Canon 1300D vs Sony A1
The Canon EOS 1300D (called Canon T6 in some regions) and the Sony A1 are two digital cameras that were revealed to the public, respectively, in March 2016 and January 2021. The 1300D is a DSLR, while the A1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (1300D) and a full frame (A1) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 49.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 1300D and the Sony A1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1300D and the Sony A1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A1 is somewhat smaller (4 percent) than the Canon 1300D. However, the A1 is substantially heavier (52 percent) than the 1300D. It is noteworthy in this context that the A1 is splash and dust-proof, while the 1300D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1300D) and the Sony FE Lens Catalog (A1). Mirrorless cameras, such as the A1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1300D gets 500 shots out of its LP-E10 battery, while the A1 can take 530 images on a single charge of its NP-FZ100 power pack. The power pack in the A1 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 1300D||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|2.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|3.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|4.||Canon 4000D||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|6.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|8.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|9.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|10.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|11.||Canon SX530||120 mm||82 mm||92 mm||442 g||210||n||Jan 2015||429|
|12.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|13.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|14.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|15.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|16.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|17.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 1300D was launched at a markedly lower price (by 93 percent) than the A1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1300D features an APS-C sensor and the Sony A1 a full frame sensor. The sensor area in the A1 is 160 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 49.8MP, the A1 offers a higher resolution than the 1300D (17.9MP), but the A1 has smaller individual pixels (pixel pitch of 4.16μm versus 4.31μm for the 1300D). Yet, the A1 is a much more recent model (by 4 years and 10 months) than the 1300D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A1 for good quality output (200 dots per inch) amounts to 43.2 x 28.8 inches or 109.7 x 73.2 cm, for very good quality (250 dpi) 34.6 x 23 inches or 87.8 x 58.5 cm, and for excellent quality (300 dpi) 28.8 x 19.2 inches or 73.2 x 48.8 cm. The corresponding values for the Canon 1300D are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The A1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the 1300D, the A1 has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 1300D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony A1 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 500-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|2.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||..||..||..||..|
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|10.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|13.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|14.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|15.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|16.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|17.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A1 provides a better video resolution than the 1300D. It can shoot movie footage at 8k/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A1 has an electronic viewfinder (9437k dots), while the 1300D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A1 offers a wider field of view (100%) than the one in the 1300D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A1 has a higher magnification (0.9x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1300D and Sony A1 in connection with corresponding information for a sample of similar cameras.
|7.||Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
|10.||Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|13.||Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|14.||Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|15.||Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|17.||Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The 1300D has one, while the A1 does not. While the built-in flash of the 1300D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1300D writes its imaging data to SDXC cards, while the A1 uses CFexpress or SDXC cards. The A1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 1300D only has one slot. The A1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 1300D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 1300D and Sony A1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|7.||Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|10.||Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|13.||Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|14.||Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A1 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 1300D lacks such a headphone port.
Studio photographers will appreciate that the Sony A1 (unlike the 1300D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A1 is a recent model that features in the current product line-up of Sony. In contrast, the 1300D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1300D was succeeded by the Canon 2000D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Which of the two cameras – the Canon 1300D or the Sony A1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 1300D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 252g or 34 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2016).
Advantages of the Sony A1:
- More detail: Has more megapixels (49.8 vs 17.9MP), which boosts linear resolution by 67%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (8k/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.50x).
- More detailed LCD: Has a higher resolution rear screen (1440k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Reflects 4 years and 10 months of technical progress since the 1300D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A1 is the clear winner of the contest (31 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1300D and the Sony A1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 1300D and the A1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1300D||4/5||o||73/100||4/5||4/5||Mar 2016||449|
|2.||Sony A1||..||..||..||..||..||Jan 2021||6,499|
|3.||Canon 2000D||..||o||..||3.5/5||3.5/5||Feb 2018||449|
|4.||Canon 4000D||..||o||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon 77D||4.5/5||..||82/100||4.5/5||4/5||Feb 2017||899|
|6.||Canon 200D||4/5||+ +||78/100||4.5/5||4.5/5||Jun 2017||549|
|7.||Canon G9 X Mark II||4/5||..||75/100||4.5/5||4.5/5||Jan 2017||529|
|8.||Canon SX540||..||..||..||..||..||Jan 2016||399|
|9.||Canon 750D||5/5||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|10.||Canon G9 X||3.5/5||+ +||..||4.5/5||4.5/5||Oct 2015||529|
|11.||Canon SX530||..||+ +||..||4/5||4/5||Jan 2015||429|
|12.||Canon 1200D||3/5||+||..||4/5||4.5/5||Feb 2014||449|
|13.||Sony A7S III||..||+ +||91/100||4.5/5||5/5||Jul 2020||3,499|
|14.||Sony A7R IV||5/5||+||91/100||4.5/5||5/5||Jul 2019||3,499|
|15.||Sony A7R III||..||+ +||90/100||4.5/5||5/5||Oct 2017||3,199|
|16.||Sony A9||5/5||+ +||89/100||5/5||5/5||Apr 2017||4,499|
|17.||Sony A7R II||5/5||+ +||90/100||5/5||5/5||Jun 2015||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon 1300D vs Sony A1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1300D||Sony A1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||March 2016||January 2021|
|Launch Price||USD 449||USD 6,499|
|Sensor Specs||Canon 1300D||Sony A1|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.9 x 24.0 mm|
|Sensor Area||332.27 mm2||861.6 mm2|
|Sensor Diagonal||26.8 mm||43.2 mm|
|Sensor Resolution||17.9 Megapixels||49.8 Megapixels|
|Image Resolution||5184 x 3456 pixels||8640 x 5760 pixels|
|Pixel Pitch||4.31 μm||4.16 μm|
|Pixel Density||5.39 MP/cm2||5.78 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||8k/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 32,000 ISO|
|ISO Boost||100 - 25,600 ISO||500 - 102,400 ISO|
|Image Processor||DIGIC 4+||Dual BIONZ XR|
|Screen Specs||Canon 1300D||Sony A1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||9437k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1300D||Sony A1|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||500 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexpress or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon 1300D||Sony A1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 1300D||Sony A1|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||530 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
129 x 97 x 81 mm
(5.1 x 3.8 x 3.2 in)
|Camera Weight||485 g (17.1 oz)||737 g (26.0 oz)|
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