Canon 100D vs Olympus E-M10 II
The Canon EOS 100D (called Canon SL1 in some regions) and the Olympus OM-D E-M10 Mark II are two digital cameras that were officially introduced, respectively, in March 2013 and August 2015. The 100D is a DSLR, while the E-M10 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (100D) and a Four Thirds (E-M10 II) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 100D and the Olympus OM-D E-M10 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 100D and the Olympus E-M10 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The 100D can be obtained in two different colors (black, white), while the E-M10 II is available in three color-versions (black, silver, brown).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M10 II is notably smaller (6 percent) than the Canon 100D. Moreover, the E-M10 II is slightly lighter (4 percent) than the 100D. In this context, it is worth noting that neither the 100D nor the E-M10 II are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (100D) and the Micro Four Thirds Lens Catalog (E-M10 II). Mirrorless cameras, such as the E-M10 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|2.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|3.||Canon 4000D||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|4.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|5.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|6.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|9.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|10.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|11.||Canon 600D||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|12.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649|
|13.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|14.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|15.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|16.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|17.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 100D was launched at a somewhat lower price (by 15 percent) than the E-M10 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 100D features an APS-C sensor and the Olympus E-M10 II a Four Thirds sensor. The sensor area in the E-M10 II is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 100D has a native 3:2 aspect ratio, while the one in the E-M10 II offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 17.9MP, the 100D offers a higher resolution than the E-M10 II (15.9MP), but the 100D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.76μm for the E-M10 II) due to its larger sensor. However, the E-M10 II is a much more recent model (by 2 years and 5 months) than the 100D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the E-M10 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 100D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 100D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Olympus E-M10 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The 100D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 100D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus OM-D E-M10 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the E-M10 II has a markedly higher DXO score than the 100D (overall score 10 points higher), which will translate into better image quality. The advantage is based on 1.3 bits higher color depth, 1.2 EV in additional dynamic range, and 0 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|5.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|12.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|13.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|14.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|15.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|16.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|17.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M10 II provides a faster frame rate than the 100D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M10 II has an electronic viewfinder (2360k dots), while the 100D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M10 II offers a wider field of view (100%) than the one in the 100D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M10 II has a higher magnification (0.62x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 100D and Olympus E-M10 II along with similar information for a selection of comparators.
|1.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|2.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|3.||Canon 4000D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|6.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|9.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|10.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3||n||n|
|11.||Canon 600D||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|12.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|13.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|14.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|15.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|16.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|17.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
One feature that differentiates the E-M10 II and the 100D is in-body image stabilization (IBIS). The E-M10 II reduces the risk of handshake-induced blur with all attached lenses, while the 100D offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M10 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M10 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 100D and the E-M10 II write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 100D and Olympus OM-D E-M10 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|2.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon 4000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|6.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|9.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 600D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
It is notable that the 100D has a microphone port, which is missing on the E-M10 II. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the 100D and the E-M10 II have been discontinued, but can regularly be found used on eBay. The 100D was replaced by the Canon 200D, while the E-M10 II was followed by the Olympus E-M10 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Which of the two cameras – the Canon 100D or the Olympus E-M10 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 100D:
- More detail: Offers more megapixels (17.9 vs 15.9MP) with a 8% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (380 versus 320) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (15 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2013).
Arguments in favor of the Olympus OM-D E-M10 Mark II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.62x vs 0.54x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (8 vs 4.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 2 years and 5 months of technical progress since the 100D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M10 II is the clear winner of the contest (16 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 100D and the Olympus E-M10 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 100D or the E-M10 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|2.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|3.||Canon 4000D||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|4.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|5.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|6.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|9.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|10.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|11.||Canon 600D||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|12.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649|
|13.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|14.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|15.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|16.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|17.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon 100D vs Canon 70D
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- Canon 100D vs Fujifilm X-Pro2
- Canon 100D vs Sony NEX-3
- Canon 100D vs Sony NEX-5
- Canon SX540 vs Olympus E-M10 II
- Leica M10-P vs Olympus E-M10 II
- Olympus E-410 vs Olympus E-M10 II
- Olympus E-M10 II vs Sony A6000
- Olympus E-M10 II vs Sony HX350
- Olympus E-M10 II vs Sony RX10 II
Specifications: Canon 100D vs Olympus E-M10 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 100D||Olympus E-M10 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2013||August 2015|
|Launch Price||USD 549||USD 649|
|Sensor Specs||Canon 100D||Olympus E-M10 II|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||15.9 Megapixels|
|Image Resolution||5184 x 3456 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.31 μm||3.76 μm|
|Pixel Density||5.39 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 5||TruePic VII|
|DXO Sensor Quality (score)||63||73|
|DXO Color Depth (bits)||21.8||23.1|
|DXO Dynamic Range (EV)||11.3||12.5|
|DXO Low Light (ISO)||843||842|
|Screen Specs||Canon 100D||Olympus E-M10 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 100D||Olympus E-M10 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||4.9 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 100D||Olympus E-M10 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 100D||Olympus E-M10 II|
|Battery Life (CIPA)||380 shots per charge||320 shots per charge|
117 x 91 x 69 mm
(4.6 x 3.6 x 2.7 in)
120 x 83 x 47 mm
(4.7 x 3.3 x 1.9 in)
|Camera Weight||407 g (14.4 oz)||390 g (13.8 oz)|
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