Canon 1D Mark III vs Nikon D5
The Canon EOS-1D Mark III and the Nikon D5 are two professional cameras that were officially introduced, respectively, in February 2007 and January 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-H (1D Mark III) and a full frame (D5) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Nikon D5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1D Mark III and the Nikon D5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5 is somewhat larger (4 percent) than the Canon 1D Mark III. Moreover, the D5 is markedly heavier (23 percent) than the 1D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark III) and the Nikon Lens Catalog (D5).
Concerning battery life, the 1D Mark III gets 2200 shots out of its LP-E4 battery, while the D5 can take 3780 images on a single charge of its EN-EL18a power pack. As can be seen in the images above, both cameras have a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D Mark III||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499|
|Nikon D5||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499|
|Canon 1D X Mark II||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5D Mark III||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499|
|Canon 1D Mark IV||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Canon 1Ds Mark III||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999|
|Canon 1D Mark II N||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999|
|Canon 1D Mark II||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499|
|Canon 1Ds||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999|
|Nikon D6||6.3 in||6.4 in||3.6 in||44.8 oz||3580||Y||Feb 2020||6,499|
|Nikon D4S||6.3 in||6.2 in||3.6 in||47.6 oz||3020||Y||Feb 2014||6,499|
|Nikon D750||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299|
|Nikon D610||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
|Nikon D3||6.3 in||6.2 in||3.5 in||45.9 oz||4300||Y||Aug 2007||4,999|
|Nikon D2Xs||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 1D Mark III was launched at a markedly lower price (by 31 percent) than the D5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Nikon D5 a full frame sensor. The sensor area in the D5 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 20.7MP, the D5 offers a higher resolution than the 1D Mark III (10.1MP), but the D5 has smaller individual pixels (pixel pitch of 6.44μm versus 7.21μm for the 1D Mark III). Yet, the D5 is a much more recent model (by 8 years and 10 months) than the 1D Mark III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon D5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5 for good quality output (200 dots per inch) amounts to 27.9 x 18.6 inches or 71 x 47.1 cm, for very good quality (250 dpi) 22.4 x 14.8 inches or 56.8 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inches or 47.3 x 31.4 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Nikon D5 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-3280000.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the D5 offers substantially better image quality than the 1D Mark III (overall score 17 points higher). The advantage is based on 2.4 bits higher color depth, 0.6 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|Nikon D6||Full Frame||20.7||5568||3712||4K/30p||..||..||..||..|
|Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The D5 indeed provides for movie recording, while the 1D Mark III does not. The highest resolution format that the D5 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The 1D Mark III and the D5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D5 has a higher magnification than the one of the 1D Mark III (0.72x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D Mark III and Nikon D5 in connection with corresponding information for a sample of similar cameras.
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n|
|Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D5 has a touchscreen, while the 1D Mark III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the D5 uses Compact Flash or XQD cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Nikon D5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Canon 1Ds Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1D Mark II N||Y||-||-||-||-||-||1.1||-||-||-|
|Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the 1D Mark III and the D5 have been discontinued, but can regularly be found used on eBay. The 1D Mark III was replaced by the Canon 1D Mark IV, while the D5 was followed by the Nikon D6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 1D Mark III or the Nikon D5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS-1D Mark III:
- Less heavy: Is lighter (by 260g or 18 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2007).
Arguments in favor of the Nikon D5:
- More detail: Has more megapixels (20.7 vs 10.1MP), which boosts linear resolution by 44%.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.1 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.58x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (14 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (3780 versus 2200) out of a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More modern: Reflects 8 years and 10 months of technical progress since the 1D Mark III launch.
If the count of relative strengths (bullet points above) is taken as a measure, the D5 is the clear winner of the contest (15 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark III and the Nikon D5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1D Mark III or the D5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark III||..||..||..||o||..||Feb 2007||4,499|
|Nikon D5||..||89/100||4.5/5||5/5||5/5||Jan 2016||6,499|
|Canon 1D X Mark II||..||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 1D Mark IV||..||89/100||..||5/5||..||Oct 2009||4,999|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Canon 1Ds Mark III||..||+ +||4.5/5||..||..||Aug 2007||7,999|
|Canon 1D Mark II N||..||..||..||..||..||Aug 2005||3,999|
|Canon 1D Mark II||..||+ +||..||o||..||Jan 2004||4,499|
|Canon 1Ds||..||+ +||..||..||..||Sep 2002||8,999|
|Nikon D6||..||..||4.5/5||..||4.5/5||Feb 2020||6,499|
|Nikon D4S||..||..||4.5/5||5/5||4.5/5||Feb 2014||6,499|
|Nikon D750||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299|
|Nikon D610||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Nikon D3||..||+ +||5/5||o||4.5/5||Aug 2007||4,999|
|Nikon D2Xs||..||..||..||o||..||Jun 2006||4,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Canon G1 X Mark II
- Canon 1D Mark III vs Fujifilm X-A5
- Canon 1D Mark III vs Nikon D300S
- Canon 1D Mark III vs Nikon D3X
- Canon 1D Mark III vs Nikon W300
- Canon 1D Mark III vs Sony NEX-3N
- Canon SL1 vs Nikon D5
- Fujifilm X-A3 vs Nikon D5
- Leica X Typ 113 vs Nikon D5
- Nikon 1 V1 vs Nikon D5
- Nikon D5 vs Panasonic FZ80
- Nikon D5 vs Panasonic G85
Specifications: Canon 1D Mark III vs Nikon D5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark III||Nikon D5|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Nikon F mount lenses|
|Launch Date||February 2007||January 2016|
|Launch Price||USD 4,499||USD 6,499|
|Sensor Specs||Canon 1D Mark III||Nikon D5|
|Sensor Format||APS-H Sensor||Full Frame Sensor|
|Sensor Size||28.1 x 18.7 mm||35.9 x 23.9 mm|
|Sensor Area||525.47 mm2||858.01 mm2|
|Sensor Diagonal||33.8 mm||43.1 mm|
|Sensor Resolution||10.1 Megapixels||20.7 Megapixels|
|Image Resolution||3888 x 2592 pixels||5588 x 3712 pixels|
|Pixel Pitch||7.21 μm||6.44 μm|
|Pixel Density||1.92 MP/cm2||2.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 102,400 ISO|
|ISO Boost||50 - 6,400 ISO||50 - 3,280,000 ISO|
|Image Processor||DIGIC III||EXPEED 5|
|DXO Sensor Quality (score)||71||88|
|DXO Color Depth (bits)||22.7||25.1|
|DXO Dynamic Range (EV)||11.7||12.3|
|DXO Low Light (ISO)||1078||2343|
|Screen Specs||Canon 1D Mark III||Nikon D5|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||230k dots||2359k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark III||Nikon D5|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||10 shutter flaps/s||14 shutter flaps/s|
|Shutter Life Expectancy||300 000 actuations||400 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDHC cards||CF or XQD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Canon 1D Mark III||Nikon D5|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark III||Nikon D5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||2200 shots per charge||3780 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
160 x 159 x 92 mm
(6.3 x 6.3 x 3.6 in)
|Camera Weight||1155 g (40.7 oz)||1415 g (49.9 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.