Canon 1300D versus Sony A7S II
The Canon EOS 1300D (called Canon T6 in some regions) and the Sony Alpha 7S II are two digital cameras that were officially introduced, respectively, in March 2016 and September 2015. The 1300D is a DSLR, while the A7S II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (1300D) and a full frame sensor. The Canon has a resolution of 17.9 megapixel, whereas the Sony provides 12 MP.
The physical size and weight of the Canon 1300D and the Sony A7S II are illustrated in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the 1300D – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably smaller (6 percent) than the Canon 1300D. However, the A7S II is markedly heavier (29 percent) than the 1300D. It is noteworthy in this context that the A7S II is splash and dust-proof, while the 1300D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (1300D) and the Sony FE Lens Catalog (A7S II). Mirrorless cameras, such as the A7S II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 1300D (⇒ rgt)||129 mm||101 mm||78 mm||485 g||500||no||2016||449||discont.||check|
|Sony A7S II (⇒ lft)||127 mm||96 mm||60 mm||627 g||370||YES||2015||2,999||latest||check|
|Canon 2000D (⇒ lft | rgt)||129 mm||101 mm||78 mm||475 g||500||no||2018||449||latest||check|
|Canon 4000D (⇒ lft | rgt)||129 mm||102 mm||77 mm||436 g||500||no||2018||399||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||98 mm||58 mm||31 mm||206 g||235||no||2017||529||latest||check|
|Canon 200D (⇒ lft | rgt)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon 77D (⇒ lft | rgt)||131 mm||100 mm||76 mm||540 g||600||no||2017||899||latest||check|
|Canon G9 X (⇒ lft | rgt)||98 mm||58 mm||31 mm||209 g||220||no||2015||529||discont.||check|
|Canon M10 (⇒ lft | rgt)||108 mm||67 mm||35 mm||301 g||255||no||2015||499||discont.||check|
|Canon 1200D (⇒ lft | rgt)||130 mm||100 mm||78 mm||480 g||500||no||2014||449||discont.||check|
|Canon 100D (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Canon 700D (⇒ lft | rgt)||133 mm||100 mm||79 mm||580 g||440||no||2013||649||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Sony A99 II (⇒ lft | rgt)||143 mm||104 mm||76 mm||849 g||490||YES||2016||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||127 mm||96 mm||60 mm||625 g||290||YES||2015||3,199||discont.||check|
|Sony A7 II (⇒ lft | rgt)||127 mm||96 mm||60 mm||599 g||350||YES||2014||1,999||discont.||check|
|Sony A7S (⇒ lft | rgt)||127 mm||94 mm||48 mm||489 g||380||YES||2014||2,499||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 1300D was launched at a markedly lower price (by 85 percent) than the A7S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1300D features an APS-C sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 155 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon 1300D offers a higher resolution of 17.9 megapixel, compared with 12 MP of the Sony A7S II. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 8.40μm for the A7S II). However, it should be noted that the 1300D is a somewhat more recent model (by 5 months) than the A7S II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1300D (⇒ rgt)||APS-C||17.9||5184||3456||1080/30p||-||-||-||-|
|Sony A7S II (⇒ lft)||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Canon 2000D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||..||..||..||..|
|Canon 4000D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||..||..||..||..|
|Canon G9 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon 200D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon 77D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon G9 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon M10 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Canon 1200D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63|
|Canon 100D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon 700D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Sony A99 II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II (⇒ lft | rgt)||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7 II (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7S (⇒ lft | rgt)||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7S II provides a better video resolution than the 1300D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7S II has an electronic viewfinder (2400k dots), while the 1300D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 1300D, the Sony A7S II, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon 1300D (⇒ rgt)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Sony A7S II (⇒ lft)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Canon 2000D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Canon 4000D (⇒ lft | rgt)||optical||no||2.7||230||fixed||no||4000||3.0||9.2||no|
|Canon G9 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||8.2||6||YES|
|Canon 200D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon 77D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon G9 X (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||2000||6.0||6||YES|
|Canon M10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||4.6||5||no|
|Canon 1200D (⇒ lft | rgt)||optical||no||3.0||460||fixed||no||4000||3.0||9.2||no|
|Canon 100D (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Canon 700D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||13||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Sony A99 II (⇒ lft | rgt)||2400||YES||3.0||1229||full-flex||no||8000||12.0||no||YES|
|Sony A7R II (⇒ lft | rgt)||2400||no||3.0||1229||tilting||no||8000||5.0||no||YES|
|Sony A7 II (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||YES|
|Sony A7S (⇒ lft | rgt)||2400||no||3.0||921||tilting||no||8000||5.0||no||no|
The A7S II is a current model that online retailers, such as amazon, will have in stock. In contrast, the 1300D has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the 1300D was succeeded by the Canon 2000D.
So how do things add up? Is the Canon 1300D better than the Sony A7S II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 1300D:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 22% higher linear resolution.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 142g or 23 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 370) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 5 months after the A7S II).
Reasons to prefer the Sony Alpha 7S II:
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in September 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the A7S II is the clear winner of the contest (11 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 1300D or the A7S II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 1300D (⇒ rgt)||reviewed||73/100||4/5||3.5/5||4/5||2016||449||discont.||check|
|Sony A7S II (⇒ lft)||Rec||-||4.5/5||5/5||5/5||2015||2,999||latest||check|
|Canon 2000D (⇒ lft | rgt)||..||..||..||..||..||2018||449||latest||check|
|Canon 4000D (⇒ lft | rgt)||..||..||..||..||..||2018||399||latest||check|
|Canon G9 X Mark II (⇒ lft | rgt)||..||75/100||4.5/5||4.5/5||4.5/5||2017||529||latest||check|
|Canon 200D (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon 77D (⇒ lft | rgt)||..||82/100 Silver||4.5/5||..||4/5||2017||899||latest||check|
|Canon G9 X (⇒ lft | rgt)||HiRec||-||4.5/5||4/5||4.5/5||2015||529||discont.||check|
|Canon M10 (⇒ lft | rgt)||-||-||-||reviewed||4/5||2015||499||discont.||check|
|Canon 1200D (⇒ lft | rgt)||4/5||-||4/5||4/5||4.5/5||2014||449||discont.||check|
|Canon 100D (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Canon 700D (⇒ lft | rgt)||-||76/100 Silver||4.5/5||4.5/5||4.5/5||2013||649||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Sony A99 II (⇒ lft | rgt)||-||85/100 Silver||4.5/5||4.5/5||4.5/5||2016||3,199||latest||check|
|Sony A7R II (⇒ lft | rgt)||HiRec||90/100 Gold||5/5||4.5/5||5/5||2015||3,199||discont.||check|
|Sony A7 II (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||5/5||2014||1,999||discont.||check|
|Sony A7S (⇒ lft | rgt)||-||86/100 Gold||4.5/5||4.5/5||5/5||2014||2,499||discont.||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, kindly get in touch, and I will try to update the database with the necessary infos.
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