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Canon 100D versus Fujifilm GFX 50S

The Canon EOS 100D (called Canon SL1 in some regions) and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in March 2013 and September 2016. The 100D is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (100D) and a medium format (GFX 50S) sensor. The Canon has a resolution of 17.9 megapixel, whereas the Fujifilm provides 51.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Canon 100D vs Fujifilm GFX 50S

An illustration of the physical size and weight of the Canon 100D and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the 100D – represents the basis for the calculations across all the size and weight measures).

Compare Canon 100D vs Fujifilm GFX 50S
Compare 100D versus GFX 50S top
Compare 100D and GFX 50S rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (31 percent) than the Canon 100D. Moreover, the GFX 50S is substantially heavier (82 percent) than the 100D. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the 100D does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 100D gets 380 shots out of its LP-E12 battery, while the GFX 50S can take 400 images on a single charge of its NP-T125 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 100D» 117 mm 91 mm 69 mm 407 g 380 n Mar 2013 549- i Canon 100D
Fujifilm GFX 50S« 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
Canon 4000D« » 129 mm 102 mm 77 mm 436 g 500 n Feb 2018 399 i i Canon 4000D
Canon 200D« » 122 mm 93 mm 70 mm 453 g 650 n Jun 2017 549 i i Canon 200D
Canon 5D Mark IV« » 151 mm 116 mm 76 mm 890 g 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 7D II« » 149 mm 112 mm 78 mm 910 g 670 Y Sep 2014 1,799 i i Canon 7D II
Canon 1200D« » 130 mm 100 mm 78 mm 480 g 500 n Feb 2014 449- i Canon 1200D
Canon 700D« » 133 mm 100 mm 79 mm 580 g 440 n Mar 2013 649- i Canon 700D
Canon G16« » 109 mm 76 mm 40 mm 356 g 360 n Aug 2013 549 i i Canon G16
Canon 650D« » 133 mm 100 mm 79 mm 575 g 440 n Jun 2012 849- i Canon 650D
Canon M« » 109 mm 66 mm 32 mm 298 g 230 n Jul 2012 599- i Canon M
Canon 600D« » 133 mm 100 mm 80 mm 570 g 440 n Feb 2011 599- i Canon 600D
Fujifilm GFX 50R« » 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
Hasselblad X1D« » 150 mm 98 mm 71 mm 725 g .. Y Jun 2016 8,995 i i Hasselblad X1D
Leica SL« » 147 mm 104 mm 39 mm 847 g 400 Y Oct 2015 7,450 i i Leica SL
Nikon D7500« » 136 mm 104 mm 73 mm 720 g 950 Y Apr 2017 1,299 i i Nikon D7500
Panasonic G6« » 122 mm 85 mm 71 mm 390 g 340 n Apr 2013 599- i Panasonic G6

The camera’s price is obviously a critical decision-making factor. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 100D was launched at a markedly lower price (by 92 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Canon 100D vs Fujifilm GFX 50S

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 100D features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 100D has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Canon 100D and Fujifilm GFX 50S sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the 100D (17.9MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.31μm for the 100D) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 3 years and 6 months) than the 100D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The 100D has on-sensor phase detect pixels, which results in relatively fast and reliable autofocus acquisition during video recording.

100D versus GFX 50S MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Canon 100D» APS-C 17.9 5184 34561080/30p21.811.384363Canon 100D
Fujifilm GFX 50S« Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
Canon 4000D« » APS-C 17.9 5184 34561080/30p21.911.469563Canon 4000D
Canon 200D« » APS-C 24.0 6000 40001080/60p23.613.4104179Canon 200D
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 7D II« » APS-C 20.0 5472 36481080/60p22.411.8108270Canon 7D II
Canon 1200D« » APS-C 17.9 5184 34561080/30p21.911.372463Canon 1200D
Canon 700D« » APS-C 17.9 5184 34561080/30p21.711.268161Canon 700D
Canon G16« » 1/1.7 12.0 4000 30001080/60p21.011.723054Canon G16
Canon 650D« » APS-C 17.9 5184 34561080/30p21.711.272262Canon 650D
Canon M« » APS-C 17.9 5184 34561080/30p22.111.282765Canon M
Canon 600D« » APS-C 17.9 5184 34561080/30p22.111.579365Canon 600D
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/30p).

