Canon 10D vs Sony A58
The Canon EOS 10D and the Sony Alpha SLT-A58 are two digital cameras that were revealed to the public, respectively, in February 2003 and February 2013. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 6.3 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 10D||Sony A58|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|6.3 MP, APS-C Sensor||19.8 MP, APS-C Sensor|
|no Video||1080/60i Video|
|ISO 100-3200||ISO 100-16000 (100-25600)|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|1.8" LCD, 118k dots||2.7" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|500 shots per battery charge||690 shots per battery charge|
|150 x 107 x 75 mm, 850 g||129 x 95 x 78 mm, 492 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 10D and the Sony Alpha SLT-A58? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 10D and the Sony A58 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A58 is notably smaller (24 percent) than the Canon 10D. Moreover, the A58 is substantially lighter (42 percent) than the 10D. In this context, it is worth noting that neither the 10D nor the A58 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 10D»||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||Canon 10D|
|Sony A58«||5.1 in||3.7 in||3.1 in||17.4 oz||690||n||Feb 2013||599||Sony A58|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||Canon T5|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||Canon SL1|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||Canon T5i|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||Canon T4i|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||Canon 7D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||Canon 20D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||Canon Rebel|
|Canon D60« »||5.9 in||4.2 in||3.0 in||30.2 oz||620||n||Feb 2002||2,999||Canon D60|
|Nikon D3200« »||4.9 in||3.8 in||3.0 in||17.8 oz||540||n||Apr 2012||599||Nikon D3200|
|Nikon D100« »||5.7 in||4.6 in||3.2 in||27.5 oz||370||n||Feb 2002||1,999||Nikon D100|
|Sony A68« »||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699||Sony A68|
|Sony A5100« »||4.3 in||2.5 in||1.4 in||10.0 oz||400||n||Aug 2014||549||Sony A5100|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||Sony A3000|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A58 was launched at a markedly lower price (by 70 percent) than the 10D, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A58 is 7 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (10D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 19.8MP, the A58 offers a higher resolution than the 10D (6.3MP), but the A58 has smaller individual pixels (pixel pitch of 4.31μm versus 7.38μm for the 10D). Yet, the A58 is a much more recent model (by 9 years and 11 months) than the 10D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A58 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A58 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inch or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inch or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inch or 46.2 x 30.8 cm. The corresponding values for the Canon 10D are 15.4 x 10.2 inch or 39 x 26 cm for good quality, 12.3 x 8.2 inch or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inch or 26 x 17.3 cm for excellent quality prints.
The Canon EOS 10D has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha SLT-A58 are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A58 offers substantially better image quality than the 10D (overall score 17 points higher). The advantage is based on 2.2 bits higher color depth, 1.6 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 10D||APS-C||6.3||3072||2048||none||21.1||10.9||571||57||Canon 10D|
|Sony A58||APS-C||19.8||5456||3632||1080/60i||23.3||12.5||753||74||Sony A58|
|Canon T5||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon SL1||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T5i||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon T4i||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon 7D||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 40D||APS-C||10.1||3888||2592||none||22.1||11.3||703||64||Canon 40D|
|Canon 30D||APS-C||8.2||3504||2336||none||21.5||10.8||736||59||Canon 30D|
|Canon 20D||APS-C||8.2||3504||2336||none||21.9||11.0||721||62||Canon 20D|
|Canon Rebel||APS-C||6.3||3072||2048||none||21.0||10.8||544||55||Canon Rebel|
|Canon D60||APS-C||6.3||3072||2048||none||..||..||..||..||Canon D60|
|Nikon D3200||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81||Nikon D3200|
|Nikon D100||APS-C||6.0||3008||2000||none||..||..||..||..||Nikon D100|
|Sony A68||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Sony A5100||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A3000||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
Many modern cameras cannot only take still pictures, but also record videos. The A58 indeed provides for movie recording, while the 10D does not. The highest resolution format that the A58 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A58 has an electronic viewfinder (1440k dots), while the 10D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A58 offers a wider field of view (100%) than the one in the 10D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A58 has a higher magnification (0.57x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 10D and Sony A58 in connection with corresponding information for a sample of similar cameras.
