Canon 10D vs Sony A7R III
The Canon EOS 10D and the Sony Alpha A7R III are two enthusiast cameras that were revealed to the public, respectively, in February 2003 and October 2017. The 10D is a DSLR, while the A7R III is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (10D) and a full frame (A7R III) sensor. The Canon has a resolution of 6.3 megapixels, whereas the Sony provides 42.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 10D||Sony A7R III|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|6.3 MP, APS-C Sensor||42.2 MP, Full Frame Sensor|
|no Video||4K/30p Video|
|ISO 100-3200||ISO 100-32000 (50-102400)|
|Optical viewfinder||Electronic viewfinder (3686k dots)|
|1.8" LCD, 118k dots||3.0" LCD, 1440k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||650 shots per battery charge|
|150 x 107 x 75 mm, 850 g||127 x 96 x 74 mm, 650 g|
Body comparison: Canon 10D vs Sony A7R III
The physical size and weight of the Canon 10D and the Sony A7R III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is notably smaller (24 percent) than the Canon 10D. Moreover, the A7R III is markedly lighter (24 percent) than the 10D. It is noteworthy in this context that the A7R III is splash and dust-proof, while the 10D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (10D) and the Sony FE Lens Catalog (A7R III). Mirrorless cameras, such as the A7R III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 10D gets 500 shots out of its BP-511 battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. The power pack in the A7R III can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 10D»||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||-||Canon 10D|
|Sony A7R III«||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||Sony A7R III|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon T5|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon T4i|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Canon D60« »||5.9 in||4.2 in||3.0 in||30.2 oz||620||n||Feb 2002||2,999||-||Canon D60|
|Nikon D100« »||5.7 in||4.6 in||3.2 in||27.5 oz||370||n||Feb 2002||1,999||-||Nikon D100|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A99 II« »||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 10D was launched at a markedly lower price (by 38 percent) than the A7R III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 10D vs Sony A7R III
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 10D features an APS-C sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 151 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A7R III offers a higher resolution than the 10D (6.3MP), but the A7R III has smaller individual pixels (pixel pitch of 4.52μm versus 7.38μm for the 10D). Yet, the A7R III is a much more recent model (by 14 years and 8 months) than the 10D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
Unlike the 10D, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 10D has a native sensitivity range from ISO 100 to ISO 3200 The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400..
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R III offers substantially better image quality than the 10D (overall score 43 points higher). The advantage is based on 4.9 bits higher color depth, 3.8 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 10D»||APS-C||6.3||3072||2048||-||21.1||10.9||571||57||Canon 10D|
|Sony A7R III«||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Canon T5« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T4i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 40D« »||APS-C||10.1||3888||2592||-||22.1||11.3||703||64||Canon 40D|
|Canon 30D« »||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Canon Rebel« »||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Canon D60« »||APS-C||6.3||3072||2048||-||-||-||-||-||Canon D60|
|Nikon D100« »||APS-C||6.0||3008||2000||-||-||-||-||-||Nikon D100|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A99 II« »||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
Many modern cameras are not only capable of taking still images, but can also record movies. The A7R III indeed provides for movie recording, while the 10D does not. The highest resolution format that the A7R III can use is 4K/30p.
Feature comparison: Canon 10D vs Sony A7R III
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), while the 10D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7R III offers a wider field of view (100%) than the one in the 10D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7R III has a higher magnification (0.78x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 10D and Sony A7R III along with similar information for a selection of comparators.
|Canon 10D»||optical||Y||1.8||118||fixed||n||4000||3.0||Y||n||Canon 10D|
|Sony A7R III«||3686||n||3.0||1440||tilting||Y||8000||10.0||n||Y||Sony A7R III|
|Canon T5« »||optical||n||3.0||460||fixed||n||4000||3.0||Y||n||Canon T5|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon SL1|
|Canon T4i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T4i|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||8000||8.0||Y||n||Canon 7D|
|Canon 40D« »||optical||Y||3.0||230||fixed||n||8000||6.5||Y||n||Canon 40D|
|Canon 30D« »||optical||Y||2.5||230||fixed||n||8000||5.0||Y||n||Canon 30D|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||8000||5.0||Y||n||Canon 20D|
|Canon Rebel« »||optical||n||1.8||118||fixed||n||4000||2.5||Y||n||Canon Rebel|
|Canon D60« »||optical||Y||1.8||114||fixed||n||4000||3.0||Y||n||Canon D60|
|Nikon D100« »||optical||Y||1.8||118||fixed||n||4000||3.0||Y||n||Nikon D100|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||8000||20.0||n||Y||Sony A9|
|Sony A99 II« »||2400||Y||3.0||1229||full-flex||n||8000||12.0||n||Y||Sony A99 II|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7S II|
One difference between the cameras concerns the presence of an on-board flash. The 10D has one, while the A7R III does not. While the built-in flash of the 10D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the A7R III features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 10D writes its imaging data to Compact Flash cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the 10D only has one slot.
