Canon 1200D vs Fujifilm GFX 50S
The Canon EOS 1200D (called Canon T5 in some regions) and the Fujifilm GFX 50S are two digital cameras that were revealed to the public, respectively, in February 2014 and September 2016. The 1200D is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (1200D) and a medium format (GFX 50S) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Fujifilm provides 51.1 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 1200D||Fujifilm GFX 50S|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Fujifilm G mount lenses|
|17.9 MP, APS-C Sensor||51.1 MP, Medium Format Sensor|
|1080/30p Video||1080/30p Video|
|ISO 100-6400 (100-12800)||ISO 100-12800 (50-102400)|
|Optical viewfinder||Viewfinder optional|
|3.0" LCD, 460k dots||3.2" LCD, 2360k dots|
|Fixed screen (not touch-sensitive)||Fully flexible touchscreen|
|3 shutter flaps per second||3 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||400 shots per battery charge|
|130 x 100 x 78 mm, 480 g||148 x 94 x 91 mm, 740 g|
Body comparison: Canon 1200D vs Fujifilm GFX 50S
The side-by-side display below illustrates the physical size and weight of the Canon 1200D and the Fujifilm GFX 50S. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (7 percent) than the Canon 1200D. Moreover, the GFX 50S is substantially heavier (54 percent) than the 1200D. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the 1200D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1200D»||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon 1200D|
|Fujifilm GFX 50S«||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Canon 4000D« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 1300D« »||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449||-||Canon 1300D|
|Canon 750D« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||849||-||Canon 760D|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||-||Canon G9 X|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-||Canon M10|
|Canon 100D« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon 100D|
|Canon 700D« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon 700D|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon 650D|
|Canon 1100D« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||-||Canon 1100D|
|Fujifilm GFX 50R« »||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Hasselblad X1D« »||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995||Hasselblad X1D|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 1200D was launched at a markedly lower price (by 93 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 1200D vs Fujifilm GFX 50S
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1200D features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 1200D has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the 1200D (17.9MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.31μm for the 1200D) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 2 years and 7 months) than the 1200D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS 1200D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400..
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1200D»||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Fujifilm GFX 50S«||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50S|
|Canon 4000D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 1300D« »||APS-C||17.9||5184||3456||1080/30p||-||-||-||-||Canon 1300D|
|Canon 750D« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon 750D|
|Canon 760D« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon G9 X« »||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65||Canon M10|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Canon 700D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon 650D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon 1100D« »||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Fujifilm GFX 50R« »||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50R|
|Hasselblad X1D« »||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102||Hasselblad X1D|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/30p).
Feature comparison: Canon 1200D vs Fujifilm GFX 50S
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 1200D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Canon 1200D and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras.
|Canon 1200D»||optical||n||3.0||460||fixed||n||4000||3.0||Y||n||Canon 1200D|
|Fujifilm GFX 50S«||-||Y||3.2||2360||full-flex||Y||4000||3.0||n||n||Fujifilm GFX 50S|
|Canon 4000D« »||optical||n||2.7||230||fixed||n||4000||3.0||Y||n||Canon 4000D|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 1300D« »||optical||n||3.0||920||fixed||n||4000||3.0||Y||n||Canon 1300D|
|Canon 750D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 750D|
|Canon 760D« »||optical||Y||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 760D|
|Canon G9 X« »||-||n||3.0||1040||fixed||Y||2000||6.0||Y||Y||Canon G9 X|
|Canon M10« »||-||n||3.0||1040||tilting||Y||4000||4.6||Y||n||Canon M10|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon 100D|
|Canon 700D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 700D|
|Canon 650D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 650D|
|Canon 1100D« »||optical||n||2.7||230||fixed||n||4000||3.0||Y||n||Canon 1100D|
|Fujifilm GFX 50R« »||3690||n||3.2||2360||tilting||Y||4000||3.0||n||n||Fujifilm GFX 50R|
|Hasselblad X1D« »||2360||n||3.0||920||fixed||Y||2000||2.3||n||n||Hasselblad X1D|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||8000||11.0||n||n||Leica SL|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||8000||8.0||Y||n||Nikon D7500|
One difference between the cameras concerns the presence of an on-board flash. The 1200D has one, while the GFX 50S does not. While the built-in flash of the 1200D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the GFX 50S features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the 1200D and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 1200D only has one slot.
