Canon 1D Mark II N vs Sony A7 II
The Canon EOS-1D Mark II N and the Sony Alpha A7 II are two digital cameras that were officially introduced, respectively, in August 2005 and November 2014. The 1D Mark II N is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark II N) and a full frame (A7 II) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 1D Mark II N||Sony A7 II|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|8.2 MP, APS-H Sensor||24 MP, Full Frame Sensor|
|no Video||1080/60p Video|
|ISO 100-1600 (50-3200)||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|2.5" LCD, 230k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|8.5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|1200 shots per battery charge||350 shots per battery charge|
|156 x 158 x 80 mm, 1565 g||127 x 96 x 60 mm, 599 g|
Body comparison: Canon 1D Mark II N vs Sony A7 II
An illustration of the physical size and weight of the Canon 1D Mark II N and the Sony A7 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably smaller (51 percent) than the Canon 1D Mark II N. Moreover, the A7 II is substantially lighter (62 percent) than the 1D Mark II N. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark II N) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1D Mark II N gets 1200 shots out of its NP-E3 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the 1D Mark II N has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7 II, Sony provides the VG-C2EM vertical grip as an optional accessory (see here on eBay). The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D Mark II N»||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Sony A7 II«||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1D« »||6.1 in||6.2 in||3.1 in||55.9 oz||500||Y||Sep 2001||6,499||-||Canon 1D|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7 II was launched at a markedly lower price (by 50 percent) than the 1D Mark II N, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 1D Mark II N vs Sony A7 II
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark II N features an APS-H sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 56 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A7 II offers a higher resolution than the 1D Mark II N (8.2MP), but the A7 II has smaller individual pixels (pixel pitch of 5.97μm versus 8.17μm for the 1D Mark II N). Yet, the A7 II is a much more recent model (by 9 years and 3 months) than the 1D Mark II N, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Canon EOS-1D Mark II N has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7 II offers substantially better image quality than the 1D Mark II N (overall score 24 points higher). The advantage is based on 2.6 bits higher color depth, 2.4 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark II N»||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Sony A7 II«||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87||Canon 5DS|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Canon 1D« »||APS-H||4.1||2496||1662||-||-||-||-||-||Canon 1D|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras cannot only take still pictures, but also record videos. The A7 II indeed provides for movie recording, while the 1D Mark II N does not. The highest resolution format that the A7 II can use is 1080/60p.
Feature comparison: Canon 1D Mark II N vs Sony A7 II
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the 1D Mark II N has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 1D Mark II N and Sony A7 II in connection with corresponding information for a sample of similar cameras.
|Canon 1D Mark II N»||optical||Y||2.5||230||fixed||n||8000||8.5||n||n||Canon 1D Mark II N|
|Sony A7 II«||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||8000||10.0||n||n||Canon 1D Mark IV|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||8000||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||8000||5.0||n||n||Canon 1Ds Mark III|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||8000||3.0||n||n||Canon 5D|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||8000||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||8000||4.0||n||n||Canon 1Ds Mark II|
|Canon 1D« »||optical||Y||2.0||120||fixed||n||16000||8.0||n||n||Canon 1D|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7S II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n||Sony A7R|
One feature that is present on the 1D Mark II N, but is missing on the A7 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1D Mark II N writes its imaging data to Compact Flash or SD cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The 1D Mark II N features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7 II only has one slot.
Connectivity comparison: Canon 1D Mark II N vs Sony A7 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II N and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark II N»||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Sony A7 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Canon 1D« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1D|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark II N does not offer wifi capability.
Studio photographers will appreciate that the Canon 1D Mark II N (unlike the A7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark II N and the A7 II have been discontinued, but can regularly be found used on eBay. The 1D Mark II N was replaced by the Canon 1D Mark III, while the A7 II was followed by the Sony A7 III.
Review summary: Canon 1D Mark II N vs Sony A7 II
So what is the bottom line? Which of the two cameras – the Canon 1D Mark II N or the Sony A7 II – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS-1D Mark II N:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster burst: Shoots at higher frequency (8.5 vs 5 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 350) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in August 2005).
Advantages of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 8.2MP), which boosts linear resolution by 71%.
- Better image quality: Scores substantially higher (24 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (127x96mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 966g or 62 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Reflects 9 years and 3 months of technical progress since the 1D Mark II N launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (20 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1D Mark II N or the A7 II handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 1D Mark II N vs Sony A7 II
This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 1D Mark II N»||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Sony A7 II«||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||-||-||-||rev||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||-||HiRec||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 5D« »||88/100||HiRec||rev||rev||-||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||-||HiRec||-||rev||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||-||HiRec||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1D« »||-||HiRec||-||-||-||Sep 2001||6,499||-||Canon 1D|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||HiRec||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
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Specifications: Canon 1D Mark II N vs Sony A7 II
|Camera Model||Canon 1D Mark II N||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||August 2005||November 2014|
|Launch Price||USD 3999||USD 1999|
|Sensor Format||APS-H Sensor||Full Frame Sensor|
|Sensor Size||28.7 x 19.1 mm||35.8 x 19.1 mm|
|Sensor Area||548.17 mm2||855.62 mm2|
|Sensor Diagonal||34.5 mm||43 mm|
|Sensor Resolution||8.2 Megapixels||24 Megapixels|
|Image Resolution||3504 x 2336 pixels||6000 x 4000 pixels|
|Pixel Pitch||8.17 μm||5.97 μm|
|Pixel Density||1.49 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100-1600 ISO||100-25600 ISO|
|ISO Boost||50-3200 ISO||50-51200 ISO|
|Image Processor||DIGIC II||BIONZ X|
|DXO Sensor Quality (score)||66||90|
|DXO Color Depth (bits)||22.3||24.9|
|DXO Dynamic Range (EV)||11.2||13.6|
|DXO Low Light (ISO)||975||2449|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||n/a||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||n/a||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||230k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/8000s||1/8000s|
|Continuous Shooting||8.5 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||NP-E3 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||1200 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||1565 g (55.2 oz)||599 g (21.1 oz)|
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