Connectivity comparison: Canon 10D vs Sony A7R III
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 10D and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 10D»||Y||-||-||-||-||-||1.1||-||-||-||Canon 10D|
|Sony A7R III«||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Canon T5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T4i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 40D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 40D|
|Canon 30D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Canon Rebel« »||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Canon D60« »||Y||-||-||-||-||-||1.1||-||-||-||Canon D60|
|Nikon D100« »||Y||-||-||-||-||-||1.1||-||-||-||Nikon D100|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A99 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
It is notable that the A7R III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 10D does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The A7R III is a recent model that features in the current product line-up of Sony. In contrast, the 10D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 10D was succeeded by the Canon 20D.
Review summary: Canon 10D vs Sony A7R III
So what conclusions can be drawn? Is the Canon 10D better than the Sony A7R III or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 10D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2003).
Arguments in favor of the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 6.3MP), which boosts linear resolution by 159%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (43 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.6 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 118k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (127x96mm vs 150x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 200g or 24 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (650 versus 500) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 14 years and 8 months of technical progress since the 10D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the contest (31 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 10D or the A7R III perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 10D vs Sony A7R III
This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 10D»||-||HiRec||-||rev||-||Feb 2003||1,999||-||Canon 10D|
|Sony A7R III«||HiRec||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||Sony A7R III|
|Canon T5« »||Rec||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon SL1« »||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T4i« »||HiRec||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Canon 7D« »||HiRec||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Canon 40D« »||HiRec||HiRec||4.5/5||rev||4.5/5||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||HiRec||HiRec||rev||rev||-||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||-||HiRec||-||rev||-||Aug 2004||1,499||-||Canon 20D|
|Canon Rebel« »||-||HiRec||-||rev||-||Aug 2003||899||-||Canon Rebel|
|Canon D60« »||-||HiRec||rev||-||-||Feb 2002||2,999||-||Canon D60|
|Nikon D100« »||-||HiRec||rev||rev||-||Feb 2002||1,999||-||Nikon D100|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||HiRec||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A99 II« »||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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Specifications: Canon 10D vs Sony A7R III
|Camera Model||Canon 10D||Sony A7R III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2003||October 2017|
|Launch Price||USD 1999||USD 3199|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.7 x 15.1 mm||35.9 x 15.1 mm|
|Sensor Area||342.77 mm2||861.6 mm2|
|Sensor Diagonal||27.3 mm||43.2 mm|
|Sensor Resolution||6.3 Megapixels||42.2 Megapixels|
|Image Resolution||3072 x 2048 pixels||7952 x 5304 pixels|
|Pixel Pitch||7.38 μm||4.52 μm|
|Pixel Density||1.84 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-3200 ISO||100-32000 ISO|
|ISO Boost||no Enhancement||50-102400 ISO|
|Image Processor||DIGIC||BIONZ X|
|DXO Sensor Quality (score)||57||100|
|DXO Color Depth (bits)||21.1||26.0|
|DXO Dynamic Range (EV)||10.9||14.7|
|DXO Low Light (ISO)||571||3523|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||n/a||3686k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||n/a||Live View|
|Rear LCD Size||1.8 inch||3.0 inch|
|LCD Resolution||118k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 1.1||USB 3.1|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||BP-511 power pack||NP-FZ100 power pack|
|Battery Life (CIPA)||500 shots per charge||650 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
150 x 107 x 75 mm
(5.9 x 4.2 x 3.0 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||850 g (30.0 oz)||650 g (22.9 oz)|
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