Canon 10D vs Fujifilm GFX 100
The Canon EOS 10D and the Fujifilm GFX 100 are two digital cameras that were officially introduced, respectively, in February 2003 and May 2019. The 10D is a DSLR, while the GFX 100 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (10D) and a medium format (GFX 100) sensor. The Canon has a resolution of 6.3 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 10D||Fujifilm GFX 100|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Fujifilm G mount lenses|
|6.3 MP, APS-C Sensor||101.8 MP, Medium Format Sensor|
|no Video||4K/30p Video|
|ISO 100-3200||ISO 100-12800 (50-102400)|
|Optical viewfinder||Viewfinder optional|
|1.8" LCD, 118k dots||3.2" LCD, 2360k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||800 shots per battery charge|
|150 x 107 x 75 mm, 850 g||156 x 144 x 75 mm, 1320 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 10D and the Fujifilm GFX 100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 10D and the Fujifilm GFX 100 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 is notably larger (40 percent) than the Canon 10D. Moreover, the GFX 100 is substantially heavier (55 percent) than the 10D. It is noteworthy in this context that the GFX 100 is splash and dust-proof, while the 10D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 10D gets 500 shots out of its BP-511 battery, while the GFX 100 can take 800 images on a single charge of its NP-T125 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the 10D, Canon provides the BG-ED3 vertical grip as an optional accessory (see here on eBay). The power pack in the GFX 100 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 10D»||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||-||Canon 10D|
|Fujifilm GFX 100«||6.1 in||5.7 in||3.0 in||46.6 oz||800||Y||May 2019||9,999||Fujifilm GFX 100|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon T5|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon T4i|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Canon D60« »||5.9 in||4.2 in||3.0 in||30.2 oz||620||n||Feb 2002||2,999||-||Canon D60|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm GFX 50R« »||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Fujifilm GFX 50S« »||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Nikon D100« »||5.7 in||4.6 in||3.2 in||27.5 oz||370||n||Feb 2002||1,999||-||Nikon D100|
|Pentax 645Z« »||6.1 in||4.6 in||4.8 in||54.7 oz||650||Y||Apr 2014||8,499||Pentax 645Z|
|Pentax 645D« »||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995||-||Pentax 645D|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 10D was launched at a markedly lower price (by 80 percent) than the GFX 100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 10D features an APS-C sensor and the Fujifilm GFX 100 a medium format sensor. The sensor area in the GFX 100 is 320 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 10D has a native 3:2 aspect ratio, while the one in the GFX 100 offers a 4:3 aspect.
With 101.8MP, the GFX 100 offers a higher resolution than the 10D (6.3MP), but the GFX 100 has smaller individual pixels (pixel pitch of 3.76μm versus 7.38μm for the 10D). Yet, the GFX 100 is a much more recent model (by 16 years and 2 months) than the 10D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inch or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inch or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inch or 98.6 x 74 cm. The corresponding values for the Canon 10D are 15.4 x 10.2 inch or 39 x 26 cm for good quality, 12.3 x 8.2 inch or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inch or 26 x 17.3 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 10D has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Fujifilm GFX 100 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 10D»||APS-C||6.3||3072||2048||-||21.1||10.9||571||57||Canon 10D|
|Fujifilm GFX 100«||Medium Format||101.8||11648||8736||4K/30p||-||-||-||-||Fujifilm GFX 100|
|Canon T5« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T4i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 40D« »||APS-C||10.1||3888||2592||-||22.1||11.3||703||64||Canon 40D|
|Canon 30D« »||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Canon Rebel« »||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Canon D60« »||APS-C||6.3||3072||2048||-||-||-||-||-||Canon D60|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Fujifilm GFX 50R« »||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50R|
|Fujifilm GFX 50S« »||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50S|
|Nikon D100« »||APS-C||6.0||3008||2000||-||-||-||-||-||Nikon D100|
|Pentax 645Z« »||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101||Pentax 645Z|
|Pentax 645D« »||Medium Format||39.5||7264||5440||-||24.6||12.6||1262||82||Pentax 645D|
Many modern cameras cannot only take still pictures, but also record videos. The GFX 100 indeed provides for movie recording, while the 10D does not. The highest resolution format that the GFX 100 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 10D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Canon 10D, the Fujifilm GFX 100, and comparable cameras.