|Canon 10D||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
|Sony A58||1440||n||2.7||460||tilting||n||1/4000s||5.0||Y||Y||Sony A58|
|Canon T5||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon SL1||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T5i||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T5i|
|Canon T4i||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon 7D||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 40D||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 20D||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Canon Rebel||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Canon D60||optical||Y||1.8||114||fixed||n||1/4000s||3.0||Y||n||Canon D60|
|Nikon D3200||optical||n||3.0||921||fixed||n||1/4000s||4.0||Y||n||Nikon D3200|
|Nikon D100||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Nikon D100|
|Sony A68||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Sony A5100||none||n||3.0||922||tilting||Y||1/4000s||6.0||Y||n||Sony A5100|
|Sony A3000||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
One feature that is present on the 10D, but is missing on the A58 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 10D writes its imaging data to Compact Flash cards, while the A58 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 10D and Sony Alpha SLT-A58 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 10D||Y||none||none||-||-||none||1.1||-||-||-||Canon 10D|
|Sony A58||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A58|
|Canon T5||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon SL1||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T5i||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon T4i||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon 7D||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 40D||Y||none||none||-||-||none||2.0||-||-||-||Canon 40D|
|Canon 30D||Y||none||none||-||-||none||2.0||-||-||-||Canon 30D|
|Canon 20D||Y||none||none||-||-||none||1.1||-||-||-||Canon 20D|
|Canon Rebel||Y||none||none||-||-||none||1.1||-||-||-||Canon Rebel|
|Canon D60||Y||none||none||-||-||none||1.1||-||-||-||Canon D60|
|Nikon D3200||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3200|
|Nikon D100||Y||none||none||-||-||none||1.1||-||-||-||Nikon D100|
|Sony A68||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Sony A5100||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A3000||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
Studio photographers will appreciate that the Canon 10D (unlike the A58) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 10D and the A58 have been discontinued, but can regularly be found used on eBay. The 10D was replaced by the Canon 20D, while the A58 was followed by the Sony A68. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is there a clear favorite between the Canon 10D and the Sony A58? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 10D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2003).
Reasons to prefer the Sony Alpha SLT-A58:
- More detail: Has more megapixels (19.8 vs 6.3MP), which boosts linear resolution by 78%.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.57x vs 0.55x).
- Larger screen: Has a bigger rear LCD (2.7" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 118k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (129x95mm vs 150x107mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 358g or 42 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (690 versus 500) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More modern: Reflects 9 years and 11 months of technical progress since the 10D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A58 is the clear winner of the contest (20 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 10D and the Sony A58 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 10D or the A58 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon 10D vs Sony A58
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 10D||Sony A58|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||February 2003||February 2013|
|Launch Price||USD 1999||USD 599|
|Sensor Specs||Canon 10D||Sony A58|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.7 x 15.1 mm||23.5 x 15.6 mm|
|Sensor Area||342.77 mm2||366.6 mm2|
|Sensor Diagonal||27.3 mm||28.2 mm|
|Sensor Resolution||6.3 Megapixels||19.8 Megapixels|
|Image Resolution||3072 x 2048 pixels||5456 x 3632 pixels|
|Pixel Pitch||7.38 μm||4.31 μm|
|Pixel Density||1.84 MP/cm2||5.41 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-3200 ISO||100-16000 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|DXO Sensor Quality (score)||57||74|
|DXO Color Depth (bits)||21.1||23.3|
|DXO Dynamic Range (EV)||10.9||12.5|
|DXO Low Light (ISO)||571||753|
|Screen Specs||Canon 10D||Sony A58|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8 inch||2.7 inch|
|LCD Resolution||118k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 10D||Sony A58|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 10D||Sony A58|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 10D||Sony A58|
|Battery Life (CIPA)||500 shots per charge||690 shots per charge|
150 x 107 x 75 mm
(5.9 x 4.2 x 3.0 in)
129 x 95 x 78 mm
(5.1 x 3.7 x 3.1 in)
|Camera Weight||850 g (30.0 oz)||492 g (17.4 oz)|
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