Canon 100D vs Sony RX10 III
The Canon EOS 100D (called Canon SL1 in some regions) and the Sony Cyber-shot DSC-RX10 III are two digital cameras that were officially introduced, respectively, in March 2013 and March 2016. The 100D is a DSLR, while the RX10 III is a fixed lens compact. The cameras are based on an APS-C (100D) and an one-inch (RX10 III) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 100D and the Sony Cyber-shot DSC-RX10 III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 100D and the Sony RX10 III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The 100D can be obtained in two different colors (black, white), while the RX10 III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 III is notably larger (17 percent) than the Canon 100D. It is noteworthy in this context that the RX10 III is splash and dust-proof, while the 100D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 III has a lens built in, whereas the 100D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 100D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 100D gets 380 shots out of its LP-E12 battery, while the RX10 III can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the RX10 III can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|2.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|3.||Canon 4000D||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|4.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|5.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|6.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|9.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|10.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|11.||Canon 600D||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|12.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|13.||Sony RX10 IV||133 mm||94 mm||145 mm||1095 g||400||Y||Sep 2017||1,699|
|14.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX10||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 100D features an APS-C sensor and the Sony RX10 III an one-inch sensor. The sensor area in the RX10 III is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the RX10 III offers a higher resolution of 20 megapixels, compared with 17.9 MP of the 100D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the 100D). However, it should be noted that the RX10 III is much more recent (by 3 years) than the 100D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony RX10 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX10 III for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon 100D are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The 100D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 100D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 III are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX10 III has a markedly higher DXO score than the 100D (overall score 7 points higher), which will translate into better image quality. The advantage is based on 1.3 bits higher color depth, 1.3 EV in additional dynamic range, and 0.8 stops of reduced low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|5.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|12.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|13.||Sony RX10 IV||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|14.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the RX10 III provides a better video resolution than the 100D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX10 III has an electronic viewfinder (2359k dots), while the 100D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the RX10 III offers a wider field of view (100%) than the one in the 100D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the RX10 III has a higher magnification (0.70x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 100D and Sony RX10 III along with similar information for a selection of comparators.
|1.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|2.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0||Y||Y|
|3.||Canon 4000D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|6.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|9.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|10.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3||n||n|
|11.||Canon 600D||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|12.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|13.||Sony RX10 IV||2359||Y||3.0 / 1440||tilting||Y||1/2000s||24.0||Y||Y|
|14.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony RX10||1440||Y||3.0 / 1229||tilting||n||1/3200s||10.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 100D has a touchscreen, while the RX10 III has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX10 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 100D writes its imaging data to SDXC cards, while the RX10 III uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 100D and Sony Cyber-shot DSC-RX10 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon 4000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|6.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|9.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 600D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|13.||Sony RX10 IV||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX10||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the RX10 III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 100D does not provide wifi capability.
The RX10 III is a recent model that features in the current product line-up of Sony. In contrast, the 100D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 100D was succeeded by the Canon 200D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Which of the two cameras – the Canon 100D or the Sony RX10 III – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 100D:
- Better low-light sensitivity: Requires less light for good images (0.8 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More compact: Is smaller (117x91mm vs 133x94mm) and thus needs less room in the bag.
- More heavily discounted: Has been available for much longer (launched in March 2013).
Arguments in favor of the Sony Cyber-shot DSC-RX10 III:
- More detail: Has more megapixels (20 vs 17.9MP), which boosts linear resolution by 6%.
- Better image quality: Scores markedly higher (7 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (14 vs 4.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 100D requires a separate lens.
- Longer lasting: Gets more shots (420 versus 380) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 3 years of technical progress since the 100D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX10 III is the clear winner of the contest (22 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 100D and the Sony RX10 III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 100D or the RX10 III. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|2.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|3.||Canon 4000D||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|4.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|5.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|6.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|9.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|10.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|11.||Canon 600D||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|12.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|13.||Sony RX10 IV||5/5||+||..||84/100||4.5/5||5/5||Sep 2017||1,699|
|14.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX10||5/5||+||..||80/100||4.5/5||4.5/5||Oct 2013||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 100D vs Canon G1 X Mark II
- Canon 100D vs Fujifilm X10
- Canon 100D vs Leica S-E Typ 006
- Canon 100D vs Panasonic FZ1000 II
- Canon 100D vs Sony A7S II
- Canon 100D vs Sony NEX-5R
- Canon 1D C vs Sony RX10 III
- Fujifilm X-T2 vs Sony RX10 III
- Nikon D3 vs Sony RX10 III
- Nikon D3000 vs Sony RX10 III
- Nikon D850 vs Sony RX10 III
- Olympus E-PL9 vs Sony RX10 III
Specifications: Canon 100D vs Sony RX10 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 100D||Sony RX10 III|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-600mm f/2.4-4.0|
|Launch Date||March 2013||March 2016|
|Launch Price||USD 549||USD 1,499|
|Sensor Specs||Canon 100D||Sony RX10 III|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||17.9 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.31 μm||2.41 μm|
|Pixel Density||5.39 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||64 - 25,600 ISO|
|Image Processor||DIGIC 5||BIONZ X|
|DXO Sensor Quality (score)||63||70|
|DXO Color Depth (bits)||21.8||23.1|
|DXO Dynamic Range (EV)||11.3||12.6|
|DXO Low Light (ISO)||843||472|
|Screen Specs||Canon 100D||Sony RX10 III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 100D||Sony RX10 III|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||4.9 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 100D||Sony RX10 III|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 100D||Sony RX10 III|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||380 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 91 x 69 mm
(4.6 x 3.6 x 2.7 in)
133 x 94 x 127 mm
(5.2 x 3.7 x 5.0 in)
|Camera Weight||407 g (14.4 oz)||1051 g (37.1 oz)|
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