Canon 1D Mark II N vs Sony A68
The Canon EOS-1D Mark II N and the Sony Alpha SLT-A68 are two digital cameras that were announced, respectively, in August 2005 and November 2015. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-H (1D Mark II N) and an APS-C (A68) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark II N||Sony A68|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|8.2 MP, APS-H Sensor||24 MP, APS-C Sensor|
|no Video||1080/60i Video|
|ISO 100-1600 (50-3200)||ISO 100-25600|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|2.5" LCD, 230k dots||2.7" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|8.5 shutter flaps per second||8 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Not weather sealed|
|1200 shots per battery charge||540 shots per battery charge|
|156 x 158 x 80 mm, 1565 g||143 x 104 x 81 mm, 610 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark II N and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1D Mark II N and the Sony A68 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is considerably smaller (40 percent) than the Canon 1D Mark II N. Moreover, the A68 is substantially lighter (61 percent) than the 1D Mark II N. It is worth mentioning in this context that the 1D Mark II N is splash and dust resistant, while the A68 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 1D Mark II N gets 1200 shots out of its NP-E3 battery, while the A68 can take 540 images on a single charge of its NP-FM500H power pack. As can be seen in the images above, the 1D Mark II N has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A68, there are third party battery grips available as optional accessories (see here on eBay).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 1D Mark II N»||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Sony A68«||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699||-||Sony A68|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1D« »||6.1 in||6.2 in||3.1 in||55.9 oz||500||Y||Sep 2001||6,499||-||Canon 1D|
|Panasonic ZS100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic ZS100|
|Sony A77 II« »||5.6 in||4.1 in||3.2 in||22.8 oz||480||Y||May 2014||1,199||Sony A77 II|
|Sony A6000« »||4.7 in||2.6 in||1.8 in||12.1 oz||360||n||Feb 2014||599||-||Sony A6000|
|Sony A58« »||5.1 in||3.7 in||3.1 in||17.4 oz||690||n||Feb 2013||599||-||Sony A58|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A68 was launched at a markedly lower price (by 83 percent) than the 1D Mark II N, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark II N features an APS-H sensor and the Sony A68 an APS-C sensor. The sensor area in the A68 is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the A68 offers a higher resolution of 24 megapixels, compared with 8.2 MP of the 1D Mark II N. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 8.17μm for the 1D Mark II N). However, it should be noted that the A68 is much more recent (by 10 years and 2 months) than the 1D Mark II N, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon 1D Mark II N are 17.5 x 11.7 inch or 44.5 x 29.7 cm for good quality, 14 x 9.3 inch or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inch or 29.7 x 19.8 cm for excellent quality prints.
The Canon EOS-1D Mark II N has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A68 offers substantially better image quality than the 1D Mark II N (overall score 13 points higher). The advantage is based on 1.8 bits higher color depth, 2.3 EV in additional dynamic range, and 0.5 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark II N»||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Sony A68«||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Canon 1D« »||APS-H||4.1||2496||1662||-||-||-||-||-||Canon 1D|
|Panasonic ZS100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic ZS100|
|Sony A77 II« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Sony A77 II|
|Sony A6000« »||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Sony A58« »||APS-C||19.8||5456||3632||1080/60i||23.3||12.5||753||74||Sony A58|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A68 indeed provides for movie recording, while the 1D Mark II N does not. The highest resolution format that the A68 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A68 has an electronic viewfinder (1440k dots), while the 1D Mark II N has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A68 has a higher magnification than the one of the 1D Mark II N (0.57x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D Mark II N and Sony A68 in connection with corresponding information for a sample of similar cameras.
