Canon 1D Mark II vs Fujifilm GFX 50R

The Canon EOS-1D Mark II and the Fujifilm GFX 50R are two professional cameras that were revealed to the public, respectively, in January 2004 and September 2018. The 1D Mark II is a DSLR, while the GFX 50R is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark II) and a medium format (GFX 50R) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 1D Mark II		Fujifilm GFX 50R
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
8.2 MP – APS-H sensor		51.1 MP – Medium Format sensor
no Video		1080/30p Video
ISO 100-1,600 (50 - 3,200)		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (3690k dots)
2.0" LCD – 230k dots		3.2" LCD – 2360k dots
Fixed screen (not touch-sensitive)		Tilting touchscreen
8.3 shutter flaps per second		3 shutter flaps per second
Weathersealed body		Weathersealed body
1200 shots per battery charge		400 shots per battery charge
156 x 158 x 80 mm, 1535 g		161 x 97 x 66 mm, 775 g

Check 1D Mark II offers at
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Check GFX 50R offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark II and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 1D Mark II and the Fujifilm GFX 50R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is considerably smaller (37 percent) than the Canon 1D Mark II. Moreover, the GFX 50R is substantially lighter (50 percent) than the 1D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 1D Mark II gets 1200 shots out of its Canon NP-E3 battery, while the GFX 50R can take 400 images on a single charge of its Fujifilm NP-T125 power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 1D Mark II	156 mm	158 mm	80 mm	1535 g	1200	Y	Jan 2004	4,499	ebay.com
2.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
3.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
4.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
5.		Canon 1D Mark IV	156 mm	157 mm	80 mm	1230 g	1500	Y	Oct 2009	4,999	ebay.com
6.		Canon 1D Mark III	156 mm	157 mm	80 mm	1155 g	2200	Y	Feb 2007	4,499	ebay.com
7.		Canon 1Ds Mark III	150 mm	160 mm	80 mm	1385 g	1800	Y	Aug 2007	7,999	ebay.com
8.		Canon 1D Mark II N	156 mm	158 mm	80 mm	1565 g	1200	Y	Aug 2005	3,999	ebay.com
9.		Canon 5D	152 mm	113 mm	75 mm	895 g	400	Y	Aug 2005	3,299	ebay.com
10.		Canon 1Ds Mark II	156 mm	158 mm	80 mm	1215 g	1200	Y	Sep 2004	7,999	ebay.com
11.		Canon 1Ds	156 mm	158 mm	80 mm	1265 g	600	Y	Sep 2002	8,999	ebay.com
12.		Canon 1D	156 mm	158 mm	80 mm	1585 g	500	Y	Sep 2001	6,499	ebay.com
13.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
14.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
15.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	5,750	ebay.com
16.		Leica Q2	130 mm	80 mm	92 mm	718 g	370	Y	Mar 2019	4,995	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 165 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 0.79. The sensor in the 1D Mark II has a native 3:2 aspect ratio, while the one in the GFX 50R offers a 4:3 aspect.

With 51.1MP, the GFX 50R offers a higher resolution than the 1D Mark II (8.2MP), but the GFX 50R has smaller individual pixels (pixel pitch of 5.33μm versus 8.17μm for the 1D Mark II). Yet, the GFX 50R is a much more recent model (by 14 years and 7 months) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 1D Mark II are 17.5 x 11.7 inches or 44.5 x 29.7 cm for good quality, 14 x 9.3 inches or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inches or 29.7 x 19.8 cm for excellent quality prints.

