Canon 100D vs Olympus PEN-F
The Canon EOS 100D (called Canon SL1 in some regions) and the Olympus PEN-F are two digital cameras that were officially introduced, respectively, in March 2013 and January 2016. The 100D is a DSLR, while the PEN-F is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (100D) and a Four Thirds (PEN-F) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Olympus provides 20.2 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 100D||Olympus PEN-F|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|17.9 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-12800 (100-25600)||ISO 80-25600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1037k dots|
|Fixed touchscreen||Swivel touchscreen|
|4.9 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|380 shots per battery charge||330 shots per battery charge|
|117 x 91 x 69 mm, 407 g||125 x 72 x 37 mm, 427 g|
Body comparison: Canon 100D vs Olympus PEN-F
The side-by-side display below illustrates the physical size and weight of the Canon 100D and the Olympus PEN-F. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is notably smaller (15 percent) than the Canon 100D. However, the PEN-F is markedly heavier (5 percent) than the 100D. In this context, it is worth noting that neither the 100D nor the PEN-F are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (100D) and the Micro Four Thirds Lens Catalog (PEN-F). Mirrorless cameras, such as the PEN-F, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 100D»||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||-||Canon 100D|
|Olympus PEN-F«||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||Olympus PEN-F|
|Canon 4000D« »||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||Canon 4000D|
|Canon 200D« »||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||Canon 200D|
|Canon 7D II« »||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 1200D« »||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||-||Canon 1200D|
|Canon 700D« »||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||-||Canon 700D|
|Canon G16« »||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||Canon G16|
|Canon 650D« »||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||-||Canon 650D|
|Canon M« »||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599||-||Canon M|
|Canon 600D« »||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||-||Canon 600D|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10 II« »||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||799||-||Olympus E-M10 II|
|Olympus E-P5« »||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||-||Olympus E-P5|
|Panasonic GX8« »||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||-||Panasonic G6|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 100D was launched at a markedly lower price (by 54 percent) than the PEN-F, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 100D vs Olympus PEN-F
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 100D features an APS-C sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 100D has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.
Despite having a smaller sensor, the PEN-F offers a higher resolution of 20.2 megapixels, compared with 17.9 MP of the 100D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.31μm for the 100D). However, it should be noted that the PEN-F is much more recent (by 2 years and 10 months) than the 100D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The 100D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
Unlike the 100D, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 100D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus PEN-F are ISO 80 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the PEN-F offers substantially better image quality than the 100D (overall score 11 points higher). The advantage is based on 1.3 bits higher color depth, 1.1 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 100D»||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Olympus PEN-F«||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Canon 4000D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 200D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon 700D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon 650D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon M« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Canon 600D« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon 600D|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the PEN-F provides a faster frame rate than the 100D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Feature comparison: Canon 100D vs Olympus PEN-F
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the PEN-F has an electronic viewfinder (2360k dots), while the 100D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 100D and Olympus PEN-F in connection with corresponding information for a sample of similar cameras.
|Canon 100D»||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon 100D|
|Olympus PEN-F«||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y||Olympus PEN-F|
|Canon 4000D« »||optical||n||2.7||230||fixed||n||4000||3.0||Y||n||Canon 4000D|
|Canon 200D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 200D|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n||Canon 7D II|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||4000||3.0||Y||n||Canon 1200D|
|Canon 700D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 700D|
|Canon G16« »||optical||n||3.0||922||fixed||n||4000||2.2||Y||Y||Canon G16|
|Canon 650D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 650D|
|Canon M« »||-||n||3.0||1040||fixed||Y||4000||4.3||n||n||Canon M|
|Canon 600D« »||optical||n||3.0||1040||swivel||n||4000||3.7||Y||n||Canon 600D|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||8000||18.0||n||Y||Olympus E-M1 II|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||8000||9.0||Y||Y||Olympus E-P5|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||8000||10.0||n||Y||Panasonic GX8|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||4000||7.0||Y||n||Panasonic G6|
One difference between the cameras concerns the presence of an on-board flash. The 100D has one, while the PEN-F does not. While the built-in flash of the 100D is not very powerful, it can at times be useful as a fill-in light.The PEN-F has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 100D does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the PEN-F features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the 100D and the PEN-F write their files to SDXC cards.
