Canon 1D Mark II vs Panasonic FT7
The Canon EOS-1D Mark II and the Panasonic Lumix DC-FT7 (labelled Panasonic TS7 in some countries) are two digital cameras that were announced, respectively, in January 2004 and May 2018. The 1D Mark II is a DSLR, while the FT7 is a fixed lens compact. The cameras are based on an APS-H (1D Mark II) and a 1/2.3-inch (FT7) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark II and the Panasonic Lumix DC-FT7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon 1D Mark II and the Panasonic FT7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The FT7 can be obtained in three different colors (black, blue, orange), while the 1D Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 is considerably smaller (64 percent) than the Canon 1D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the 1D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1D Mark II gets 1200 shots out of its Canon NP-E3 battery, while the FT7 can take 300 images on a single charge of its Panasonic DMW-BCM13 power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the FT7 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1D Mark II | 156 mm | 158 mm | 80 mm | 1535 g | 1200 | Y | Jan 2004 | 4,499 | ebay.com | |
2. | Panasonic FT7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | 449 | ebay.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
4. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | 399 | ebay.com | |
5. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
6. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
7. | Canon 1D Mark IV | 156 mm | 157 mm | 80 mm | 1230 g | 1500 | Y | Oct 2009 | 4,999 | ebay.com | |
8. | Canon 1D Mark III | 156 mm | 157 mm | 80 mm | 1155 g | 2200 | Y | Feb 2007 | 4,499 | ebay.com | |
9. | Canon 1Ds Mark III | 150 mm | 160 mm | 80 mm | 1385 g | 1800 | Y | Aug 2007 | 7,999 | ebay.com | |
10. | Canon 1D Mark II N | 156 mm | 158 mm | 80 mm | 1565 g | 1200 | Y | Aug 2005 | 3,999 | ebay.com | |
11. | Canon 5D | 152 mm | 113 mm | 75 mm | 895 g | 400 | Y | Aug 2005 | 3,299 | ebay.com | |
12. | Canon 1Ds Mark II | 156 mm | 158 mm | 80 mm | 1215 g | 1200 | Y | Sep 2004 | 7,999 | ebay.com | |
13. | Canon 1Ds | 156 mm | 158 mm | 80 mm | 1265 g | 600 | Y | Sep 2002 | 8,999 | ebay.com | |
14. | Canon 1D | 156 mm | 158 mm | 80 mm | 1585 g | 500 | Y | Sep 2001 | 6,499 | ebay.com | |
15. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | 499 | ebay.com | |
16. | Panasonic TZ95 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | 449 | ebay.com | |
17. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FT7 was launched at a lower price than the 1D Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Panasonic FT7 a 1/2.3-inch sensor. The sensor area in the FT7 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 5.6. The sensor in the 1D Mark II has a native 3:2 aspect ratio, while the one in the FT7 offers a 4:3 aspect.
Despite having a smaller sensor, the FT7 offers a higher resolution of 20.2 megapixels, compared with 8.2 MP of the 1D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 8.17μm for the 1D Mark II). However, it should be noted that the FT7 is much more recent (by 14 years and 3 months) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FT7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FT7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon 1D Mark II are 17.5 x 11.7 inches or 44.5 x 29.7 cm for good quality, 14 x 9.3 inches or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inches or 29.7 x 19.8 cm for excellent quality prints.
