Canon 100D vs Nikon D200
The Canon EOS 100D (called Canon SL1 in some regions) and the Nikon D200 are two digital cameras that were announced, respectively, in March 2013 and November 2005. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixels, whereas the Nikon provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 100D||Nikon D200|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Nikon F mount lenses|
|17.9 MP, APS-C Sensor||10 MP, APS-C Sensor|
|1080/30p Video||no Video|
|ISO 100-12800 (100-25600)||ISO 100-1600 (100-3200)|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||2.5" LCD, 230k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|4.9 shutter flaps per second||5 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|380 shots per battery charge||400 shots per battery charge|
|117 x 91 x 69 mm, 407 g||147 x 113 x 74 mm, 920 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 100D and the Nikon D200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 100D and the Nikon D200 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The 100D can be obtained in two different colors (black, white), while the D200 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D200 is considerably larger (56 percent) than the Canon 100D. Moreover, the D200 is substantially heavier (126 percent) than the 100D. It is noteworthy in this context that the D200 is splash and dust-proof, while the 100D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (100D) and the Nikon Lens Catalog (D200).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 100D»||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||Canon 100D|
|Nikon D200«||147 mm||113 mm||74 mm||920 g||400||Y||Nov 2005||1,699||Nikon D200|
|Canon 4000D« »||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||Canon 4000D|
|Canon 200D« »||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||Canon 200D|
|Canon 7D II« »||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 1200D« »||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||Canon 1200D|
|Canon 700D« »||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||Canon 700D|
|Canon G16« »||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||Canon G16|
|Canon 650D« »||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||Canon 650D|
|Canon M« »||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599||Canon M|
|Canon 600D« »||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||Canon 600D|
|Nikon D300S« »||147 mm||115 mm||81 mm||938 g||950||Y||Jul 2009||1,799||Nikon D300S|
|Nikon D300« »||147 mm||114 mm||74 mm||925 g||1000||Y||Aug 2007||1,799||Nikon D300|
|Nikon D2Xs« »||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699||Nikon D2Xs|
|Nikon D2X« »||158 mm||150 mm||86 mm||1252 g||3800||Y||Sep 2004||4,999||Nikon D2X|
|Nikon D100« »||144 mm||116 mm||81 mm||780 g||370||n||Feb 2002||1,999||Nikon D100|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||Panasonic G6|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 100D was launched at a markedly lower price (by 68 percent) than the D200, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D200 is 12 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (100D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon 100D offers a higher resolution of 17.9 megapixels, compared with 10 MP of the Nikon D200. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 6.11μm for the D200). However, it should be noted that the 100D is much more recent (by 7 years and 4 months) than the D200, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon 100D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 100D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inch or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inch or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inch or 43.9 x 29.3 cm. The corresponding values for the Nikon D200 are 19.4 x 13 inch or 49.2 x 32.9 cm for good quality, 15.5 x 10.4 inch or 39.3 x 26.3 cm for very good quality, and 12.9 x 8.6 inch or 32.8 x 21.9 cm for excellent quality prints.
The 100D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 100D has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon D200 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 100D||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Nikon D200||APS-C||10.0||3872||2592||none||22.3||11.5||583||64||Nikon D200|
|Canon 4000D||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 200D||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 1200D||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon 700D||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon 650D||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon M||APS-C||17.9||5184||3456||1080/30p||22.1||11.2||827||65||Canon M|
|Canon 600D||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon 600D|
|Nikon D300S||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Nikon D300||APS-C||12.2||4288||2848||none||22.1||12.0||679||67||Nikon D300|
|Nikon D2Xs||APS-C||12.2||4288||2848||none||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D2X||APS-C||12.2||4288||2848||none||22.1||10.9||476||59||Nikon D2X|
|Nikon D100||APS-C||6.0||3008||2000||none||..||..||..||..||Nikon D100|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The 100D indeed provides movie recording capabilities, while the D200 does not. The highest resolution format that the 100D can use is 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The 100D and the D200 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (95%), but the viewfinder of the D200 has a higher magnification than the one of the 100D (0.63x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 100D and Nikon D200 in connection with corresponding information for a sample of similar cameras.