Connectivity comparison: Canon 1200D vs Fujifilm GFX 50S
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 1200D and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1200D»||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Fujifilm GFX 50S«||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Canon 4000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 1300D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 1300D|
|Canon 750D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 750D|
|Canon 760D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon G9 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon M10« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon M10|
|Canon 100D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Canon 700D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon 650D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon 1100D« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Fujifilm GFX 50R« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Hasselblad X1D« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Hasselblad X1D|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
It is notable that the GFX 50S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1200D does not offer wifi capability.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the 1200D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the 1200D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1200D was succeeded by the Canon 1300D.
Review summary: Canon 1200D vs Fujifilm GFX 50S
So what conclusions can be drawn? Which of the two cameras – the Canon 1200D or the Fujifilm GFX 50S – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 1200D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Less heavy: Is lighter (by 260g or 35 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2014).
Reasons to prefer the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 17.9MP), which boosts linear resolution by 66%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: Larger sensor generates images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 460k dots).
- More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 7 months of technical progress since the 1200D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the contest (21 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1200D or the GFX 50S handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 1200D vs Fujifilm GFX 50S
This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Canon 1200D»||Rec||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Fujifilm GFX 50S«||-||85/100||5/5||5/5||4.5/5||Sep 2016||6,499||Fujifilm GFX 50S|
|Canon 4000D« »||rev||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 1300D« »||rev||73/100||4/5||3.5/5||4/5||Mar 2016||449||-||Canon 1300D|
|Canon 750D« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon 750D|
|Canon 760D« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||849||-||Canon 760D|
|Canon G9 X« »||HiRec||-||4.5/5||4/5||4.5/5||Oct 2015||529||-||Canon G9 X|
|Canon M10« »||-||-||-||rev||4/5||Oct 2015||499||-||Canon M10|
|Canon 100D« »||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Canon 700D« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon 700D|
|Canon 650D« »||HiRec||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon 650D|
|Canon 1100D« »||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449||-||Canon 1100D|
|Fujifilm GFX 50R« »||-||-||-||-||4.5/5||Sep 2018||4,499||Fujifilm GFX 50R|
|Hasselblad X1D« »||rev||81/100||-||-||4/5||Jun 2016||8,995||Hasselblad X1D|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Nikon D7500« »||HiRec||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M100 vs Canon G1 X
- Canon R vs Leica M9
- Canon SX50 vs Panasonic LF1
- Canon SX730 vs Canon G9 X Mark II
- Fujifilm X-E1 vs Leica M10
- Leica C-LUX vs Panasonic ZS100
- Nikon P1000 vs Panasonic GX80
- Nikon Z6 vs Sony A7 II
- Olympus E-5 vs Canon 1D Mark II
- Olympus E-M1 II vs Olympus E-M5
- Olympus E-PL8 vs Fujifilm X-T20
- Sony A58 vs Pentax KP
Specifications: Canon 1200D vs Fujifilm GFX 50S
|Camera Model||Canon 1200D||Fujifilm GFX 50S|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm G mount lenses|
|Launch Date||February 2014||September 2016|
|Launch Price||USD 449||USD 6499|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.3 x 14.9 mm||44.0 x 14.9 mm|
|Sensor Area||332.27 mm2||1452 mm2|
|Sensor Diagonal||26.8 mm||55 mm|
|Sensor Resolution||17.9 Megapixels||51.1 Megapixels|
|Image Resolution||5184 x 3456 pixels||8256 x 6192 pixels|
|Pixel Pitch||4.31 μm||5.33 μm|
|Pixel Density||5.39 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100-6400 ISO||100-12800 ISO|
|ISO Boost||100-12800 ISO||50-102400 ISO|
|Image Processor||DIGIC 4||X Processor Pro|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.9||..|
|DXO Dynamic Range (EV)||11.3||..|
|DXO Low Light (ISO)||724||..|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%||n/a|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||460k dots||2360k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||3 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||LP-E10 power pack||NP-T125 power pack|
|Battery Life (CIPA)||500 shots per charge||400 shots per charge|
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
|Camera Weight||480 g (16.9 oz)||740 g (26.1 oz)|
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