Canon 1D Mark II vs Olympus E-500
The Canon EOS-1D Mark II and the Olympus Evolt E-500 are two digital cameras that were revealed to the public, respectively, in January 2004 and September 2005. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-H (1D Mark II) and a Four Thirds (E-500) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Olympus provides 8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark II||Olympus E-500|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Four Thirds lenses|
|8.2 MP, APS-H Sensor||8 MP, Four Thirds Sensor|
|no Video||no Video|
|ISO 100-1600 (50-3200)||ISO 100-400 (100-1600)|
|Optical viewfinder||Optical viewfinder|
|2.0" LCD, 230k dots||2.5" LCD, 215k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|8.3 shutter flaps per second||2.5 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1200 shots per battery charge||750 shots per battery charge|
|156 x 158 x 80 mm, 1535 g||130 x 95 x 66 mm, 479 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark II and the Olympus Evolt E-500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1D Mark II and the Olympus E-500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-500 is considerably smaller (50 percent) than the Canon 1D Mark II. Moreover, the E-500 is substantially lighter (69 percent) than the 1D Mark II. It is worth mentioning in this context that the 1D Mark II is splash and dust resistant, while the E-500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark II) and the Four Thirds Lens Catalog (E-500).
Concerning battery life, the 1D Mark II gets 1200 shots out of its NP-E3 battery, while the E-500 can take 750 images on a single charge of its BLM-1 power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D Mark II»||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499||Canon 1D Mark II|
|Olympus E-500«||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||Olympus E-500|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 1D Mark IV« »||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||Canon 1D Mark IV|
|Canon 1D Mark III« »||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||Canon 1D Mark III|
|Canon 1Ds Mark III« »||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999||Canon 1D Mark II N|
|Canon 5D« »||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||Canon 5D|
|Canon 1Ds Mark II« »||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||Canon 1Ds Mark II|
|Canon 1Ds« »||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999||Canon 1Ds|
|Canon 1D« »||156 mm||158 mm||80 mm||1585 g||500||Y||Sep 2001||6,499||Canon 1D|
|Olympus E-410« »||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||Olympus E-410|
|Olympus E-510« »||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||Olympus E-510|
|Olympus E-330« »||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||Olympus E-330|
|Olympus E-400« »||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699||Olympus E-400|
|Olympus E-300« »||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||Olympus E-300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-500 was launched at a markedly lower price (by 87 percent) than the 1D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Olympus E-500 a Four Thirds sensor. The sensor area in the E-500 is 59 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark II has a native 3:2 aspect ratio, while the one in the E-500 offers a 4:3 aspect.
With 8.2MP, the 1D Mark II offers a slightly higher resolution than the E-500 (8MP), but the 1D Mark II nevertheless has larger individual pixels (pixel pitch of 8.17μm versus 5.30μm for the E-500) due to its larger sensor. However, the E-500 is a somewhat more recent model (by 1 year and 7 months) than the 1D Mark II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The Canon EOS-1D Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Olympus Evolt E-500 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66||Canon 1D Mark II|
|Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..||Olympus E-500|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71||Canon 5D|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63||Canon 1Ds|
|Canon 1D||APS-H||4.1||2496||1662||none||..||..||..||..||Canon 1D|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51||Olympus E-410|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52||Olympus E-510|
|Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..||Olympus E-330|
|Olympus E-400||Four Thirds||10.0||3648||2736||none||..||..||..||..||Olympus E-400|
|Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..||Olympus E-300|
Beyond body and sensor, cameras can and do differ across a range of features. The 1D Mark II and the E-500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 1D Mark II offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 1D Mark II has a higher magnification (0.55x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 1D Mark II, the Olympus E-500, and comparable cameras.
|Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Olympus E-500||optical||n||2.5||215||fixed||n||1/4000s||2.5||Y||n||Olympus E-500|
|Canon 5DS||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 5D||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Canon 1Ds||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Canon 1D||optical||Y||2.0||120||fixed||n||1/16000s||8.0||n||n||Canon 1D|
|Olympus E-410||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Olympus E-510||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-330||optical||n||2.5||215||tilting||n||1/4000s||3.0||Y||n||Olympus E-330|
|Olympus E-400||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-400|
|Olympus E-300||optical||n||1.8||134||fixed||n||1/4000s||2.5||Y||n||Olympus E-300|
One feature that is present on the 1D Mark II, but is missing on the E-500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1D Mark II writes its imaging data to Compact Flash or SD cards, while the E-500 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II and Olympus Evolt E-500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark II||Y||none||none||-||-||none||1.1||-||-||-||Canon 1D Mark II|
|Olympus E-500||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-500|
|Canon 5DS||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 1D Mark IV||Y||stereo||none||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D Mark III||Y||none||none||-||-||none||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III||Y||none||none||-||-||none||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N||Y||none||none||-||-||none||1.1||-||-||-||Canon 1D Mark II N|
|Canon 5D||Y||none||none||-||-||none||2.0||-||-||-||Canon 5D|
|Canon 1Ds Mark II||Y||none||none||-||-||none||2.0||-||-||-||Canon 1Ds Mark II|
|Canon 1Ds||Y||none||none||-||-||none||FW||-||-||-||Canon 1Ds|
|Canon 1D||Y||none||none||-||-||none||FW||-||-||-||Canon 1D|
|Olympus E-410||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-410|
|Olympus E-510||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-510|
|Olympus E-330||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-330|
|Olympus E-400||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-400|
|Olympus E-300||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-300|
Studio photographers will appreciate that the Canon 1D Mark II (unlike the E-500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark II and the E-500 have been discontinued, but can regularly be found used on eBay. The 1D Mark II was replaced by the Canon 1D Mark II N, while the E-500 was followed by the Olympus E-510. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So how do things add up? Is the Canon 1D Mark II better than the Olympus E-500 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS-1D Mark II:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.55x vs 0.45x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8.3 vs 2.5 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 750) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been on the market for longer (launched in January 2004).
Arguments in favor of the Olympus Evolt E-500:
- Larger screen: Has a bigger rear LCD (2.5" vs 2.0") for image review and settings control.
- More compact: Is smaller (130x95mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 1056g or 69 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the 1D Mark II is the clear winner of the match-up (14 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark II and the Olympus E-500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1D Mark II or the E-500 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon 1D Mark II vs Olympus E-420
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- Olympus E-420 vs Olympus E-500
- Olympus E-500 vs Olympus E-510
Specifications: Canon 1D Mark II vs Olympus E-500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark II||Olympus E-500|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||January 2004||September 2005|
|Launch Price||USD 4499||USD 599|
|Sensor Specs||Canon 1D Mark II||Olympus E-500|
|Sensor Format||APS-H Sensor||Four Thirds Sensor|
|Sensor Size||28.7 x 19.1 mm||17.3 x 13.0 mm|
|Sensor Area||548.17 mm2||224.9 mm2|
|Sensor Diagonal||34.5 mm||21.6 mm|
|Sensor Resolution||8.2 Megapixels||8 Megapixels|
|Image Resolution||3504 x 2336 pixels||3264 x 2448 pixels|
|Pixel Pitch||8.17 μm||5.30 μm|
|Pixel Density||1.49 MP/cm2||3.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100-1600 ISO||100-400 ISO|
|ISO Boost||50-3200 ISO||100-1600 ISO|
|Image Processor||DIGIC II||TruePic|
|DXO Sensor Quality (score)||66||..|
|DXO Color Depth (bits)||22.3||..|
|DXO Dynamic Range (EV)||11.1||..|
|DXO Low Light (ISO)||1003||..|
|Screen Specs||Canon 1D Mark II||Olympus E-500|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Top-Level Screen||Control Panel||no Top Display|
|Rear LCD Size||2.0 inch||2.5 inch|
|LCD Resolution||230k dots||215k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1D Mark II||Olympus E-500|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||8.3 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SD cards||CF or XD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Canon 1D Mark II||Olympus E-500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark II||Olympus E-500|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||750 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
|Camera Weight||1535 g (54.1 oz)||479 g (16.9 oz)|
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