Canon 1100D vs Sony A900
The Canon EOS 1100D (called Canon T3 in some regions) and the Sony Alpha A900 are two digital cameras that were announced, respectively, in February 2011 and September 2008. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (1100D) and a full frame (A900) sensor. The Canon has a resolution of 12.2 megapixels, whereas the Sony provides 24.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1100D||Sony A900|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|12.2 MP, APS-C Sensor||24.4 MP, Full Frame Sensor|
|720/30p Video||no Video|
|ISO 100-6400||ISO 200-3200 (100-6400)|
|Optical viewfinder||Optical viewfinder|
|2.7" LCD, 230k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|700 shots per battery charge||880 shots per battery charge|
|130 x 100 x 78 mm, 495 g||156 x 117 x 82 mm, 895 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 1100D and the Sony Alpha A900? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1100D and the Sony A900 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A900 is notably larger (40 percent) than the Canon 1100D. Moreover, the A900 is substantially heavier (81 percent) than the 1100D. It is noteworthy in this context that the A900 is splash and dust-proof, while the 1100D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1100D»||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||Canon 1100D|
|Sony A900«||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999||Sony A900|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Canon 4000D« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||Canon 1200D|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||Canon 650D|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||Canon G1 X|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||Canon SX50|
|Canon 600D« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||Canon 600D|
|Canon 550D« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||Canon 550D|
|Canon 450D« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||Canon 450D|
|Canon 1000D« »||5.0 in||3.9 in||2.6 in||17.7 oz||500||n||Jun 2008||449||Canon 1000D|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||Sony A99|
|Sony A850« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||Sony A850|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 1100D was launched at a markedly lower price (by 85 percent) than the A900, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1100D features an APS-C sensor and the Sony A900 a full frame sensor. The sensor area in the A900 is 167 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.4MP, the A900 offers a higher resolution than the 1100D (12.2MP), but the A900 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 5.15μm for the 1100D) due to its larger sensor. However, the 1100D is a much more recent model (by 2 years and 4 months) than the A900, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A900 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A900 for good quality output (200 dots per inch) amounts to 30.2 x 20.2 inch or 76.8 x 51.2 cm, for very good quality (250 dpi) 24.2 x 16.1 inch or 61.4 x 41 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inch or 51.2 x 34.1 cm. The corresponding values for the Canon 1100D are 21.4 x 14.2 inch or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inch or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inch or 36.2 x 24.1 cm for excellent quality prints.
The Canon EOS 1100D has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha A900 are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A900 offers substantially better image quality than the 1100D (overall score 17 points higher). The advantage is based on 1.8 bits higher color depth, 1.3 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1100D||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79||Sony A900|
|Canon 2000D||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 4000D||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 1200D||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon 650D||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon SX50||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon 600D||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon 600D|
|Canon 550D||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon 550D|
|Canon 450D||APS-C||12.2||4272||2848||none||21.9||10.8||692||61||Canon 450D|
|Canon 1000D||APS-C||10.1||3888||2592||none||..||..||..||..||Canon 1000D|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79||Sony A850|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The 1100D indeed provides movie recording capabilities, while the A900 does not. The highest resolution format that the 1100D can use is 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The 1100D and the A900 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the A900 offers a wider field of view (100%) than the one in the 1100D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A900 has a higher magnification (0.74x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1100D and Sony A900 along with similar information for a selection of comparators.
|Canon 1100D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 1100D|
|Sony A900||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
|Canon 2000D||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon 4000D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Canon 1200D||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon 650D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 650D|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon SX50||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon 600D||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon 600D|
|Canon 550D||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon 550D|
|Canon 450D||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon 450D|
|Canon 1000D||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon 1000D|
|Sony A9||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A99||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony A850||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
One difference between the cameras concerns the presence of an on-board flash. The 1100D has one, while the A900 does not. While the built-in flash of the 1100D is not very powerful, it can at times be useful as a fill-in light.
The 1100D writes its imaging data to SDXC cards, while the A900 uses Compact Flash or Memory Stick PRO Duo cards. The A900 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 1100D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 1100D and Sony Alpha A900 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1100D||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Sony A900||Y||none||none||-||-||mini||2.0||-||-||-||Sony A900|
|Canon 2000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 4000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 1200D||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon 650D||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon SX50||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon 600D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 600D|
|Canon 550D||Y||stereo||none||Y||-||mini||2.0||-||-||-||Canon 550D|
|Canon 450D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 450D|
|Canon 1000D||Y||none||none||-||-||none||2.0||-||-||-||Canon 1000D|
|Sony A9||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A99||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony A850||Y||none||none||-||-||mini||2.0||-||-||-||Sony A850|
Studio photographers will appreciate that the Sony A900 (unlike the 1100D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1100D and the A900 have been discontinued, but can regularly be found used on eBay. The A900 was replaced by the Sony A99, while the 1100D was followed by the Canon 1200D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 1100D and the Sony A900? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 1100D:
- Broader imaging potential: Can record not only still images but also 720/30p movies.
- More compact: Is smaller (130x100mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 400g or 45 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
- More modern: Reflects 2 years and 4 months of technical progress since the A900 launch.
Advantages of the Sony Alpha A900:
- More detail: Has more megapixels (24.4 vs 12.2MP), which boosts linear resolution by 42%.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.9 stops ISO advantage).
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.50x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (880 versus 700) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2008).
If the count of individual advantages (bullet points above) is taken as a guide, the A900 is the clear winner of the contest (18 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1100D and the Sony A900 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1100D and the A900 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1100D vs Canon SL2
- Canon 1100D vs Leica M9
- Canon G7 X Mark III vs Sony A900
- Canon T3i vs Sony A900
- Canon T5 vs Sony A900
- Leica CL vs Sony A900
- Leica S Typ 007 vs Sony A900
- Leica S-E Typ 006 vs Sony A900
- Leica V-LUX Typ 114 vs Sony A900
- Olympus E-PL7 vs Sony A900
- Panasonic FZ150 vs Sony A900
- Panasonic LX10 vs Sony A900
Specifications: Canon 1100D vs Sony A900
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1100D||Sony A900|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||February 2011||September 2008|
|Launch Price||USD 449||USD 2999|
|Sensor Specs||Canon 1100D||Sony A900|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.0 x 14.7 mm||35.9 x 24.0 mm|
|Sensor Area||323.4 mm2||861.6 mm2|
|Sensor Diagonal||26.5 mm||43.2 mm|
|Sensor Resolution||12.2 Megapixels||24.4 Megapixels|
|Image Resolution||4272 x 2848 pixels||6048 x 4032 pixels|
|Pixel Pitch||5.15 μm||5.94 μm|
|Pixel Density||3.76 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||no Video|
|ISO Setting||100-6400 ISO||200-3200 ISO|
|ISO Boost||no Enhancement||100-6400 ISO|
|Image Processor||DIGIC 4||BIONZ|
|DXO Sensor Quality (score)||62||79|
|DXO Color Depth (bits)||21.9||23.7|
|DXO Dynamic Range (EV)||11.0||12.3|
|DXO Low Light (ISO)||755||1431|
|Screen Specs||Canon 1100D||Sony A900|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.7 inch||3.0 inch|
|LCD Resolution||230k dots||922k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1100D||Sony A900|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or MS cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 1100D||Sony A900|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1100D||Sony A900|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||700 shots per charge||880 shots per charge|
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
156 x 117 x 82 mm
(6.1 x 4.6 x 3.2 in)
|Camera Weight||495 g (17.5 oz)||895 g (31.6 oz)|
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