 

Feature comparison: Canon 100D vs Fujifilm GFX 50S

Apart from body and sensor, cameras can and do differ across a range of features. For example, the 100D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Canon 100D and Fujifilm GFX 50S along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Canon 100D»optical n 3.0 1040 fixed Y 4000 4.9 Y n Canon 100D
Fujifilm GFX 50S«- Y 3.2 2360 full-flex Y 4000 3.0 n n Fujifilm GFX 50S
Canon 4000D« »optical n 2.7 230 fixed n 4000 3.0 Y n Canon 4000D
Canon 200D« »optical n 3.0 1040 swivel Y 4000 5.0 Y n Canon 200D
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 7D II« »optical Y 3.0 1040 fixed n 8000 10.0 Y n Canon 7D II
Canon 1200D« »optical n 3.0 460 fixed n 4000 3.0 Y n Canon 1200D
Canon 700D« »optical n 3.0 1040 swivel Y 4000 5.0 Y n Canon 700D
Canon G16« »optical n 3.0 922 fixed n 4000 2.2 Y Y Canon G16
Canon 650D« »optical n 3.0 1040 swivel Y 4000 5.0 Y n Canon 650D
Canon M« »- n 3.0 1040 fixed Y 4000 4.3 n n Canon M
Canon 600D« »optical n 3.0 1040 swivel n 4000 3.7 Y n Canon 600D
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 4000 3.0 n n Fujifilm GFX 50R
Hasselblad X1D« »2360 n 3.0 920 fixed Y 2000 2.3 n n Hasselblad X1D
Leica SL« »4400 Y 3.0 1040 fixed Y 8000 11.0 n n Leica SL
Nikon D7500« »optical Y 3.2 922 tilting Y 8000 8.0 Y n Nikon D7500
Panasonic G6« »1440 n 3.0 1036 swivel Y 4000 7.0 Y n Panasonic G6

One difference between the cameras concerns the presence of an on-board flash. The 100D has one, while the GFX 50S does not. While the build-in flash of the 100D is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the GFX 50S features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

Both the 100D and the GFX 50S write their imaging data to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 100D only has one slot.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Canon 100D»YmonomonoY-mini2.0---Canon 100D
Fujifilm GFX 50S«YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
Canon 4000D« »Ymonomono--mini2.0YY-Canon 4000D
Canon 200D« »YstereomonoY-mini2.0YYYCanon 200D
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 7D II« »YstereomonoYYmini3.0---Canon 7D II
Canon 1200D« »Ymonomono--mini2.0---Canon 1200D
Canon 700D« »YstereomonoY-mini2.0---Canon 700D
Canon G16« »Ystereomono--mini2.0Y--Canon G16
Canon 650D« »YstereomonoY-mini2.0---Canon 650D
Canon M« »YstereomonoY-mini2.0---Canon M
Canon 600D« »YmonomonoY-mini2.0---Canon 600D
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the 100D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 100D was succeeded by the Canon 200D.

Review summary: Canon 100D vs Fujifilm GFX 50S

So what conclusions can be drawn? Is there a clear favorite between the Canon 100D and the Fujifilm GFX 50S? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Canon EOS 100D:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
  • Easier framing: Has an optical viewfinder for image framing and settings control.
  • Faster burst: Shoots at higher frequency (4.9 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (117x91mm vs 148x94mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 333g or 45 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
  • More heavily discounted: Has been available for much longer (launched in March 2013).

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Arguments in favor of the Fujifilm GFX 50S:

  • More detail: Has more megapixels (51.1 vs 17.9MP), which boosts linear resolution by 66%.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Is equipped with a larger and more technologically advanced sensor.
  • Richer colors: Larger sensor generates images with better, more accurate colors.
  • More dynamic range: Capable of capturing a wider spectrum of light and dark details.
  • Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible LCD: Has full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Easier file upload: Has wifi build in for automatic backup or image transfer to the web.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Reflects 3 years and 6 months of technical progress since the 100D launch.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the contest (18 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

100D 09:18 GFX 50S

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 100D or the GFX 50S. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 100D»Rec78/1004/54/54/5 Mar 2013 549- i Canon 100D
Fujifilm GFX 50S«-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
Canon 4000D« »rev-3.5/5-3.5/5 Feb 2018 399 i i Canon 4000D
Canon 200D« »HiRec78/1004.5/54.5/54.5/5 Jun 2017 549 i i Canon 200D
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 7D II« »Rec84/1004/55/54.5/5 Sep 2014 1,799 i i Canon 7D II
Canon 1200D« »Rec-4/54/54.5/5 Feb 2014 449- i Canon 1200D
Canon 700D« »-76/1004.5/54.5/54.5/5 Mar 2013 649- i Canon 700D
Canon G16« »Rec-4.5/54.5/54.5/5 Aug 2013 549 i i Canon G16
Canon 650D« »HiRec77/1004.5/54.5/54.5/5 Jun 2012 849- i Canon 650D
Canon M« »Rec-4/53.5/54/5 Jul 2012 599- i Canon M
Canon 600D« »rev77/1004.5/55/54.5/5 Feb 2011 599- i Canon 600D
Fujifilm GFX 50R« »----- Sep 2018 4,499 i i Fujifilm GFX 50R
Hasselblad X1D« »rev81/100--4/5 Jun 2016 8,995 i i Hasselblad X1D
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
Nikon D7500« »HiRec86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
Panasonic G6« »HiRec-5/5-4.5/5 Apr 2013 599- i Panasonic G6

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to add information on that model to the database.

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