Canon 1D C vs Sony A7 II
The Canon EOS-1D C and the Sony Alpha A7 II are two digital cameras that were announced, respectively, in April 2012 and November 2014. The 1DC is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D C||Sony A7 II|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|17.9 MP, Full Frame Sensor||24 MP, Full Frame Sensor|
|4K/24p Video||1080/60p Video|
|ISO 100-51200 (50-204800)||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.2" LCD, 1040k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|14 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|1120 shots per battery charge||350 shots per battery charge|
|158 x 164 x 83 mm, 1545 g||127 x 96 x 60 mm, 599 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D C and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D C and the Sony A7 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably smaller (53 percent) than the Canon 1D C. Moreover, the A7 II is substantially lighter (61 percent) than the 1DC. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1DC) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1DC gets 1120 shots out of its LP-E4N battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the 1DC has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7 II, Sony provides the VG-C2EM vertical grip as an optional accessory (see here on eBay). The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 1D C»||6.2 in||6.5 in||3.3 in||54.5 oz||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Sony A7 II«||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D4« »||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999||-||Nikon D4|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A7 II was launched at a markedly lower price (by 87 percent) than the 1DC, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7 II is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7 II offers a higher resolution of 24 megapixels, compared with 17.9 MP of the 1DC. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.97μm versus 6.95μm for the 1DC). However, it should be noted that the A7 II is much more recent (by 2 years and 7 months) than the 1DC, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon 1D C are 25.9 x 17.3 inch or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inch or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inch or 43.9 x 29.3 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D C has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1D C»||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Sony A7 II«||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Nikon D4« »||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 1DC provides a higher video resolution than the A7 II. It can shoot video footage at 4K/24p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the 1DC has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1DC has a higher magnification than the one of the A7 II (0.76x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D C and Sony A7 II in connection with corresponding information for a sample of similar cameras.
|Canon 1D C»||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Sony A7 II«||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Nikon D4« »||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
One feature that is present on the 1DC, but is missing on the A7 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1DC writes its imaging data to Compact Flash cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The 1DC features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7 II only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D C and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D C»||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Sony A7 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Nikon D4« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Nikon D4|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1DC does not offer wifi capability.
Studio photographers will appreciate that the Canon 1D C (unlike the A7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1DC and the A7 II have been discontinued, but can regularly be found used on eBay. The A7 II was replaced by the Sony A7 III, while the 1DC does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is there a clear favorite between the Canon 1D C and the Sony A7 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS-1D C:
- Better video: Provides higher definition movie capture (4K/24p vs 1080/60p).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.71x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1120 versus 350) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in April 2012).
Advantages of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 17.9MP), which boosts linear resolution by 16%.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (127x96mm vs 158x164mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 946g or 61 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
- More modern: Reflects 2 years and 7 months of technical progress since the 1DC launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7 II emerges as the winner of the match-up (13 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D C and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1DC and the A7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D C»||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Sony A7 II«||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 70D« »||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1Ds« »||-||+ +||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D4« »||-||-||4.5/5||-||4.5/5||Jan 2012||5,999||-||Nikon D4|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D C vs Canon SX510
- Canon 1D C vs Fujifilm X-T3
- Canon 1D C vs Nikon D3500
- Canon 1D C vs Nikon P7800
- Canon 1D C vs Olympus E-420
- Canon 1Ds vs Sony A7 II
- Canon 5D Mark IV vs Sony A7 II
- Canon 80D vs Sony A7 II
- Canon G7 X Mark III vs Sony A7 II
- Nikon D80 vs Sony A7 II
- Sony A5100 vs Sony A7 II
- Sony A7 II vs Sony RX100 IV
Specifications: Canon 1D C vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D C||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||April 2012||November 2014|
|Launch Price||USD 14999||USD 1999|
|Sensor Specs||Canon 1D C||Sony A7 II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.8 x 23.9 mm|
|Sensor Area||864 mm2||855.62 mm2|
|Sensor Diagonal||43.3 mm||43 mm|
|Sensor Resolution||17.9 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.95 μm||5.97 μm|
|Pixel Density||2.07 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/24p Video||1080/60p Video|
|ISO Setting||100-51200 ISO||100-25600 ISO|
|ISO Boost||50-204800 ISO||50-51200 ISO|
|Image Processor||DIGIC 5+ (Dual)||BIONZ X|
|DXO Sensor Quality (score)||..||90|
|DXO Color Depth (bits)||..||24.9|
|DXO Dynamic Range (EV)||..||13.6|
|DXO Low Light (ISO)||..||2449|
|Screen Specs||Canon 1D C||Sony A7 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1040k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 1D C||Sony A7 II|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||14 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1D C||Sony A7 II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 1D C||Sony A7 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1120 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
158 x 164 x 83 mm
(6.2 x 6.5 x 3.3 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||1545 g (54.5 oz)||599 g (21.1 oz)|
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