The Canon EOS-1D Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Panasonic Lumix DC-FT7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
In terms of underlying technology, the 1D Mark II is build around a CMOS sensor, while the FT7 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1D Mark II | APS-H | 8.2 | 3504 | 2336 | none | 22.3 | 11.1 | 1003 | 66 | |
2. | Panasonic FT7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
5. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
6. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
7. | Canon 1D Mark IV | APS-H | 16.0 | 4896 | 3264 | 1080/30p | 22.8 | 12.0 | 1320 | 74 | |
8. | Canon 1D Mark III | APS-H | 10.1 | 3888 | 2592 | none | 22.7 | 11.7 | 1078 | 71 | |
9. | Canon 1Ds Mark III | Full Frame | 21.0 | 5616 | 3744 | none | 24.0 | 12.0 | 1663 | 80 | |
10. | Canon 1D Mark II N | APS-H | 8.2 | 3504 | 2336 | none | 22.3 | 11.2 | 975 | 66 | |
11. | Canon 5D | Full Frame | 12.7 | 4368 | 2912 | none | 22.9 | 11.1 | 1368 | 71 | |
12. | Canon 1Ds Mark II | Full Frame | 16.6 | 4992 | 3328 | none | 23.3 | 11.3 | 1480 | 74 | |
13. | Canon 1Ds | Full Frame | 11.0 | 4064 | 2704 | none | 21.8 | 11.0 | 954 | 63 | |
14. | Canon 1D | APS-H | 4.1 | 2496 | 1662 | none | .. | .. | .. | .. | |
15. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
16. | Panasonic TZ95 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1103 | 52 | |
17. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The FT7 indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the FT7 can use is 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FT7 has an electronic viewfinder (1170k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1D Mark II has a higher magnification than the one of the FT7 (0.55x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D Mark II and Panasonic FT7 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1D Mark II | optical | Y | 2.0 / 230 | fixed | n | 1/8000s | 8.3/s | n | n | |
2. | Panasonic FT7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
5. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
6. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
7. | Canon 1D Mark IV | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 10.0/s | n | n | |
8. | Canon 1D Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 10.0/s | n | n | |
9. | Canon 1Ds Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
10. | Canon 1D Mark II N | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 8.5/s | n | n | |
11. | Canon 5D | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 3.0/s | n | n | |
12. | Canon 1Ds Mark II | optical | Y | 2.0 / 230 | fixed | n | 1/8000s | 4.0/s | n | n | |
13. | Canon 1Ds | optical | Y | 2.0 / 120 | fixed | n | 1/8000s | 3.0/s | n | n | |
14. | Canon 1D | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 8.0/s | n | n | |
15. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
16. | Panasonic TZ95 | 2330 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the 1D Mark II, but is missing on the FT7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FT7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 1D Mark II writes its imaging data to Compact Flash or SD cards, while the FT7 uses SDXC cards. The 1D Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the FT7 only has one slot. The FT7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark II cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II and Panasonic Lumix DC-FT7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1D Mark II | Y | - / - | - | - | - | 1.1 | - | - | - | |
2. | Panasonic FT7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
5. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
6. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
7. | Canon 1D Mark IV | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
8. | Canon 1D Mark III | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Canon 1Ds Mark III | Y | mono / - | - | - | - | 2.0 | - | - | - | |
10. | Canon 1D Mark II N | Y | - / - | - | - | - | 1.1 | - | - | - | |
11. | Canon 5D | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Canon 1Ds Mark II | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Canon 1Ds | Y | - / - | - | - | - | FW | - | - | - | |
14. | Canon 1D | Y | - / - | - | - | - | FW | - | - | - | |
15. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
16. | Panasonic TZ95 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
17. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - |
It is notable that the 1D Mark II has a hotshoe, while the FT7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1D Mark II (unlike the FT7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark II and the FT7 have been discontinued, but can regularly be found used on ebay. The 1D Mark II was replaced by the Canon 1D Mark II N, while the FT7 does not have a direct successor. Further information on the features and operation of the 1D Mark II and FT7 can be found, respectively, in the Canon 1D Mark II Manual (free pdf) or the online Panasonic FT7 Manual.
Review summary
So what conclusions can be drawn? Is the Canon 1D Mark II better than the Panasonic FT7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS-1D Mark II:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.55x vs 0.45x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1300s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in January 2004).
Reasons to prefer the Panasonic Lumix DC-FT7:
- More detail: Has more megapixels (20.2 vs 8.2MP), which boosts linear resolution by 54%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Faster burst: Shoots at higher frequency (10 vs 8.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 1D Mark II requires a separate lens.