|Canon 100D||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Nikon D200||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Canon 4000D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Canon 200D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon 1200D||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon 700D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 700D|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon 650D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 650D|
|Canon M||none||n||3.0||1040||fixed||Y||1/4000s||4.3||n||n||Canon M|
|Canon 600D||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon 600D|
|Nikon D300S||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Nikon D300||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Nikon D2Xs||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Nikon D2X||optical||Y||2.5||235||fixed||n||1/8000s||5.0||n||n||Nikon D2X|
|Nikon D100||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Nikon D100|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 100D has a touchscreen, while the D200 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Nikon D200 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 100D writes its imaging data to SDXC cards, while the D200 uses Compact Flash cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 100D and Nikon D200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 100D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Nikon D200||Y||none||none||-||-||none||2.0||-||-||-||Nikon D200|
|Canon 4000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 200D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 1200D||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon 700D||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon 650D||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon M||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon M|
|Canon 600D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 600D|
|Nikon D300S||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Nikon D300||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D300|
|Nikon D2Xs||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2Xs|
|Nikon D2X||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2X|
|Nikon D100||Y||none||none||-||-||none||1.1||-||-||-||Nikon D100|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
Studio photographers will appreciate that the Nikon D200 (unlike the 100D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 100D and the D200 have been discontinued, but can regularly be found used on eBay. The D200 was replaced by the Nikon D300, while the 100D was followed by the Canon 200D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 100D or the Nikon D200 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 100D:
- More detail: Offers more megapixels (17.9 vs 10MP) with a 34% higher linear resolution.
- Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More compact: Is smaller (117x91mm vs 147x113mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 513g or 56 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More modern: Reflects 7 years and 4 months of technical progress since the D200 launch.
Advantages of the Nikon D200:
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in November 2005).
If the count of individual advantages (bullet points above) is taken as a guide, the 100D is the clear winner of the match-up (11 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 100D and the Nikon D200 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 100D or the D200. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 100D vs Leica V-LUX 2
- Canon 100D vs Nikon D1X
- Canon 100D vs Nikon D300
- Canon 100D vs Nikon D3300
- Canon 100D vs Nikon D7100
- Canon SX510 vs Nikon D200
- Leica D-LUX 7 vs Nikon D200
- Leica X1 vs Nikon D200
- Nikon D200 vs Olympus E-PL3
- Nikon D200 vs Samsung NX500
- Nikon D200 vs Sony NEX-5N
- Nikon D200 vs Zeiss ZX1
Specifications: Canon 100D vs Nikon D200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 100D||Nikon D200|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Nikon F mount lenses|
|Launch Date||March 2013||November 2005|
|Launch Price||USD 549||USD 1699|
|Sensor Specs||Canon 100D||Nikon D200|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.6 x 15.8 mm|
|Sensor Area||332.27 mm2||372.88 mm2|
|Sensor Diagonal||26.8 mm||28.4 mm|
|Sensor Resolution||17.9 Megapixels||10 Megapixels|
|Image Resolution||5184 x 3456 pixels||3872 x 2592 pixels|
|Pixel Pitch||4.31 μm||6.11 μm|
|Pixel Density||5.39 MP/cm2||2.69 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100-12800 ISO||100-1600 ISO|
|ISO Boost||100-25600 ISO||100-3200 ISO|
|DXO Sensor Quality (score)||63||64|
|DXO Color Depth (bits)||21.8||22.3|
|DXO Dynamic Range (EV)||11.3||11.5|
|DXO Low Light (ISO)||843||583|
|Screen Specs||Canon 100D||Nikon D200|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||95%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||2.5 inch|
|LCD Resolution||1040k dots||230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 100D||Nikon D200|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||4.9 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 100D||Nikon D200|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 100D||Nikon D200|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||380 shots per charge||400 shots per charge|
117 x 91 x 69 mm
(4.6 x 3.6 x 2.7 in)
147 x 113 x 74 mm
(5.8 x 4.4 x 2.9 in)
|Camera Weight||407 g (14.4 oz)||920 g (32.5 oz)|
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