Canon 1D Mark III vs 50D
The Canon EOS-1D Mark III and the Canon EOS 50D are two digital cameras that were announced, respectively, in February 2007 and August 2008. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-H (1D Mark III) and an APS-C (50D) sensor. The 1D Mark III has a resolution of 10.1 megapixels, whereas the 50D provides 15.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark III and the Canon EOS 50D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1D Mark III and the Canon 50D is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 50D is considerably smaller (36 percent) than the Canon 1D Mark III. Moreover, the 50D is markedly lighter (29 percent) than the 1D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor (as in the 1D Mark III) will tend to go along with bigger and heavier lenses, while more compact options are available for the smaller-sensor camera (50D). You can compare the optics available in the Canon EF Lens Catalog.
Concerning battery life, the 1D Mark III gets 2200 shots out of its LP-E4 battery, while the 50D can take 800 images on a single charge of its BP-511A power pack. As can be seen in the images above, the 1D Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the 50D, Canon provides the BG-E2N vertical grip as an optional accessory (see here on eBay).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|2.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299|
|3.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|5.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|6.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399|
|7.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|8.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|9.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|10.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|11.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299|
|12.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|13.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999|
|14.||Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499|
|15.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999|
|16.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|17.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 50D was launched at a markedly lower price (by 71 percent) than the 1D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark III features an APS-H sensor and the Canon 50D an APS-C sensor. The sensor area in the 50D is 37 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the 50D uses a more advanced image processing engine (DIGIC 4) than the 1D Mark III (DIGIC III), with benefits for noise reduction, color accuracy, and processing speed.
Despite having a smaller sensor, the 50D offers a higher resolution of 15.1 megapixels, compared with 10.1 MP of the 1D Mark III. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.69μm versus 7.21μm for the 1D Mark III). However, it should be noted that the 50D is a somewhat more recent model (by 1 year and 6 months) than the 1D Mark III, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
The resolution advantage of the Canon 50D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 50D for good quality output (200 dots per inch) amounts to 23.8 x 15.8 inches or 60.4 x 40.2 cm, for very good quality (250 dpi) 19 x 12.7 inches or 48.3 x 32.2 cm, and for excellent quality (300 dpi) 15.8 x 10.6 inches or 40.2 x 26.8 cm. The corresponding values for the Canon 1D Mark III are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS-1D Mark III has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 50-6400. The corresponding ISO settings for the Canon EOS 50D are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 1D Mark III has a notably higher overall DXO score than the 50D (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.9 bits higher color depth, 0.3 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|3.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|5.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|7.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|9.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|10.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|13.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|14.||Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|15.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|16.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
Apart from body and sensor, cameras can and do differ across a range of features. The 1D Mark III and the 50D are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 1D Mark III offers a wider field of view (100%) than the one in the 50D (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 50D has a higher magnification (0.59x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1D Mark III and Canon 50D along with similar information for a selection of comparators.
|1.||Canon 1D Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||10.0||n||n|
|2.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3||Y||n|
|3.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|4.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|5.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|6.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3||Y||n|
|7.||Canon 1D Mark IV||optical||Y||3.0 / 920||fixed||n||1/8000s||10.0||n||n|
|8.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0||Y||n|
|9.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|10.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0||n||n|
|11.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5||Y||n|
|12.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|13.||Canon 1D Mark II N||optical||Y||2.5 / 230||fixed||n||1/8000s||8.5||n||n|
|14.||Canon 1D Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||8.3||n||n|
|15.||Canon 1Ds||optical||Y||2.0 / 120||fixed||n||1/8000s||3.0||n||n|
|16.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0||n||n|
|17.||Nikon D2Xs||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The 50D has one, while the 1D Mark III does not. While the built-in flash of the 50D is not very powerful, it can at times be useful as a fill-in light.