The Canon EOS-1D Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 1D Mark II	APS-H	8.2	3504	2336	none	22.3	11.1	1003	66
2.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
3.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
4.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
5.		Canon 1D Mark IV	APS-H	16.0	4896	3264	1080/30p	22.8	12.0	1320	74
6.		Canon 1D Mark III	APS-H	10.1	3888	2592	none	22.7	11.7	1078	71
7.		Canon 1Ds Mark III	Full Frame	21.0	5616	3744	none	24.0	12.0	1663	80
8.		Canon 1D Mark II N	APS-H	8.2	3504	2336	none	22.3	11.2	975	66
9.		Canon 5D	Full Frame	12.7	4368	2912	none	22.9	11.1	1368	71
10.		Canon 1Ds Mark II	Full Frame	16.6	4992	3328	none	23.3	11.3	1480	74
11.		Canon 1Ds	Full Frame	11.0	4064	2704	none	21.8	11.0	954	63
12.		Canon 1D	APS-H	4.1	2496	1662	none	..	..	..	..
13.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
14.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
15.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
16.		Leica Q2	Full Frame	46.7	8368	5584	4K/30p	26.4	13.5	2491	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The GFX 50R indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the GFX 50R can use is 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 50R has a higher magnification than the one of the 1D Mark II (0.77x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D Mark II and Fujifilm GFX 50R in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 1D Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	8.3/s	n	n
2.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
3.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
4.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
5.		Canon 1D Mark IV	optical	Y	3.0 / 920	fixed	n	1/8000s	10.0/s	n	n
6.		Canon 1D Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	10.0/s	n	n
7.		Canon 1Ds Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	5.0/s	n	n
8.		Canon 1D Mark II N	optical	Y	2.5 / 230	fixed	n	1/8000s	8.5/s	n	n
9.		Canon 5D	optical	Y	2.5 / 230	fixed	n	1/8000s	3.0/s	n	n
10.		Canon 1Ds Mark II	optical	Y	2.0 / 230	fixed	n	1/8000s	4.0/s	n	n
11.		Canon 1Ds	optical	Y	2.0 / 120	fixed	n	1/8000s	3.0/s	n	n
12.		Canon 1D	optical	Y	2.0 / 120	fixed	n	1/16000s	8.0/s	n	n
13.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
14.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
15.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
16.		Leica Q2	3680	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the 1D Mark II, but is missing on the GFX 50R is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 1D Mark II writes its imaging data to Compact Flash or SD cards, while the GFX 50R uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50R supports UHS-II cards (on both slots), while the 1D Mark II cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 1D Mark II	Y	- / -	-	-	-	1.1	-	-	-
2.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
3.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
4.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
5.		Canon 1D Mark IV	Y	stereo / -	Y	-	mini	2.0	-	-	-
6.		Canon 1D Mark III	Y	- / -	-	-	-	2.0	-	-	-
7.		Canon 1Ds Mark III	Y	mono / -	-	-	-	2.0	-	-	-
8.		Canon 1D Mark II N	Y	- / -	-	-	-	1.1	-	-	-
9.		Canon 5D	Y	- / -	-	-	-	2.0	-	-	-
10.		Canon 1Ds Mark II	Y	- / -	-	-	-	2.0	-	-	-
11.		Canon 1Ds	Y	- / -	-	-	-	FW	-	-	-
12.		Canon 1D	Y	- / -	-	-	-	FW	-	-	-
13.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
14.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
15.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
16.		Leica Q2	Y	stereo / mono	-	-	-	-	Y	-	Y

It is notable that the GFX 50R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark II does not provide wifi capability.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the 1D Mark II and the GFX 50R have been discontinued, but can regularly be found used on ebay. The 1D Mark II was replaced by the Canon 1D Mark II N, while the GFX 50R does not have a direct successor. Further information on the features and operation of the 1D Mark II and GFX 50R can be found, respectively, in the Canon 1D Mark II Manual (free pdf) or the online Fujifilm GFX 50R Manual.

Review summary

So what is the bottom line? Is there a clear favorite between the Canon 1D Mark II and the Fujifilm GFX 50R? Which camera is better? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS-1D Mark II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (8.3 vs 3 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Can take more shots (1200 versus 400) on a single battery charge.
• More heavily discounted: Has been available for much longer (launched in January 2004).

Reasons to prefer the Fujifilm GFX 50R:

• More detail: Has more megapixels (51.1 vs 8.2MP), which boosts linear resolution by 145%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 1080/30p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.55x).
• Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 230k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• More compact: Is smaller (161x97mm vs 156x158mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 760g or 50 percent) and is thus easier to take along.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 1.1).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 14 years and 7 months of technical progress since the 1D Mark II launch.

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (23 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 1D Mark II and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 1D Mark II or the GFX 50R perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 1D Mark II	..	..	..	+ +	..	..	Jan 2004	4,499	ebay.com
2.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
3.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
4.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	3,699	ebay.com
5.		Canon 1D Mark IV	5/5	..	..	89/100	..	..	Oct 2009	4,999	ebay.com
6.		Canon 1D Mark III	..	..	..	..	..	..	Feb 2007	4,499	ebay.com
7.		Canon 1Ds Mark III	..	..	..	+ +	4.5/5	..	Aug 2007	7,999	ebay.com
8.		Canon 1D Mark II N	..	..	..	..	..	..	Aug 2005	3,999	ebay.com
9.		Canon 5D	..	88/100	..	+ +	o	..	Aug 2005	3,299	ebay.com
10.		Canon 1Ds Mark II	..	..	..	+ +	..	..	Sep 2004	7,999	ebay.com
11.		Canon 1Ds	..	..	..	+ +	..	..	Sep 2002	8,999	ebay.com
12.		Canon 1D	..	..	..	+ +	..	..	Sep 2001	6,499	ebay.com
13.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
14.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
15.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	5,750	ebay.com
16.		Leica Q2	..	..	4.5/5	84/100	4.5/5	4/5	Mar 2019	4,995	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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