Connectivity comparison: Canon 100D vs Olympus PEN-F
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 100D and Olympus PEN-F and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 100D»||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Olympus PEN-F«||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Canon 4000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 200D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon 700D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon 650D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon M« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Canon 600D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 600D|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
It is notable that the 100D has a microphone port, which is missing on the PEN-F. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The PEN-F is a recent model that features in the current product line-up of Olympus. In contrast, the 100D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 100D was succeeded by the Canon 200D.
Review summary: Canon 100D vs Olympus PEN-F
So how do things add up? Is the Canon 100D better than the Olympus PEN-F or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 100D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (380 versus 330) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2013).
Advantages of the Olympus PEN-F:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 4.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (125x72mm vs 117x91mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 2 years and 10 months of technical progress since the 100D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the PEN-F is the clear winner of the contest (17 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 100D or the PEN-F handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 100D vs Olympus PEN-F
This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon 100D»||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Olympus PEN-F«||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199||Olympus PEN-F|
|Canon 4000D« »||rev||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Canon 200D« »||HiRec||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||Canon 200D|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 1200D« »||Rec||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Canon 700D« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon 700D|
|Canon G16« »||Rec||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon 650D« »||HiRec||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon 650D|
|Canon M« »||Rec||-||4/5||3.5/5||4/5||Jul 2012||599||-||Canon M|
|Canon 600D« »||rev||77/100||4.5/5||5/5||4.5/5||Feb 2011||599||-||Canon 600D|
|Olympus E-M1 II« »||HiRec||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-||Olympus E-M10 II|
|Olympus E-P5« »||HiRec||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Panasonic GX8« »||Rec||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic G6« »||HiRec||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 40D vs Canon 50D
- Canon M3 vs Panasonic LX100 II
- Fujifilm GFX 50S vs Fujifilm X-T20
- Fujifilm X-H1 vs Nikon D3X
- Fujifilm X-T3 vs Fujifilm XF10
- Nikon D3100 vs Canon T1i
- Nikon D40 vs Olympus E-500
- Nikon D7500 vs Fujifilm X-T100
- Nikon P900 vs Nikon D5600
- Nikon Z7 vs Panasonic GH3
- Panasonic GX80 vs Nikon W300
- Pentax K-3 II vs Sony A9
Specifications: Canon 100D vs Olympus PEN-F
|Camera Model||Canon 100D||Olympus PEN-F|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2013||January 2016|
|Launch Price||USD 549||USD 1199|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 14.9 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||20.2 Megapixels|
|Image Resolution||5184 x 3456 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.31 μm||3.34 μm|
|Pixel Density||5.39 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-12800 ISO||80-25600 ISO|
|ISO Boost||100-25600 ISO||no Enhancement|
|Image Processor||DIGIC 5||TruePic VII|
|DXO Sensor Quality (score)||63||74|
|DXO Color Depth (bits)||21.8||23.1|
|DXO Dynamic Range (EV)||11.3||12.4|
|DXO Low Light (ISO)||843||894|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||n/a||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Maximum Shutter Speed||1/4000s||1/8000s|
|Continuous Shooting||4.9 shutter flaps/s||10 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Battery Type||LP-E12 power pack||BLN-1 power pack|
|Battery Life (CIPA)||380 shots per charge||330 shots per charge|
117 x 91 x 69 mm
(4.6 x 3.6 x 2.7 in)
125 x 72 x 37 mm
(4.9 x 2.8 x 1.5 in)
|Camera Weight||407 g (14.4 oz)||427 g (15.1 oz)|
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