Canon 1000D vs Fujifilm X-Pro2
The Canon EOS 1000D (called Canon XS in some regions) and the Fujifilm X-Pro2 are two digital cameras that were announced, respectively, in June 2008 and January 2016. The 1000D is a DSLR, while the X-Pro2 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 10.1 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1000D||Fujifilm X-Pro2|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Fujifilm X mount lenses|
|10.1 MP, APS-C Sensor||24 MP, APS-C Sensor|
|no Video||1080/60p Video|
|ISO 100-800 (100-1600)||ISO 200-12800 (100-51200)|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|2.5" LCD, 230k dots||3.0" LCD, 1620k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||8 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||350 shots per battery charge|
|126 x 98 x 65 mm, 502 g||141 x 83 x 46 mm, 495 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 1000D and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1000D and the Fujifilm X-Pro2. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the 1000D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is notably smaller (5 percent) than the Canon 1000D. Moreover, the X-Pro2 is slightly lighter (1 percent) than the 1000D. It is noteworthy in this context that the X-Pro2 is splash and dust-proof, while the 1000D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1000D) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the X-Pro2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 1000D»||5.0 in||3.9 in||2.6 in||17.7 oz||500||n||Jun 2008||449||-||Canon 1000D|
|Fujifilm X-Pro2«||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Canon 4000D« »||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Canon 1300D« »||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449||-||Canon 1300D|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon 1200D|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Canon 1100D« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||-||Canon 1100D|
|Canon 500D« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon 500D|
|Canon 450D« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||-||Canon 450D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||-||Canon 40D|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Olympus E-450« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2009||499||-||Olympus E-450|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 1000D was launched at a markedly lower price (by 74 percent) than the X-Pro2, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-Pro2 is 12 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (1000D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the X-Pro2 offers a higher resolution than the 1000D (10.1MP), but the X-Pro2 has smaller individual pixels (pixel pitch of 3.92μm versus 5.71μm for the 1000D). Yet, the X-Pro2 is a much more recent model (by 7 years and 7 months) than the 1000D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon 1000D are 19.4 x 13 inch or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inch or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inch or 32.9 x 21.9 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 1000D has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-1600. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1000D»||APS-C||10.1||3888||2592||-||-||-||-||-||Canon 1000D|
|Fujifilm X-Pro2«||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 4000D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 1300D« »||APS-C||17.9||5184||3456||1080/30p||-||-||-||-||Canon 1300D|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon 1100D« »||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Canon 500D« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon 500D|
|Canon 450D« »||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon 450D|
|Canon 40D« »||APS-C||10.1||3888||2592||-||22.1||11.3||703||64||Canon 40D|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Olympus E-450« »||Four Thirds||10.0||3648||2736||-||21.5||10.5||512||56||Olympus E-450|
Many modern cameras cannot only take still pictures, but also record videos. The X-Pro2 indeed provides for movie recording, while the 1000D does not. The highest resolution format that the X-Pro2 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the 1000D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-Pro2 offers a wider field of view (100%) than the one in the 1000D (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 1000D has a higher magnification (0.51x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 1000D, the Fujifilm X-Pro2, and comparable cameras.
|Canon 1000D»||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon 1000D|
|Fujifilm X-Pro2«||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon 4000D« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Canon 1300D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 1300D|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon 1100D« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 1100D|
|Canon 500D« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon 500D|
|Canon 450D« »||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon 450D|
|Canon 40D« »||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Olympus E-450« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-450|
One difference between the cameras concerns the presence of an on-board flash. The 1000D has one, while the X-Pro2 does not. While the built-in flash of the 1000D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1000D writes its imaging data to SDHC cards, while the X-Pro2 uses SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 1000D only has one slot. The X-Pro2 supports UHS-II cards on its first slot and UHS-I on its second one, while the 1000D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 1000D and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1000D»||Y||-||-||-||-||-||2.0||-||-||-||Canon 1000D|
|Fujifilm X-Pro2«||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Canon 2000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 4000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 1300D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 1300D|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon 1100D« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Canon 500D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 500D|
|Canon 450D« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon 450D|
|Canon 40D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 40D|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Olympus E-450« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-450|
It is notable that the X-Pro2 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1000D does not offer wifi capability.
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the 1000D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The X-Pro2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the 1000D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1000D was succeeded by the Canon 1100D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is the Canon 1000D better than the Fujifilm X-Pro2 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 1000D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.51x vs 0.39x).
- Longer lasting: Can take more shots (500 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2008).
Arguments in favor of the Fujifilm X-Pro2:
- More detail: Has more megapixels (24 vs 10.1MP), which boosts linear resolution by 54%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 7 years and 7 months of technical progress since the 1000D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the contest (19 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1000D and the Fujifilm X-Pro2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 1000D or the X-Pro2 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1000D»||82/100||+ +||3.5/5||4/5||4.5/5||Jun 2008||449||-||Canon 1000D|
|Fujifilm X-Pro2«||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Canon 2000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Canon 4000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Canon 1300D« »||o||73/100||4/5||3.5/5||4/5||Mar 2016||449||-||Canon 1300D|
|Canon 1200D« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Canon 1100D« »||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449||-||Canon 1100D|
|Canon 500D« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon 500D|
|Canon 450D« »||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon 450D|
|Canon 40D« »||+ +||+ +||4.5/5||o||4.5/5||Aug 2007||1,299||-||Canon 40D|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Olympus E-450« »||-||-||4/5||-||4/5||Mar 2009||499||-||Olympus E-450|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1000D vs Canon 1D X
- Canon 1000D vs Fujifilm X-A7
- Canon 1000D vs Fujifilm X-T2
- Canon 1000D vs Leica M9
- Canon 1000D vs Leica X-U Typ 113
- Canon 1000D vs Nikon D800E
- Canon 1000D vs Panasonic G6
- Canon 1000D vs Panasonic GX9
- Canon 750D vs Fujifilm X-Pro2
- Canon 800D vs Fujifilm X-Pro2
- Fujifilm X-Pro2 vs Sony A7 II
- Fujifilm X-Pro2 vs Sony A7S
Specifications: Canon 1000D vs Fujifilm X-Pro2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1000D||Fujifilm X-Pro2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm X mount lenses|
|Launch Date||June 2008||January 2016|
|Launch Price||USD 449||USD 1699|
|Sensor Specs||Canon 1000D||Fujifilm X-Pro2|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.2 x 14.8 mm||23.6 x 15.6 mm|
|Sensor Area||328.56 mm2||368.16 mm2|
|Sensor Diagonal||26.7 mm||28.3 mm|
|Sensor Resolution||10.1 Megapixels||24 Megapixels|
|Image Resolution||3888 x 2592 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.71 μm||3.92 μm|
|Pixel Density||3.07 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100-800 ISO||200-12800 ISO|
|ISO Boost||100-1600 ISO||100-51200 ISO|
|Image Processor||DIGIC 3||X Processor Pro|
|Screen Specs||Canon 1000D||Fujifilm X-Pro2|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||230k dots||1620k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1000D||Fujifilm X-Pro2|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Canon 1000D||Fujifilm X-Pro2|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 1000D||Fujifilm X-Pro2|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||350 shots per charge|
126 x 98 x 65 mm
(5.0 x 3.9 x 2.6 in)
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
|Camera Weight||502 g (17.7 oz)||495 g (17.5 oz)|
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