Canon 1D Mark II vs Sony NEX-7
The Canon EOS-1D Mark II and the Sony Alpha NEX-7 are two digital cameras that were announced, respectively, in January 2004 and August 2011. The 1D Mark II is a DSLR, while the NEX-7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark II) and an APS-C (NEX-7) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 1D Mark II||Sony NEX-7|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|8.2 MP, APS-H Sensor||24 MP, APS-C Sensor|
|no Video||1080/60i Video|
|ISO 100-1600 (50-3200)||ISO 100-16000|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|2.0" LCD, 230k dots||3.0" LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|8.3 shutter flaps per second||10 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1200 shots per battery charge||430 shots per battery charge|
|156 x 158 x 80 mm, 1535 g||120 x 67 x 43 mm, 400 g|
Body comparison: Canon 1D Mark II vs Sony NEX-7
An illustration of the physical size and weight of the Canon 1D Mark II and the Sony NEX-7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 1D Mark II – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is considerably smaller (67 percent) than the Canon 1D Mark II. Moreover, the NEX-7 is substantially lighter (74 percent) than the 1D Mark II. It is worth mentioning in this context that the 1D Mark II is splash and dust resistant, while the NEX-7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark II) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the NEX-7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1D Mark II gets 1200 shots out of its NP-E3 battery, while the NEX-7 can take 430 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D Mark II»||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Sony NEX-7«||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Canon 1D« »||6.1 in||6.2 in||3.1 in||55.9 oz||500||Y||Sep 2001||6,499||-||Canon 1D|
|Fujifilm X100« »||5.0 in||3.0 in||2.1 in||15.7 oz||300||n||Sep 2010||1,199||-||Fujifilm X100|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Sony RX1« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||-||Sony RX1|
|Sony NEX-3« »||4.6 in||2.4 in||1.3 in||10.5 oz||330||n||May 2010||599||-||Sony NEX-3|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The NEX-7 was launched at a markedly lower price (by 70 percent) than the 1D Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 1D Mark II vs Sony NEX-7
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the NEX-7 offers a higher resolution of 24 megapixels, compared with 8.2 MP of the 1D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.90μm versus 8.17μm for the 1D Mark II). However, it should be noted that the NEX-7 is much more recent (by 7 years and 6 months) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Canon EOS-1D Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-7 offers substantially better image quality than the 1D Mark II (overall score 15 points higher). The advantage is based on 1.8 bits higher color depth, 2.3 EV in additional dynamic range, and -0 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D Mark II»||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Sony NEX-7«||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Canon 1D« »||APS-H||4.1||2496||1662||-||-||-||-||-||Canon 1D|
|Fujifilm X100« »||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73||Fujifilm X100|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony RX1« »||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
|Sony NEX-3« »||APS-C||14.0||4592||3056||720/30p||22.1||12.0||830||68||Sony NEX-3|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The NEX-7 indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the NEX-7 can use is 1080/60i.
Feature comparison: Canon 1D Mark II vs Sony NEX-7
Beyond body and sensor, cameras can and do differ across a range of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 1D Mark II, the Sony NEX-7, and comparable cameras.
|Canon 1D Mark II»||optical||Y||2.0||230||fixed||n||8000||8.3||n||n||Canon 1D Mark II|
|Sony NEX-7«||2359||n||3.0||921||tilting||n||4000||10.0||Y||n||Sony NEX-7|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS R|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||8000||10.0||n||n||Canon 1D Mark IV|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||8000||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||8000||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||8000||8.5||n||n||Canon 1D Mark II N|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||8000||3.0||n||n||Canon 5D|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||8000||4.0||n||n||Canon 1Ds Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||8000||3.0||n||n||Canon 1Ds|
|Canon 1D« »||optical||Y||2.0||120||fixed||n||16000||8.0||n||n||Canon 1D|
|Fujifilm X100« »||1440||n||2.8||460||fixed||n||4000||5.0||Y||n||Fujifilm X100|
|Sony A6000« »||1440||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6000|
|Sony A3000« »||202||n||3.0||230||fixed||n||4000||2.5||Y||n||Sony A3000|
|Sony RX1« »||-||n||3.0||1229||fixed||n||4000||5.0||Y||n||Sony RX1|
|Sony NEX-3« »||-||n||3.0||920||tilting||n||4000||7.0||n||n||Sony NEX-3|
One feature that is present on the 1D Mark II, but is missing on the NEX-7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1D Mark II writes its imaging data to Compact Flash or SD cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The 1D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the NEX-7 only has one slot.
