overall score that is 17 points higher. This advantage is based on 1.5 bits higher color depth, 1.4 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark III»||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Panasonic GF2«||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54||Panasonic GF2|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Nikon D3S« »||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82||Nikon D3S|
|Nikon D3« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2290||81||Nikon D3|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GF3« »||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49||Panasonic GF3|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GF1« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54||Panasonic GF1|
Many modern cameras are not only capable of taking still images, but can also record movies. The GF2 indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the GF2 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 1D Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF2 relies on live view and the rear LCD for framing. That said, the GF2 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Canon 1D Mark III and Panasonic GF2 along with similar information for a selection of comparators.
|Canon 1D Mark III»||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Panasonic GF2«||-||n||3.0||460||fixed||Y||1/4000s||2.6||Y||n||Panasonic GF2|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Nikon D3S« »||optical||Y||3.0||921||fixed||n||1/8000s||11.0||n||n||Nikon D3S|
|Nikon D3« »||optical||Y||3.0||922||fixed||n||1/8000s||11.0||n||n||Nikon D3|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GF3« »||-||n||3.0||460||fixed||Y||1/4000s||3.2||Y||n||Panasonic GF3|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GF1« »||-||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Panasonic GF1|
One feature that is present on the 1D Mark III, but is missing on the GF2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the GF2 uses SDXC cards. The 1D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF2 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Panasonic Lumix DMC-GF2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark III»||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Panasonic GF2«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF2|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Nikon D3S« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Nikon D3S|
|Nikon D3« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GF3« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GF3|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GF1« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic GF1|
Studio photographers will appreciate that the Canon 1D Mark III (unlike the GF2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark III and the GF2 have been discontinued, but can regularly be found used on eBay. The 1D Mark III was replaced by the Canon 1D Mark IV, while the GF2 was followed by the Panasonic GF3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon 1D Mark III or the Panasonic GF2 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS-1D Mark III:
- Better image quality: Scores substantially higher (17 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 2.6 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2200 versus 300) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in February 2007).
Advantages of the Panasonic Lumix DMC-GF2:
- More detail: Has more megapixels (12 vs 10.1MP), which boosts linear resolution by 7%.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More compact: Is smaller (113x68mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 845g or 73 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
- More modern: Reflects 3 years and 8 months of technical progress since the 1D Mark III launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 1D Mark III is the clear winner of the match-up (14 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark III and the Panasonic GF2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1D Mark III or the GF2. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark III»||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Panasonic GF2«||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549||-||Panasonic GF2|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||-||+ +||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D3S« »||-||89/100||4.5/5||5/5||5/5||Oct 2009||5,199||-||Nikon D3S|
|Nikon D3« »||-||+ +||5/5||o||4.5/5||Aug 2007||4,999||-||Nikon D3|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic GF3« »||82/100||71/100||4.5/5||4.5/5||4/5||Jun 2011||549||-||Panasonic GF3|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Panasonic GF1« »||85/100||69/100||4.5/5||4.5/5||4.5/5||Sep 2009||749||-||Panasonic GF1|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark II vs Canon 1D Mark III
- Canon 1D Mark III vs Canon 760D
- Canon 1D Mark III vs Fujifilm XP140
- Canon 1D Mark III vs Nikon D800E
- Canon 5D Mark II vs Panasonic GF2
- Canon 650D vs Panasonic GF2
- Leica M8 vs Panasonic GF2
- Olympus E-PL8 vs Panasonic GF2
- Panasonic FZ1000 II vs Panasonic GF2
- Panasonic GF2 vs Pentax K-3 II
- Panasonic GF2 vs Sony A9
- Panasonic GF2 vs Zeiss ZX1
Specifications: Canon 1D Mark III vs Panasonic GF2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark III||Panasonic GF2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2007||November 2010|
|Launch Price||USD 4499||USD 549|
|Sensor Specs||Canon 1D Mark III||Panasonic GF2|
|Sensor Format||APS-H Sensor||Four Thirds Sensor|
|Sensor Size||28.1 x 18.7 mm||17.3 x 13.0 mm|
|Sensor Area||525.47 mm2||224.9 mm2|
|Sensor Diagonal||33.8 mm||21.6 mm|
|Sensor Resolution||10.1 Megapixels||12 Megapixels|
|Image Resolution||3888 x 2592 pixels||4000 x 3000 pixels|
|Pixel Pitch||7.21 μm||4.33 μm|
|Pixel Density||1.92 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-3200 ISO||100-6400 ISO|
|ISO Boost||50-6400 ISO||no Enhancement|
|Image Processor||DIGIC III||Venus FHD|
|DXO Sensor Quality (score)||71||54|
|DXO Color Depth (bits)||22.7||21.2|
|DXO Dynamic Range (EV)||11.7||10.3|
|DXO Low Light (ISO)||1078||506|
|Screen Specs||Canon 1D Mark III||Panasonic GF2|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark III||Panasonic GF2|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||2.6 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 1D Mark III||Panasonic GF2|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark III||Panasonic GF2|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||2200 shots per charge||300 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
113 x 68 x 33 mm
(4.4 x 2.7 x 1.3 in)
|Camera Weight||1155 g (40.7 oz)||310 g (10.9 oz)|
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