|Canon 1D Mark II N»||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Sony A68«||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Canon 1D« »||optical||Y||2.0||120||fixed||n||1/16000s||8.0||n||n||Canon 1D|
|Panasonic ZS100« »||1166||n||3.0||1040||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS100|
|Sony A77 II« »||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Sony A6000« »||1440||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6000|
|Sony A58« »||1440||n||2.7||460||tilting||n||1/4000s||5.0||Y||Y||Sony A58|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that differentiates the A68 and the 1D Mark II N is in-body image stabilization (IBIS). The A68 reduces the risk of handshake-induced blur with all attached lenses, while the 1D Mark II N has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The 1D Mark II N writes its imaging data to Compact Flash or SD cards, while the A68 uses SDXC or Memory Stick PRO Duo cards. The 1D Mark II N features dual card slots, which can be very useful in case a memory card fails. In contrast, the A68 only has one slot. The A68 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark II N cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark II N and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark II N»||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Sony A68«||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Canon 1D« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1D|
|Panasonic ZS100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS100|
|Sony A77 II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Sony A6000« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Sony A58« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A58|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
Studio photographers will appreciate that the Canon 1D Mark II N (unlike the A68) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark II N and the A68 have been discontinued, but can regularly be found used on eBay. The 1D Mark II N was replaced by the Canon 1D Mark III, while the A68 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Which of the two cameras – the Canon 1D Mark II N or the Sony A68 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS-1D Mark II N:
- Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 540) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in August 2005).
Reasons to prefer the Sony Alpha SLT-A68:
- More detail: Has more megapixels (24 vs 8.2MP), which boosts linear resolution by 71%.
- Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.57x vs 0.55x).
- Larger screen: Has a bigger rear LCD (2.7" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (143x104mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 955g or 61 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More modern: Reflects 10 years and 2 months of technical progress since the 1D Mark II N launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A68 is the clear winner of the contest (18 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark II N and the Sony A68 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1D Mark II N or the A68. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark II N»||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Sony A68«||-||-||4/5||-||4/5||Nov 2015||699||-||Sony A68|
|Canon 5D Mark IV« »||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1D« »||-||+ +||-||-||-||Sep 2001||6,499||-||Canon 1D|
|Panasonic ZS100« »||+ +||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic ZS100|
|Sony A77 II« »||-||80/100||4.5/5||4/5||5/5||May 2014||1,199||Sony A77 II|
|Sony A6000« »||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Sony A58« »||-||-||4.5/5||4.5/5||4.5/5||Feb 2013||599||-||Sony A58|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II N vs Leica TL2
- Canon 1D Mark II N vs Panasonic TZ95
- Canon 1D Mark II N vs Sony A5100
- Canon 1D Mark II N vs Sony A6600
- Canon 300D vs Sony A68
- Canon G9 X Mark II vs Sony A68
- Canon S120 vs Sony A68
- Fujifilm X20 vs Sony A68
- Olympus E-P1 vs Sony A68
- Panasonic G6 vs Sony A68
- Panasonic GX7 vs Sony A68
- Sony A58 vs Sony A68
Specifications: Canon 1D Mark II N vs Sony A68
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark II N||Sony A68|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||August 2005||November 2015|
|Launch Price||USD 3999||USD 699|
|Sensor Specs||Canon 1D Mark II N||Sony A68|
|Sensor Format||APS-H Sensor||APS-C Sensor|
|Sensor Size||28.7 x 19.1 mm||23.5 x 15.6 mm|
|Sensor Area||548.17 mm2||366.6 mm2|
|Sensor Diagonal||34.5 mm||28.2 mm|
|Sensor Resolution||8.2 Megapixels||24 Megapixels|
|Image Resolution||3504 x 2336 pixels||6000 x 4000 pixels|
|Pixel Pitch||8.17 μm||3.91 μm|
|Pixel Density||1.49 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-1600 ISO||100-25600 ISO|
|ISO Boost||50-3200 ISO||no Enhancement|
|Image Processor||DIGIC II||BIONZ X|
|DXO Sensor Quality (score)||66||79|
|DXO Color Depth (bits)||22.3||24.1|
|DXO Dynamic Range (EV)||11.2||13.5|
|DXO Low Light (ISO)||975||701|
|Screen Specs||Canon 1D Mark II N||Sony A68|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.5 inch||2.7 inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 1D Mark II N||Sony A68|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||8.5 shutter flaps/s||8 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||100 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1D Mark II N||Sony A68|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark II N||Sony A68|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||540 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||1565 g (55.2 oz)||610 g (21.5 oz)|
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