Connectivity comparison: Canon 1D Mark II vs Sony NEX-7
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark II»||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Sony NEX-7«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-7|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Canon 1D« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1D|
|Fujifilm X100« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Fujifilm X100|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony RX1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
|Sony NEX-3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-3|
Both the 1D Mark II and the NEX-7 have been discontinued, but can regularly be found used on eBay. The 1D Mark II was replaced by the Canon 1D Mark II N, while the NEX-7 does not have a direct successor.
Review summary: Canon 1D Mark II vs Sony NEX-7
So what conclusions can be drawn? Is there a clear favorite between the Canon 1D Mark II and the Sony NEX-7? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS-1D Mark II:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 430) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in January 2004).
Arguments in favor of the Sony Alpha NEX-7:
- More detail: Has more megapixels (24 vs 8.2MP), which boosts linear resolution by 71%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 8.3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 1135g or 74 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More modern: Reflects 7 years and 6 months of technical progress since the 1D Mark II launch.
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-7 is the clear winner of the contest (17 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1D Mark II or the NEX-7 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 1D Mark II vs Sony NEX-7
This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon 1D Mark II»||-||HiRec||-||rev||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Sony NEX-7«||HiRec||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||-||-||-||rev||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||-||HiRec||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||88/100||HiRec||rev||rev||-||Aug 2005||3,299||-||Canon 5D|
|Canon 1Ds Mark II« »||-||HiRec||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1Ds« »||-||HiRec||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Canon 1D« »||-||HiRec||-||-||-||Sep 2001||6,499||-||Canon 1D|
|Fujifilm X100« »||-||75/100||4/5||4/5||5/5||Sep 2010||1,199||-||Fujifilm X100|
|Sony A6000« »||Rec||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A3000« »||Rec||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony RX1« »||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
|Sony NEX-3« »||-||70/100||4.5/5||5/5||4/5||May 2010||599||-||Sony NEX-3|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 60D vs Canon T6i
- Canon G9 X Mark II vs Panasonic GH2
- Nikon D40 vs Nikon D40X
- Nikon D5100 vs Canon T5i
- Nikon D5300 vs Leica TL2
- Olympus E-PL9 vs Leica CL
- Olympus PEN-F vs Canon 5D Mark III
- Panasonic FZ300 vs Panasonic G7
- Panasonic GM1 vs Panasonic FZ1000
- Panasonic LX7 vs Nikon D5500
- Sony A7 III vs Sony A9
- Sony A900 vs Canon M6
Specifications: Canon 1D Mark II vs Sony NEX-7
|Camera Model||Canon 1D Mark II||Sony NEX-7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||January 2004||August 2011|
|Launch Price||USD 4499||USD 1349|
|Sensor Format||APS-H Sensor||APS-C Sensor|
|Sensor Size||28.7 x 19.1 mm||23.4 x 19.1 mm|
|Sensor Area||548.17 mm2||365.04 mm2|
|Sensor Diagonal||34.5 mm||28.1 mm|
|Sensor Resolution||8.2 Megapixels||24 Megapixels|
|Image Resolution||3504 x 2336 pixels||6000 x 4000 pixels|
|Pixel Pitch||8.17 μm||3.90 μm|
|Pixel Density||1.49 MP/cm2||6.57 MP/cm2|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-1600 ISO||100-16000 ISO|
|ISO Boost||50-3200 ISO||no Enhancement|
|Image Processor||DIGIC II||BIONZ|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Resolution||n/a||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||230k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||8.3 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SD cards||MS or SDXC cards|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||NP-E3 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||1200 shots per charge||430 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||1535 g (54.1 oz)||400 g (14.1 oz)|
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