Canon 1D Mark II vs Canon R5
The Canon EOS-1D Mark II and the Canon EOS R5 are two digital cameras that were announced, respectively, in January 2004 and July 2020. The 1D Mark II is a DSLR, while the Canon R5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark II) and a full frame (Canon R5) sensor. The 1D Mark II has a resolution of 8.2 megapixels, whereas the Canon R5 provides 44.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark II and the Canon EOS R5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark II and the Canon R5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R5 is considerably smaller (45 percent) than the Canon 1D Mark II. Moreover, the Canon R5 is substantially lighter (52 percent) than the 1D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 1D Mark II gets 1200 shots out of its NP-E3 battery, while the Canon R5 can take 320 images on a single charge of its LP-E6NH power pack. As can be seen in the images above, the 1D Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the Canon R5, Canon provides the BG-R10 vertical grip as an optional accessory (see here on eBay). The power pack in the Canon R5 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499|
|2.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|3.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|4.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|7.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|8.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|9.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999|
|10.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|11.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|12.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999|
|13.||Canon 1D||156 mm||158 mm||80 mm||1585 g||500||Y||Sep 2001||6,499|
|14.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|15.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|16.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|17.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Canon R5 was launched at a somewhat lower price (by 13 percent) than the 1D Mark II, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark II features an APS-H sensor and the Canon R5 a full frame sensor. The sensor area in the Canon R5 is 58 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the Canon R5 uses a more advanced image processing engine (DIGIC X) than the 1D Mark II (DIGIC II), with benefits for noise reduction, color accuracy, and processing speed.
With 44.8MP, the Canon R5 offers a higher resolution than the 1D Mark II (8.2MP), but the Canon R5 has smaller individual pixels (pixel pitch of 4.39μm versus 8.17μm for the 1D Mark II). Yet, the Canon R5 is a much more recent model (by 16 years and 5 months) than the 1D Mark II, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon R5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Canon R5 for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Canon 1D Mark II are 17.5 x 11.7 inches or 44.5 x 29.7 cm for good quality, 14 x 9.3 inches or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inches or 29.7 x 19.8 cm for excellent quality prints.
The Canon R5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Canon EOS R5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the Canon R5 offers substantially better image quality than the 1D Mark II (overall score 29 points higher). The advantage is based on 3 bits higher color depth, 3.5 EV in additional dynamic range, and 1.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|1.||Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|2.||Canon R5||Full Frame||44.8||8192||5464||8k/30p||25.3||14.6||3042||95|
|3.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|4.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|5.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|6.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|7.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|8.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|9.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|10.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|11.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|12.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|14.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|15.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|16.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|17.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The Canon R5 indeed provides for movie recording, while the 1D Mark II does not. The highest resolution format that the Canon R5 can use is 8k/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Canon R5 has an electronic viewfinder (5760k dots), while the 1D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the Canon R5 has a higher magnification than the one of the 1D Mark II (0.76x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1D Mark II and Canon R5 along with similar information for a selection of comparators.
|1.||Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
|5.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|6.||Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|7.||Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|8.||Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|9.||Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n|
|11.||Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
|15.||Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|16.||Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|17.||Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The Canon R5 has a touchscreen, while the 1D Mark II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The Canon R5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1D Mark II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Canon R5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1D Mark II writes its imaging data to Compact Flash or SD cards, while the Canon R5 uses CFexpress or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The Canon R5 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 1D Mark II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II and Canon EOS R5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
|5.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|7.||Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|8.||Canon 1Ds Mark III||Y||mono||-||-||-||-||2.0||-||-||-|
|9.||Canon 1D Mark II N||Y||-||-||-||-||-||1.1||-||-||-|
|11.||Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
|15.||Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|17.||Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Canon R5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark II does not provide wifi capability.
