Canon 100D vs Panasonic LX15
The Canon EOS 100D (called Canon SL1 in some regions) and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were officially introduced, respectively, in March 2013 and September 2016. The 100D is a DSLR, while the LX15 is a fixed lens compact. The cameras are based on an APS-C (100D) and an one-inch (LX15) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 20 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 100D||Panasonic LX15|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-72mm f/1.4-2.8|
|17.9 MP, APS-C Sensor||20 MP, 1" Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-12800 (100-25600)||ISO 125-12800 (80-25600)|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Fixed touchscreen||Tilting touchscreen|
|4.9 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|380 shots per battery charge||260 shots per battery charge|
|117 x 91 x 69 mm, 407 g||106 x 60 x 42 mm, 310 g|
Body comparison: Canon 100D vs Panasonic LX15
The side-by-side display below illustrates the physical size and weight of the Canon 100D and the Panasonic LX15. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the 100D – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is considerably smaller (40 percent) than the Canon 100D. In this context, it is worth noting that neither the 100D nor the LX15 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the 100D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 100D and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 100D»||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon 100D|
|Panasonic LX15«||4.2 in||2.4 in||1.7 in||10.9 oz||260||n||Sep 2016||699||Panasonic LX15|
|Canon 4000D« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Canon 200D« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon 200D|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon 1200D|
|Canon 700D« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon 700D|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon 650D|
|Canon M« »||4.3 in||2.6 in||1.3 in||10.5 oz||230||n||Jul 2012||599||-||Canon M|
|Canon 600D« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||-||Canon 600D|
|Panasonic TZ200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic TZ90|
|Panasonic TZ100« »||4.4 in||2.6 in||1.7 in||11.0 oz||300||n||Jan 2016||699||-||Panasonic TZ100|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 100D vs Panasonic LX15
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 100D features an APS-C sensor and the Panasonic LX15 an one-inch sensor. The sensor area in the LX15 is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between different aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the LX15 offers a higher resolution of 20 megapixels, compared with 17.9 MP of the 100D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the 100D). However, it should be noted that the LX15 is much more recent (by 3 years and 6 months) than the 100D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The 100D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Canon EOS 100D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LX15 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600..
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 100D»||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Panasonic LX15«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic LX15|
|Canon 4000D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 200D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon 700D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon 650D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon M« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Canon 600D« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon 600D|
|Panasonic TZ200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic TZ200|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic TZ100« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.5||559||70||Panasonic TZ100|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX15 provides a better video resolution than the 100D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison: Canon 100D vs Panasonic LX15
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 100D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon 100D, the Panasonic LX15, and comparable cameras.
|Canon 100D»||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon 100D|
|Panasonic LX15«||-||n||3.0||1040||tilting||Y||4000||10.0||Y||Y||Panasonic LX15|
|Canon 4000D« »||optical||n||2.7||230||fixed||n||4000||3.0||Y||n||Canon 4000D|
|Canon 200D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 200D|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||2000||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||2000||5.9||Y||Y||Canon G5 X|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n||Canon 7D II|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||4000||3.0||Y||n||Canon 1200D|
|Canon 700D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 700D|
|Canon G16« »||optical||n||3.0||922||fixed||n||4000||2.2||Y||Y||Canon G16|
|Canon 650D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 650D|
|Canon M« »||-||n||3.0||1040||fixed||Y||4000||4.3||n||n||Canon M|
|Canon 600D« »||optical||n||3.0||1040||swivel||n||4000||3.7||Y||n||Canon 600D|
|Panasonic TZ200« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Panasonic TZ200|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic TZ90|
|Panasonic TZ100« »||1166||n||3.0||1040||fixed||Y||2000||10.0||Y||Y||Panasonic TZ100|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||4000||7.0||Y||n||Panasonic G6|
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the LX15 features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the 100D and the LX15 write their files to SDXC cards.
Connectivity comparison: Canon 100D vs Panasonic LX15
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 100D and Panasonic Lumix DMC-LX15 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 100D»||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Panasonic LX15«||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic LX15|
|Canon 4000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 200D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon 700D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon 650D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon M« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Canon 600D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 600D|
|Panasonic TZ200« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ200|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic TZ100« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ100|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
It is notable that the 100D has a hotshoe, while the LX15 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The LX15 is a recent model that features in the current product line-up of Panasonic. In contrast, the 100D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 100D was succeeded by the Canon 200D.
Review summary: Canon 100D vs Panasonic LX15
So how do things add up? Which of the two cameras – the Canon 100D or the Panasonic LX15 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 100D:
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image framing and settings control.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (380 versus 260) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in March 2013).
Arguments in favor of the Panasonic Lumix DMC-LX15:
- More detail: Has more megapixels (20 vs 17.9MP), which boosts linear resolution by 6%.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 4.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 100D requires a separate lens.
- More compact: Is smaller (106x60mm vs 117x91mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 100D).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 3 years and 6 months of technical progress since the 100D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the LX15 is the clear winner of the contest (13 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 100D or the LX15 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Canon 100D vs Panasonic LX15
This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 100D»||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Panasonic LX15«||HiRec||81/100||4/5||4.5/5||4.5/5||Sep 2016||699||Panasonic LX15|
|Canon 4000D« »||rev||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Canon 200D« »||HiRec||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||Canon 200D|
|Canon G7 X Mark II« »||HiRec||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||HiRec||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||Canon G5 X|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 1200D« »||Rec||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Canon 700D« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon 700D|
|Canon G16« »||Rec||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon 650D« »||HiRec||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon 650D|
|Canon M« »||Rec||-||4/5||3.5/5||4/5||Jul 2012||599||-||Canon M|
|Canon 600D« »||rev||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon 600D|
|Panasonic TZ200« »||HiRec||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic TZ200|
|Panasonic TZ90« »||HiRec||-||4/5||-||4/5||Apr 2017||449||Panasonic TZ90|
|Panasonic TZ100« »||HiRec||82/100||4.5/5||4/5||4.5/5||Jan 2016||699||-||Panasonic TZ100|
|Panasonic G6« »||HiRec||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark IV vs Canon 1D X Mark II
- Canon G5 X vs Panasonic ZS100
- Fujifilm GFX 50R vs Fujifilm X-E1
- Leica Q Typ 116 vs Leica C-LUX
- Nikon D3400 vs Panasonic GH4
- Nikon D7500 vs Leica X1
- Nikon Df vs Pentax K-3 II
- Sony A7 vs Olympus E-M10
- Sony A7 vs Panasonic GH4
- Sony A9 vs Nikon D850
- Sony A99 vs Sony A7R III
- Zeiss ZX1 vs Panasonic LX15
Specifications: Canon 100D vs Panasonic LX15
|Camera Model||Canon 100D||Panasonic LX15|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-72mm f/1.4-2.8|
|Launch Date||March 2013||September 2016|
|Launch Price||USD 549||USD 699|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 14.9 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||17.9 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.31 μm||2.41 μm|
|Pixel Density||5.39 MP/cm2||17.18 MP/cm2|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-12800 ISO||125-12800 ISO|
|ISO Boost||100-25600 ISO||80-25600 ISO|
|Image Processor||DIGIC 5||Venus|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||4.9 shutter flaps/s||10 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Battery Type||LP-E12 power pack||DMW-BLH7 power pack|
|Battery Life (CIPA)||380 shots per charge||260 shots per charge|
117 x 91 x 69 mm
(4.6 x 3.6 x 2.7 in)
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
|Camera Weight||407 g (14.4 oz)||310 g (10.9 oz)|
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