Canon 1300D vs Panasonic FZ200
The Canon EOS 1300D (called Canon T6 in some regions) and the Panasonic Lumix DMC-FZ200 are two digital cameras that were announced, respectively, in March 2016 and July 2012. The 1300D is a DSLR, while the FZ200 is a fixed lens compact. The cameras are based on an APS-C (1300D) and a 1/2.3-inch (FZ200) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 1300D and the Panasonic Lumix DMC-FZ200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1300D and the Panasonic FZ200 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ200 is notably smaller (17 percent) than the Canon 1300D. In this context, it is worth noting that neither the 1300D nor the FZ200 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ200 has a lens built in, whereas the 1300D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1300D and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 1300D||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|2.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|3.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|4.||Canon 4000D||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|6.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|8.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|9.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|10.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|11.||Canon SX530||120 mm||82 mm||92 mm||442 g||210||n||Jan 2015||429|
|12.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|13.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|14.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|15.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|16.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|17.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1300D features an APS-C sensor and the Panasonic FZ200 a 1/2.3-inch sensor. The sensor area in the FZ200 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 1300D has a native 3:2 aspect ratio, while the one in the FZ200 offers a 4:3 aspect.
With 17.9MP, the 1300D offers a higher resolution than the FZ200 (12MP), but the 1300D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 1.53μm for the FZ200) due to its larger sensor. Moreover, the 1300D is a much more recent model (by 3 years and 7 months) than the FZ200, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 1300D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1300D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic FZ200 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon EOS 1300D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ200 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|10.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ200 provides a faster frame rate than the 1300D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ200 has an electronic viewfinder (1312k dots), while the 1300D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ200 offers a wider field of view (100%) than the one in the 1300D (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 1300D has a higher magnification (0.50x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1300D and Panasonic FZ200 along with similar information for a selection of comparators.
|1.||Canon 1300D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|2.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|3.||Canon 2000D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon 4000D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|6.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|7.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|8.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9||Y||Y|
|9.||Canon 750D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|10.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0||Y||Y|
|11.||Canon SX530||none||n||3.0 / 461||fixed||n||1/2000s||1.6||Y||Y|
|12.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|13.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4||Y||Y|
|14.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|15.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0||Y||Y|
|16.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0||Y||Y|
|17.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0||Y||Y|
Concerning the storage of imaging data, both the 1300D and the FZ200 write their files to SDXC cards. The FZ200 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1300D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 1300D and Panasonic Lumix DMC-FZ200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1300D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon 2000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 4000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Canon 750D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|10.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Canon SX530||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|12.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|14.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|16.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|17.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the 1300D offers wifi support, while the FZ200 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the 1300D and the FZ200 have been discontinued, but can regularly be found used on eBay. The FZ200 was replaced by the Panasonic FZ300, while the 1300D was followed by the Canon 2000D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon 1300D and the Panasonic FZ200? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 1300D:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 25% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.50x vs 0.46x).
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 3 years and 7 months of technical progress since the FZ200 launch.
Arguments in favor of the Panasonic Lumix DMC-FZ200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 1300D requires a separate lens.
- More compact: Is smaller (125x87mm vs 129x101mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (13 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1300D and the Panasonic FZ200 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 1300D and the FZ200 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1300D||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|2.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|3.||Canon 2000D||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|4.||Canon 4000D||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|6.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|7.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|8.||Canon SX540||..||..||..||..||..||..||Jan 2016||399|
|9.||Canon 750D||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|10.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529|
|11.||Canon SX530||..||+ +||..||..||4/5||4/5||Jan 2015||429|
|12.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|13.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|14.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|15.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|16.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|17.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1300D vs Canon RP
- Canon 1300D vs Fujifilm X-T10
- Canon 1300D vs Nikon D3400
- Canon 1300D vs Olympus TG-6
- Canon 1300D vs Panasonic TZ95
- Canon 1300D vs Sony A6400
- Canon 350D vs Panasonic FZ200
- Canon RP vs Panasonic FZ200
- Nikon D700 vs Panasonic FZ200
- Panasonic FZ200 vs Pentax K-5
- Panasonic FZ200 vs Pentax KP
- Panasonic FZ200 vs Sony A7R
Specifications: Canon 1300D vs Panasonic FZ200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1300D||Panasonic FZ200|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-600mm f/2.8|
|Launch Date||March 2016||July 2012|
|Launch Price||USD 449||USD 599|
|Sensor Specs||Canon 1300D||Panasonic FZ200|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||17.9 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.31 μm||1.53 μm|
|Pixel Density||5.39 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||100 - 3,200 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 6,400 ISO|
|Image Processor||DIGIC 4+||Venus VII FHD|
|DXO Sensor Quality (score)||..||37|
|DXO Color Depth (bits)||..||19.1|
|DXO Dynamic Range (EV)||..||10.8|
|DXO Low Light (ISO)||..||114|
|Screen Specs||Canon 1300D||Panasonic FZ200|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1312k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon 1300D||Panasonic FZ200|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||12 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1300D||Panasonic FZ200|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon 1300D||Panasonic FZ200|
|Battery Life (CIPA)||500 shots per charge||540 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
125 x 87 x 110 mm
(4.9 x 3.4 x 4.3 in)
|Camera Weight||485 g (17.1 oz)||588 g (20.7 oz)|
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