The 1D Mark III writes its imaging data to Compact Flash or SDHC cards, while the 50D uses Compact Flash cards. The 1D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the 50D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark III and Canon EOS 50D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1D Mark III||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|3.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|5.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|6.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon 1D Mark IV||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|8.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|9.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|11.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Canon 1D Mark II N||Y||- / -||-||-||-||1.1||-||-||-|
|14.||Canon 1D Mark II||Y||- / -||-||-||-||1.1||-||-||-|
|15.||Canon 1Ds||Y||- / -||-||-||-||FW||-||-||-|
|16.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
|17.||Nikon D2Xs||Y||- / -||-||-||-||2.0||-||-||-|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the 1D Mark III and the 50D have been discontinued, but can regularly be found used on eBay. The 1D Mark III was replaced by the Canon 1D Mark IV, while the 50D was followed by the Canon 60D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Is there a clear favorite between the Canon 1D Mark III and the Canon 50D? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS-1D Mark III:
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Faster burst: Shoots at higher frequency (10 vs 6.3 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2200 versus 800) on a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in February 2007).
Advantages of the Canon EOS 50D:
- More detail: Has more megapixels (15.1 vs 10.1MP), which boosts linear resolution by 22%.
- Better jpgs: Has a more modern image processing engine (DIGIC 4 vs DIGIC III).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.58x).
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- More compact: Is smaller (146x108mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 333g or 29 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (71 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 6 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the 50D comes out slightly ahead of the 1D Mark III (9 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark III and the Canon 50D place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1D Mark III and the 50D in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D Mark III||..||..||..||..||..||..||Feb 2007||4,499|
|2.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299|
|3.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|4.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|5.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|6.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399|
|7.||Canon 1D Mark IV||5/5||..||..||89/100||..||..||Oct 2009||4,999|
|8.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699|
|9.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|10.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|11.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299|
|12.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|13.||Canon 1D Mark II N||..||..||..||..||..||..||Aug 2005||3,999|
|14.||Canon 1D Mark II||..||..||..||+ +||..||..||Jan 2004||4,499|
|15.||Canon 1Ds||..||..||..||+ +||..||..||Sep 2002||8,999|
|16.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|17.||Nikon D2Xs||..||..||..||..||..||..||Jun 2006||4,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Canon 5D Mark II
- Canon 1D Mark III vs Canon G15
- Canon 1D Mark III vs Fujifilm X100
- Canon 1D Mark III vs Nikon D7000
- Canon 1D Mark III vs Olympus E-P2
- Canon 1D Mark III vs Sony A6000
- Canon 50D vs Canon 6D
- Canon 50D vs Canon G1 X Mark III
- Canon 50D vs Canon G12
- Canon 50D vs Canon M6
- Canon 50D vs Leica V-LUX 5
- Canon 50D vs Nikon D40
Specifications: Canon 1D Mark III vs Canon 50D
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark III||Canon 50D|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||February 2007||August 2008|
|Launch Price||USD 4,499||USD 1,299|
|Sensor Specs||Canon 1D Mark III||Canon 50D|
|Sensor Format||APS-H Sensor||APS-C Sensor|
|Sensor Size||28.1 x 18.7 mm||22.3 x 14.9 mm|
|Sensor Area||525.47 mm2||332.27 mm2|
|Sensor Diagonal||33.8 mm||26.8 mm|
|Sensor Resolution||10.1 Megapixels||15.1 Megapixels|
|Image Resolution||3888 x 2592 pixels||4752 x 3168 pixels|
|Pixel Pitch||7.21 μm||4.69 μm|
|Pixel Density||1.92 MP/cm2||4.53 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100 - 3,200 ISO||100 - 3,200 ISO|
|ISO Boost||50 - 6,400 ISO||100 - 12,800 ISO|
|Image Processor||DIGIC III||DIGIC 4|
|DXO Sensor Quality (score)||71||63|
|DXO Color Depth (bits)||22.7||21.8|
|DXO Dynamic Range (EV)||11.7||11.4|
|DXO Low Light (ISO)||1078||696|
|Screen Specs||Canon 1D Mark III||Canon 50D|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||230k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1D Mark III||Canon 50D|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||10 shutter flaps/s||6.3 shutter flaps/s|
|Shutter Life Expectancy||300 000 actuations||100 000 actuations|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDHC cards||CF cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1D Mark III||Canon 50D|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark III||Canon 50D|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||2200 shots per charge||800 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
|Camera Weight||1155 g (40.7 oz)||822 g (29.0 oz)|
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