Canon 1D Mark II vs Nikon Z5
The Canon EOS-1D Mark II and the Nikon Z5 are two digital cameras that were revealed to the public, respectively, in January 2004 and July 2020. The 1D Mark II is a DSLR, while the Z5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark II) and a full frame (Z5) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Nikon provides 24.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark II and the Nikon Z5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1D Mark II and the Nikon Z5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z5 is considerably smaller (45 percent) than the Canon 1D Mark II. Moreover, the Z5 is substantially lighter (56 percent) than the 1D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 1D Mark II gets 1200 shots out of its NP-E3 battery, while the Z5 can take 470 images on a single charge of its EN-EL15c power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the Z5, Nikon provides the MB-N10 vertical grip as an optional accessory (see here on eBay). The power pack in the Z5 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499|
|2.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|3.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|6.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|7.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|8.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999|
|9.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|10.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|11.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999|
|12.||Canon 1D||156 mm||158 mm||80 mm||1585 g||500||Y||Sep 2001||6,499|
|13.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|14.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|15.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|16.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|17.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Z5 was launched at a markedly lower price (by 69 percent) than the 1D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Nikon Z5 a full frame sensor. The sensor area in the Z5 is 57 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24.2MP, the Z5 offers a higher resolution than the 1D Mark II (8.2MP), but the Z5 has smaller individual pixels (pixel pitch of 5.95μm versus 8.17μm for the 1D Mark II). Yet, the Z5 is a much more recent model (by 16 years and 5 months) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon Z5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z5 for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inches or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inches or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20.1 x 13.4 inches or 50.9 x 34 cm. The corresponding values for the Canon 1D Mark II are 17.5 x 11.7 inches or 44.5 x 29.7 cm for good quality, 14 x 9.3 inches or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inches or 29.7 x 19.8 cm for excellent quality prints.
The Z5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Nikon Z5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|2.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|3.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|4.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|5.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|6.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|7.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|8.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|9.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|10.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|11.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|13.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||..||..||..||..|
|14.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||..||..||..||..|
|15.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|16.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|17.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
Many modern cameras cannot only take still pictures, but also record videos. The Z5 indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the Z5 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the Z5 has an electronic viewfinder (3690k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the Z5 has a higher magnification than the one of the 1D Mark II (0.80x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 1D Mark II, the Nikon Z5, and comparable cameras.
|1.||Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
|4.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|5.||Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|6.||Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|7.||Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|8.||Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n|
|10.||Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
|13.||Nikon Z7 II||3690||Y||3.2||2100||tilting||Y||1/8000s||10.0||n||Y|
|14.||Nikon Z6 II||3690||Y||3.2||2100||tilting||Y||1/8000s||14.0||n||Y|
|17.||Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
One feature that is present on the 1D Mark II, but is missing on the Z5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1D Mark II writes its imaging data to Compact Flash or SD cards, while the Z5 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The Z5 supports UHS-II cards (on both slots), while the 1D Mark II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II and Nikon Z5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
|4.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|5.||Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|6.||Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|7.||Canon 1Ds Mark III||Y||mono||-||-||-||-||2.0||-||-||-|
|8.||Canon 1D Mark II N||Y||-||-||-||-||-||1.1||-||-||-|
|10.||Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
|13.||Nikon Z7 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|14.||Nikon Z6 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|17.||Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the Z5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark II does not provide wifi capability.
Studio photographers will appreciate that the Canon 1D Mark II (unlike the Z5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The Z5 is a recent model that features in the current product line-up of Nikon. In contrast, the 1D Mark II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1D Mark II was succeeded by the Canon 1D Mark II N. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So how do things add up? Is the Canon 1D Mark II better than the Nikon Z5 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS-1D Mark II:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster burst: Shoots at higher frequency (8.3 vs 4.5 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 470) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in January 2004).
Arguments in favor of the Nikon Z5:
- More detail: Has more megapixels (24.2 vs 8.2MP), which boosts linear resolution by 72%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.55x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (134x101mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 860g or 56 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
- More modern: Reflects 16 years and 5 months of technical progress since the 1D Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the Z5 is the clear winner of the contest (26 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark II and the Nikon Z5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1D Mark II or the Z5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D Mark II||..||..||+ +||..||..||Jan 2004||4,499|
|2.||Nikon Z5||4/5||..||89/100||4.5/5||4/5||Jul 2020||1,399|
|3.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|4.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|5.||Canon 1D Mark IV||5/5||..||89/100||..||..||Oct 2009||4,999|
|6.||Canon 1D Mark III||..||..||..||..||..||Feb 2007||4,499|
|7.||Canon 1Ds Mark III||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|8.||Canon 1D Mark II N||..||..||..||..||..||Aug 2005||3,999|
|9.||Canon 5D||..||88/100||+ +||o||..||Aug 2005||3,299|
|10.||Canon 1Ds Mark II||..||..||+ +||..||..||Sep 2004||7,999|
|11.||Canon 1Ds||..||..||+ +||..||..||Sep 2002||8,999|
|12.||Canon 1D||..||..||+ +||..||..||Sep 2001||6,499|
|13.||Nikon Z7 II||4.5/5||..||..||4.5/5||4.5/5||Oct 2020||2,999|
|14.||Nikon Z6 II||4.5/5||..||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|15.||Nikon Z6||5/5||..||..||4.5/5||5/5||Aug 2018||1,999|
|16.||Nikon Z7||5/5||+||89/100||4.5/5||5/5||Aug 2018||3,399|
|17.||Sony A9 II||..||..||90/100||5/5||5/5||Oct 2019||4,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Canon 1D Mark II vs Nikon Z5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark II||Nikon Z5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Nikon Z mount lenses|
|Launch Date||January 2004||July 2020|
|Launch Price||USD 4,499||USD 1,399|
|Sensor Specs||Canon 1D Mark II||Nikon Z5|
|Sensor Format||APS-H Sensor||Full Frame Sensor|
|Sensor Size||28.7 x 19.1 mm||35.9 x 23.9 mm|
|Sensor Area||548.17 mm2||858.01 mm2|
|Sensor Diagonal||34.5 mm||43.1 mm|
|Sensor Resolution||8.2 Megapixels||24.2 Megapixels|
|Image Resolution||3504 x 2336 pixels||6016 x 4016 pixels|
|Pixel Pitch||8.17 μm||5.95 μm|
|Pixel Density||1.49 MP/cm2||2.82 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 51,200 ISO|
|ISO Boost||50 - 3,200 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC II||EXPEED 6|
|DXO Sensor Quality (score)||66||..|
|DXO Color Depth (bits)||22.3||..|
|DXO Dynamic Range (EV)||11.1||..|
|DXO Low Light (ISO)||1003||..|
|Screen Specs||Canon 1D Mark II||Nikon Z5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.2inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark II||Nikon Z5|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||8.3 shutter flaps/s||4.5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SD cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon 1D Mark II||Nikon Z5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 3.2|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 1D Mark II||Nikon Z5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1200 shots per charge||470 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
|Camera Weight||1535 g (54.1 oz)||675 g (23.8 oz)|
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