- More compact: Is smaller (117x76mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1D Mark II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 14 years and 3 months of technical progress since the 1D Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the FT7 is the clear winner of the contest (19 : 15 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark II and the Panasonic FT7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1D Mark II or the FT7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1D Mark II | .. | .. | .. | + + | .. | .. | Jan 2004 | 4,499 | ebay.com | |
2. | Panasonic FT7 | .. | + | .. | .. | 3.5/5 | 3.5/5 | May 2018 | 449 | ebay.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
4. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | 399 | ebay.com | |
5. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
6. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
7. | Canon 1D Mark IV | 5/5 | .. | .. | 89/100 | .. | .. | Oct 2009 | 4,999 | ebay.com | |
8. | Canon 1D Mark III | .. | .. | .. | .. | .. | .. | Feb 2007 | 4,499 | ebay.com | |
9. | Canon 1Ds Mark III | .. | .. | .. | + + | 4.5/5 | .. | Aug 2007 | 7,999 | ebay.com | |
10. | Canon 1D Mark II N | .. | .. | .. | .. | .. | .. | Aug 2005 | 3,999 | ebay.com | |
11. | Canon 5D | .. | 88/100 | .. | + + | o | .. | Aug 2005 | 3,299 | ebay.com | |
12. | Canon 1Ds Mark II | .. | .. | .. | + + | .. | .. | Sep 2004 | 7,999 | ebay.com | |
13. | Canon 1Ds | .. | .. | .. | + + | .. | .. | Sep 2002 | 8,999 | ebay.com | |
14. | Canon 1D | .. | .. | .. | + + | .. | .. | Sep 2001 | 6,499 | ebay.com | |
15. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | 499 | ebay.com | |
16. | Panasonic TZ95 | .. | + + | .. | .. | 4.5/5 | .. | Feb 2019 | 449 | ebay.com | |
17. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon 1D Mark II vs Panasonic FT7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 1D Mark II | Panasonic FT7 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Canon EF mount lenses | 28-128mm f/3.3-5.9 |
Launch Date | January 2004 | May 2018 |
Launch Price | USD 4,499 | USD 449 |
Sensor Specs | Canon 1D Mark II | Panasonic FT7 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | APS-H Sensor | 1/2.3" Sensor |
Sensor Size | 28.7 x 19.1 mm | 6.17 x 4.55 mm |
Sensor Area | 548.17 mm2 | 28.0735 mm2 |
Sensor Diagonal | 34.5 mm | 7.7 mm |
Crop Factor | 1.3x | 5.6x |
Sensor Resolution | 8.2 Megapixels | 20.2 Megapixels |
Image Resolution | 3504 x 2336 pixels | 5184 x 3888 pixels |
Pixel Pitch | 8.17 μm | 1.18 μm |
Pixel Density | 1.49 MP/cm2 | 71.80 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 4K/30p Video |
ISO Setting | 100 - 1,600 ISO | 80 - 3,200 ISO |
ISO Boost | 50 - 3,200 ISO | 80 - 6,400 ISO |
Image Processor | DIGIC II | Venus |
DXO Sensor Quality (score) | 66 | .. |
DXO Color Depth (bits) | 22.3 | .. |
DXO Dynamic Range (EV) | 11.1 | .. |
DXO Low Light (ISO) | 1003 | .. |
Screen Specs | Canon 1D Mark II | Panasonic FT7 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.55x | 0.45x |
Viewfinder Resolution | 1170k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.0inch |
LCD Resolution | 230k dots | 1040k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Canon 1D Mark II | Panasonic FT7 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 8.3 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF or SD cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Canon 1D Mark II | Panasonic FT7 |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 1.1 | USB 2.0 |
HDMI Port | no HDMI | micro HDMI |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Canon 1D Mark II | Panasonic FT7 |
Environmental Sealing | Weathersealed body | Waterproof body (31m) |
Battery Type | Canon NP-E3 | Panasonic DMW-BCM13 |
Battery Life (CIPA) | 1200 shots per charge | 300 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
156 x 158 x 80 mm (6.1 x 6.2 x 3.1 in) |
117 x 76 x 37 mm (4.6 x 3.0 x 1.5 in) |
Camera Weight | 1535 g (54.1 oz) | 319 g (11.3 oz) |
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