Studio photographers will appreciate that the Canon 1D Mark II (unlike the Canon R5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The Canon R5 is a recent model that features in the current product line-up of Canon. In contrast, the 1D Mark II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1D Mark II was succeeded by the Canon 1D Mark II N. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what is the bottom line? Which of the two cameras – the Canon 1D Mark II or the Canon R5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS-1D Mark II:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 320) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in January 2004).
Advantages of the Canon EOS R5:
- More detail: Has more megapixels (44.8 vs 8.2MP), which boosts linear resolution by 134%.
- Better image quality: Scores substantially higher (29 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.5 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.6 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (DIGIC X vs DIGIC II).
- Broader imaging potential: Can capture not only stills but also 8k/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.55x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (138x98mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 797g or 52 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More affordable: Was released into a lower priced segment (13 percent cheaper at launch).
- More modern: Reflects 16 years and 5 months of technical progress since the 1D Mark II launch.
If the number of relative strengths (bullet points above) is taken as a guide, the Canon R5 is the clear winner of the contest (29 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark II and the Canon R5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 1D Mark II and the Canon R5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D Mark II||..||..||+ +||..||..||Jan 2004||4,499|
|2.||Canon R5||4.5/5||..||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|3.||Canon R6||5/5||+ +||90/100||4.5/5||5/5||Jul 2020||2,499|
|4.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|5.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|6.||Canon 1D Mark IV||5/5||..||89/100||..||..||Oct 2009||4,999|
|7.||Canon 1D Mark III||..||..||..||..||..||Feb 2007||4,499|
|8.||Canon 1Ds Mark III||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|9.||Canon 1D Mark II N||..||..||..||..||..||Aug 2005||3,999|
|10.||Canon 5D||..||88/100||+ +||o||..||Aug 2005||3,299|
|11.||Canon 1Ds Mark II||..||..||+ +||..||..||Sep 2004||7,999|
|12.||Canon 1Ds||..||..||+ +||..||..||Sep 2002||8,999|
|13.||Canon 1D||..||..||+ +||..||..||Sep 2001||6,499|
|14.||Nikon Z7||5/5||+||89/100||4.5/5||5/5||Aug 2018||3,399|
|15.||Sony A7R III||..||+ +||90/100||4.5/5||5/5||Oct 2017||3,199|
|16.||Sony A99 II||..||..||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|17.||Sony A7R II||5/5||+ +||90/100||5/5||5/5||Jun 2015||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 1D Mark II vs Canon R5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark II||Canon R5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Canon RF mount lenses|
|Launch Date||January 2004||July 2020|
|Launch Price||USD 4,499||USD 3,899|
|Sensor Specs||Canon 1D Mark II||Canon R5|
|Sensor Format||APS-H Sensor||Full Frame Sensor|
|Sensor Size||28.7 x 19.1 mm||36.0 x 24.0 mm|
|Sensor Area||548.17 mm2||864 mm2|
|Sensor Diagonal||34.5 mm||43.3 mm|
|Sensor Resolution||8.2 Megapixels||44.8 Megapixels|
|Image Resolution||3504 x 2336 pixels||8192 x 5464 pixels|
|Pixel Pitch||8.17 μm||4.39 μm|
|Pixel Density||1.49 MP/cm2||5.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||8k/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 51,200 ISO|
|ISO Boost||50 - 3,200 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC II||DIGIC X|
|DXO Sensor Quality (score)||66||95|
|DXO Color Depth (bits)||22.3||25.3|
|DXO Dynamic Range (EV)||11.1||14.6|
|DXO Low Light (ISO)||1003||3042|
|Screen Specs||Canon 1D Mark II||Canon R5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.2inch|
|LCD Resolution||230k dots||2100k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark II||Canon R5|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||8.3 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SD cards||CFexpress or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon 1D Mark II||Canon R5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 3.2|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 1D Mark II||Canon R5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1200 shots per charge||320 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
|Camera Weight||1535 g (54.1 oz)||738 g (26.0 oz)|
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