Canon 1D Mark II vs Panasonic FZ100
The Canon EOS-1D Mark II and the Panasonic Lumix DMC-FZ100 are two digital cameras that were revealed to the public, respectively, in January 2004 and July 2010. The 1D Mark II is a DSLR, while the FZ100 is a fixed lens compact. The cameras are based on an APS-H (1D Mark II) and a 1/2.3-inch (FZ100) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Panasonic provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark II and the Panasonic Lumix DMC-FZ100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark II and the Panasonic FZ100. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ100 is considerably smaller (59 percent) than the Canon 1D Mark II. It is worth mentioning in this context that the 1D Mark II is splash and dust resistant, while the FZ100 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ100 has a lens built in, whereas the 1D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1D Mark II gets 1200 shots out of its NP-E3 battery, while the FZ100 can take 410 images on a single charge of its DMW-BMB9 power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499||ebay.com|
|2.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||ebay.com|
|3.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|4.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|5.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|6.||Canon SX40||123 mm||92 mm||108 mm||600 g||380||n||Sep 2011||429||ebay.com|
|7.||Canon SX30||123 mm||92 mm||108 mm||601 g||370||n||Sep 2010||429||ebay.com|
|8.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||ebay.com|
|9.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||ebay.com|
|10.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||ebay.com|
|11.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999||ebay.com|
|12.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||ebay.com|
|13.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||ebay.com|
|14.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999||ebay.com|
|15.||Canon 1D||156 mm||158 mm||80 mm||1585 g||500||Y||Sep 2001||6,499||ebay.com|
|16.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599||ebay.com|
|17.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ100 was launched at a lower price than the 1D Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Panasonic FZ100 a 1/2.3-inch sensor. The sensor area in the FZ100 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 5.6. The sensor in the 1D Mark II has a native 3:2 aspect ratio, while the one in the FZ100 offers a 4:3 aspect.
Despite having a smaller sensor, the FZ100 offers a higher resolution of 14 megapixels, compared with 8.2 MP of the 1D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.41μm versus 8.17μm for the 1D Mark II). However, it should be noted that the FZ100 is much more recent (by 6 years and 5 months) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ100 for good quality output (200 dots per inch) amounts to 21.6 x 16.2 inches or 54.9 x 41.1 cm, for very good quality (250 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm, and for excellent quality (300 dpi) 14.4 x 10.8 inches or 36.6 x 27.4 cm. The corresponding values for the Canon 1D Mark II are 17.5 x 11.7 inches or 44.5 x 29.7 cm for good quality, 14 x 9.3 inches or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inches or 29.7 x 19.8 cm for excellent quality prints.
The Canon EOS-1D Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ100 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-6400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|3.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|4.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|8.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|9.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|10.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|11.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|12.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|13.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|14.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ100 indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the FZ100 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ100 has an electronic viewfinder (202k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 1D Mark II, the Panasonic FZ100, and comparable cameras.
|1.||Canon 1D Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||8.3/s||n||n|
|2.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|3.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|4.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|5.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|6.||Canon SX40||202||n||2.7 / 230||swivel||n||1/3200s||10.3/s||Y||Y|
|7.||Canon SX30||202||n||2.7 / 230||swivel||n||1/3200s||0.6/s||Y||Y|
|8.||Canon 1D Mark IV||optical||Y||3.0 / 920||fixed||n||1/8000s||10.0/s||n||n|
|9.||Canon 1D Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||10.0/s||n||n|
|10.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0/s||n||n|
|11.||Canon 1D Mark II N||optical||Y||2.5 / 230||fixed||n||1/8000s||8.5/s||n||n|
|12.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0/s||n||n|
|13.||Canon 1Ds Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||4.0/s||n||n|
|14.||Canon 1Ds||optical||Y||2.0 / 120||fixed||n||1/8000s||3.0/s||n||n|
|15.||Canon 1D||optical||Y||2.0 / 120||fixed||n||1/16000s||8.0/s||n||n|
|16.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|17.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 1D Mark II, but is missing on the FZ100 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ100 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1D Mark II does not have a selfie-screen.
The 1D Mark II writes its imaging data to Compact Flash or SD cards, while the FZ100 uses SDXC cards. The 1D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ100 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II and Panasonic Lumix DMC-FZ100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1D Mark II||Y||- / -||-||-||-||1.1||-||-||-|
|2.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon SX40||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|7.||Canon SX30||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|8.||Canon 1D Mark IV||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|9.||Canon 1D Mark III||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|11.||Canon 1D Mark II N||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Canon 1Ds Mark II||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Canon 1Ds||Y||- / -||-||-||-||FW||-||-||-|
|15.||Canon 1D||Y||- / -||-||-||-||FW||-||-||-|
|16.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Canon 1D Mark II (unlike the FZ100) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark II and the FZ100 have been discontinued, but can regularly be found used on ebay. The 1D Mark II was replaced by the Canon 1D Mark II N, while the FZ100 was followed by the Panasonic FZ150. Further information on the features and operation of the 1D Mark II and FZ100 can be found, respectively, in the Canon 1D Mark II Manual (free pdf) or the online Panasonic FZ100 Manual.
