Canon 1300D vs Fujifilm GFX 50S
The Canon EOS 1300D (called Canon T6 in some regions) and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in March 2016 and September 2016. The 1300D is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (1300D) and a medium format (GFX 50S) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 1300D and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1300D and the Fujifilm GFX 50S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (7 percent) than the Canon 1300D. Moreover, the GFX 50S is substantially heavier (53 percent) than the 1300D. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the 1300D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 1300D||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449||ebay.com|
|2.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|3.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||amazon.com|
|4.||Canon 4000D||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||amazon.com|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||ebay.com|
|6.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||amazon.com|
|8.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399||ebay.com|
|9.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||ebay.com|
|10.||Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529||ebay.com|
|11.||Canon SX530||120 mm||82 mm||92 mm||442 g||210||n||Jan 2015||429||ebay.com|
|12.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|13.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|14.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||amazon.com|
|15.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995||ebay.com|
|16.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595||ebay.com|
|17.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 1300D was launched at a markedly lower price (by 93 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1300D features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 1300D has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the 1300D (17.9MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.31μm for the 1300D) due to its larger sensor. Moreover, the GFX 50S is a somewhat more recent model (by 6 months) than the 1300D, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 1300D are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The Canon EOS 1300D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|10.||Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|13.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|14.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|15.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|16.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|17.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 1300D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Canon 1300D and Fujifilm GFX 50S along with similar information for a selection of comparators.
|1.||Canon 1300D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|3.||Canon 2000D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon 4000D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|6.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|7.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|8.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9/s||Y||Y|
|9.||Canon 750D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Canon G9 X||none||n||3.0 / 1040||fixed||Y||1/2000s||6.0/s||Y||Y|
|11.||Canon SX530||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|12.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|14.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|15.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3/s||n||n|
|16.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|17.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The 1300D has one, while the GFX 50S does not. While the built-in flash of the 1300D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 1300D and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 1300D only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the 1300D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 1300D and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1300D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|2.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|3.||Canon 2000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 4000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Canon 750D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|10.||Canon G9 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|11.||Canon SX530||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|12.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|14.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|15.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|16.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|17.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 1300D lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the 1300D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1300D and the GFX 50S have been discontinued, but can regularly be found used on ebay. The 1300D was replaced by the Canon 2000D, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the 1300D and GFX 50S can be found, respectively, in the Canon 1300D Manual (free pdf) or the online Fujifilm GFX 50S Manual.
So what conclusions can be drawn? Is the Canon 1300D better than the Fujifilm GFX 50S or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 1300D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Less heavy: Is lighter (by 255g or 34 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in March 2016).
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 17.9MP), which boosts linear resolution by 66%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Was introduced somewhat (6 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (22 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1300D and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1300D and the GFX 50S in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1300D||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449||ebay.com|
|2.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|3.||Canon 2000D||..||o||3.5/5||..||3.5/5||3.5/5||Feb 2018||449||amazon.com|
|4.||Canon 4000D||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399||amazon.com|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899||ebay.com|
|6.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|7.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529||amazon.com|
|8.||Canon SX540||..||..||..||..||..||..||Jan 2016||399||ebay.com|
|9.||Canon 750D||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749||ebay.com|
|10.||Canon G9 X||3.5/5||+ +||..||..||4.5/5||4.5/5||Oct 2015||529||ebay.com|
|11.||Canon SX530||..||+ +||..||..||4/5||4/5||Jan 2015||429||ebay.com|
|12.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|13.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|14.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499||amazon.com|
|15.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995||ebay.com|
|16.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595||ebay.com|
|17.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Leica D-LUX 7
- Canon 1300D vs Leica X Vario
- Canon 1300D vs Nikon B600
- Canon 1300D vs Olympus E-410
- Canon 1300D vs Olympus E-M5
- Canon 1300D vs Panasonic TZ200
- Canon 6D vs Fujifilm GFX 50S
- Canon G7 X Mark III vs Fujifilm GFX 50S
- Canon T5 vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Nikon 1 V2
- Fujifilm GFX 50S vs Nikon D3X
- Fujifilm GFX 50S vs Sony RX100 II
Specifications: Canon 1300D vs Fujifilm GFX 50S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1300D||Fujifilm GFX 50S|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm G mount lenses|
|Launch Date||March 2016||September 2016|
|Launch Price||USD 449||USD 6,499|
|Sensor Specs||Canon 1300D||Fujifilm GFX 50S|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.3 x 14.9 mm||44.0 x 33.0 mm|
|Sensor Area||332.27 mm2||1452 mm2|
|Sensor Diagonal||26.8 mm||55 mm|
|Sensor Resolution||17.9 Megapixels||51.1 Megapixels|
|Image Resolution||5184 x 3456 pixels||8256 x 6192 pixels|
|Pixel Pitch||4.31 μm||5.33 μm|
|Pixel Density||5.39 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 12,800 ISO||50 - 102,400 ISO|
|Image Processor||DIGIC 4+||X Processor Pro|
|Screen Specs||Canon 1300D||Fujifilm GFX 50S|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||920k dots||2360k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1300D||Fujifilm GFX 50S|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon 1300D||Fujifilm GFX 50S|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon 1300D||Fujifilm GFX 50S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||400 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
|Camera Weight||485 g (17.1 oz)||740 g (26.1 oz)|
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