|Canon 10D»||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
|Fujifilm GFX 100«||-||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y||Fujifilm GFX 100|
|Canon T5« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T4i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 40D« »||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Canon Rebel« »||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Canon D60« »||optical||Y||1.8||114||fixed||n||1/4000s||3.0||Y||n||Canon D60|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Fujifilm GFX 50R« »||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n||Fujifilm GFX 50R|
|Fujifilm GFX 50S« »||-||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n||Fujifilm GFX 50S|
|Nikon D100« »||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Nikon D100|
|Pentax 645Z« »||optical||Y||3.2||1037||tilting||n||1/4000s||3.0||n||n||Pentax 645Z|
|Pentax 645D« »||optical||Y||3.0||921||fixed||n||1/4000s||1.1||n||n||Pentax 645D|
One difference between the cameras concerns the presence of an on-board flash. The 10D has one, while the GFX 100 does not. While the built-in flash of the 10D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 10D writes its imaging data to Compact Flash cards, while the GFX 100 uses SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 10D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 10D and Fujifilm GFX 100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 10D»||Y||-||-||-||-||-||1.1||-||-||-||Canon 10D|
|Fujifilm GFX 100«||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm GFX 100|
|Canon T5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T4i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 40D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 40D|
|Canon 30D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Canon Rebel« »||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Canon D60« »||Y||-||-||-||-||-||1.1||-||-||-||Canon D60|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Fujifilm GFX 50R« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Fujifilm GFX 50S« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Nikon D100« »||Y||-||-||-||-||-||1.1||-||-||-||Nikon D100|
|Pentax 645Z« »||Y||stereo||mono||Y||-||mini||3.0||-||-||-||Pentax 645Z|
|Pentax 645D« »||Y||stereo||-||-||-||-||2.0||-||-||-||Pentax 645D|
It is notable that the GFX 100 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 10D does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The GFX 100 is a recent model that features in the current product line-up of Fujifilm. In contrast, the 10D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 10D was succeeded by the Canon 20D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what is the bottom line? Is the Canon 10D better than the Fujifilm GFX 100 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 10D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More compact: Is smaller (150x107mm vs 156x144mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 470g or 36 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2003).
Reasons to prefer the Fujifilm GFX 100:
- More detail: Has more megapixels (101.8 vs 6.3MP), which boosts linear resolution by 294%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger screen: Has a bigger rear LCD (3.2" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 118k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (800 versus 500) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 16 years and 2 months of technical progress since the 10D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the contest (25 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 10D and the Fujifilm GFX 100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 10D and the GFX 100 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 10D»||-||+ +||-||o||-||Feb 2003||1,999||-||Canon 10D|
|Fujifilm GFX 100«||+ +||90/100||5/5||-||4.5/5||May 2019||9,999||Fujifilm GFX 100|
|Canon T5« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T4i« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Canon 7D« »||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Canon 40D« »||+ +||+ +||4.5/5||o||4.5/5||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||+ +||+ +||o||o||-||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||-||+ +||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Canon Rebel« »||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Canon D60« »||-||+ +||o||-||-||Feb 2002||2,999||-||Canon D60|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm GFX 50R« »||-||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499||Fujifilm GFX 50R|
|Fujifilm GFX 50S« »||-||85/100||5/5||5/5||4.5/5||Sep 2016||6,499||Fujifilm GFX 50S|
|Nikon D100« »||-||+ +||o||o||-||Feb 2002||1,999||-||Nikon D100|
|Pentax 645Z« »||-||-||4.5/5||5/5||5/5||Apr 2014||8,499||Pentax 645Z|
|Pentax 645D« »||-||-||-||4.5/5||-||Mar 2010||9,995||-||Pentax 645D|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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Specifications: Canon 10D vs Fujifilm GFX 100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 10D||Fujifilm GFX 100|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm G mount lenses|
|Launch Date||February 2003||May 2019|
|Launch Price||USD 1999||USD 9999|
|Sensor Specs||Canon 10D||Fujifilm GFX 100|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.7 x 15.1 mm||43.8 x 32.9 mm|
|Sensor Area||342.77 mm2||1441.02 mm2|
|Sensor Diagonal||27.3 mm||54.8 mm|
|Sensor Resolution||6.3 Megapixels||101.8 Megapixels|
|Image Resolution||3072 x 2048 pixels||11648 x 8736 pixels|
|Pixel Pitch||7.38 μm||3.76 μm|
|Pixel Density||1.84 MP/cm2||7.06 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-3200 ISO||100-12800 ISO|
|ISO Boost||no Enhancement||50-102400 ISO|
|Image Processor||DIGIC||X-Processor 4|
|DXO Sensor Quality (score)||57||..|
|DXO Color Depth (bits)||21.1||..|
|DXO Dynamic Range (EV)||10.9||..|
|DXO Low Light (ISO)||571||..|
|Screen Specs||Canon 10D||Fujifilm GFX 100|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||1.8 inch||3.2 inch|
|LCD Resolution||118k dots||2360k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 10D||Fujifilm GFX 100|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 10D||Fujifilm GFX 100|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 1.1||USB 3.1|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 10D||Fujifilm GFX 100|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||800 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
150 x 107 x 75 mm
(5.9 x 4.2 x 3.0 in)
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
|Camera Weight||850 g (30.0 oz)||1320 g (46.6 oz)|
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