So what is the bottom line? Is there a clear favorite between the Canon 1D Mark II and the Panasonic FZ100? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS-1D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 410) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in January 2004).
Reasons to prefer the Panasonic Lumix DMC-FZ100:
- More detail: Has more megapixels (14 vs 8.2MP), which boosts linear resolution by 28%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 8.3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 1D Mark II requires a separate lens.
- More compact: Is smaller (124x82mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1D Mark II).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years and 5 months of technical progress since the 1D Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the FZ100 emerges as the winner of the match-up (17 : 15 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark II and the Panasonic FZ100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1D Mark II or the FZ100 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D Mark II||..||..||..||+ +||..||..||Jan 2004||4,499||ebay.com|
|2.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|3.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||amazon.com|
|4.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|5.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|6.||Canon SX40||..||+||..||..||4.5/5||4/5||Sep 2011||429||ebay.com|
|7.||Canon SX30||3/5||+ +||..||..||3.5/5||4/5||Sep 2010||429||ebay.com|
|8.||Canon 1D Mark IV||5/5||..||..||89/100||..||..||Oct 2009||4,999||ebay.com|
|9.||Canon 1D Mark III||..||..||..||..||..||..||Feb 2007||4,499||ebay.com|
|10.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999||ebay.com|
|11.||Canon 1D Mark II N||..||..||..||..||..||..||Aug 2005||3,999||ebay.com|
|12.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299||ebay.com|
|13.||Canon 1Ds Mark II||..||..||..||+ +||..||..||Sep 2004||7,999||ebay.com|
|14.||Canon 1Ds||..||..||..||+ +||..||..||Sep 2002||8,999||ebay.com|
|15.||Canon 1D||..||..||..||+ +||..||..||Sep 2001||6,499||ebay.com|
|16.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599||ebay.com|
|17.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II vs Canon 250D
- Canon 1D Mark II vs Canon 90D
- Canon 1D Mark II vs Fujifilm GFX 100
- Canon 1D Mark II vs Nikon D40
- Canon 1D Mark II vs Nikon D60
- Canon 1D Mark II vs Nikon D750
- Canon 80D vs Panasonic FZ100
- Fujifilm X-T1 vs Panasonic FZ100
- Fujifilm X-T100 vs Panasonic FZ100
- Panasonic FZ100 vs Panasonic LX5
- Panasonic FZ100 vs Panasonic ZS80
- Panasonic FZ100 vs Sony NEX-5R
Specifications: Canon 1D Mark II vs Panasonic FZ100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark II||Panasonic FZ100|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-600mm f/2.8-5.2|
|Launch Date||January 2004||July 2010|
|Launch Price||USD 4,499||USD 499|
|Sensor Specs||Canon 1D Mark II||Panasonic FZ100|
|Sensor Format||APS-H Sensor||1/2.3" Sensor|
|Sensor Size||28.7 x 19.1 mm||6.17 x 4.55 mm|
|Sensor Area||548.17 mm2||28.0735 mm2|
|Sensor Diagonal||34.5 mm||7.7 mm|
|Sensor Resolution||8.2 Megapixels||14 Megapixels|
|Image Resolution||3504 x 2336 pixels||4320 x 3240 pixels|
|Pixel Pitch||8.17 μm||1.41 μm|
|Pixel Density||1.49 MP/cm2||49.86 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||100 - 1,600 ISO|
|ISO Boost||50 - 3,200 ISO||100 - 6,400 ISO|
|Image Processor||DIGIC II||Venus FHD|
|DXO Sensor Quality (score)||66||..|
|DXO Color Depth (bits)||22.3||..|
|DXO Dynamic Range (EV)||11.1||..|
|DXO Low Light (ISO)||1003||..|
|Screen Specs||Canon 1D Mark II||Panasonic FZ100|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||202k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon 1D Mark II||Panasonic FZ100|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||8.3 shutter flaps/s||11 shutter flaps/s|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 1D Mark II||Panasonic FZ100|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark II||Panasonic FZ100|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||410 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
|Camera Weight||1535 g (54.1 oz)||540 g (19.0 oz)|
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