Fujifilm GFX 50R vs Sony H300
The Fujifilm GFX 50R and the Sony Cyber-shot DSC-H300 are two digital cameras that were officially introduced, respectively, in September 2018 and February 2014. The GFX 50R is a mirrorless interchangeable lens camera, while the H300 is a fixed lens compact. The cameras are based on a medium format (GFX 50R) and a 1/2.3-inch (H300) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Sony provides 19.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Sony Cyber-shot DSC-H300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50R and the Sony H300. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H300 is notably smaller (27 percent) than the Fujifilm GFX 50R. It is worth mentioning in this context that the GFX 50R is splash and dust resistant, while the H300 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H300 has a lens built in, whereas the GFX 50R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | EUR 4 499 | ebay.com | |
2. | Sony H300 | 128 mm | 89 mm | 92 mm | 590 g | 350 | n | Feb 2014 | EUR 219 | ebay.com | |
3. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | EUR 3 499 | ebay.com | |
4. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | EUR 3 699 | ebay.com | |
5. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | EUR 2 099 | amazon.com | |
6. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | EUR 4 999 | amazon.com | |
7. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | EUR 6 499 | ebay.com | |
8. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | EUR 3 999 | amazon.com | |
9. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | EUR 5 999 | ebay.com | |
10. | Leica M-E Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Jun 2019 | EUR 3 949 | ebay.com | |
11. | Leica Q Typ 116 | 130 mm | 80 mm | 93 mm | 640 g | 300 | n | Jun 2015 | EUR 3 999 | ebay.com | |
12. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | EUR 4 799 | amazon.com | |
13. | Nikon D7500 | 136 mm | 104 mm | 73 mm | 720 g | 950 | Y | Apr 2017 | EUR 1 499 | amazon.com | |
14. | Sony H200 | 123 mm | 83 mm | 87 mm | 530 g | 240 | n | Jan 2013 | EUR 249 | ebay.com | |
15. | Sony H400 | 130 mm | 95 mm | 122 mm | 628 g | 300 | n | Feb 2014 | EUR 319 | ebay.com | |
16. | Sony HX400V | 130 mm | 93 mm | 103 mm | 660 g | 300 | n | Feb 2014 | EUR 499 | ebay.com | |
17. | Sony RX100 IV | 102 mm | 58 mm | 41 mm | 298 g | 280 | n | Jun 2015 | EUR 1 149 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The H300 was launched at a lower price than the GFX 50R, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Sony H300 a 1/2.3-inch sensor. The sensor area in the H300 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50R offers a higher resolution than the H300 (19.9MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 1.19μm for the H300) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 4 years and 7 months) than the H300, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Sony H300 are 25.8 x 19.3 inches or 65.4 x 49.1 cm for good quality, 20.6 x 15.5 inches or 52.3 x 39.3 cm for very good quality, and 17.2 x 12.9 inches or 43.6 x 32.7 cm for excellent quality prints.
The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-H300 are ISO 80 to ISO 3200 (no boost).
In terms of underlying technology, the GFX 50R is build around a CMOS sensor, while the H300 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
2. | Sony H300 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.1 | 11.4 | 630 | 45 | |
3. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
4. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
5. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
6. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
7. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
8. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
9. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
10. | Leica M-E Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 25.2 | 14.2 | 2821 | 94 | |
11. | Leica Q Typ 116 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.3 | 12.7 | 2221 | 85 | |
12. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
13. | Nikon D7500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.3 | 14.0 | 1483 | 86 | |
14. | Sony H200 | 1/2.3 | 15.2 | 5184 | 2930 | 720/30p | 19.9 | 11.2 | 529 | 44 | |
15. | Sony H400 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.1 | 11.4 | 630 | 45 | |
16. | Sony HX400V | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
17. | Sony RX100 IV | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.8 | 12.6 | 591 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GFX 50R provides a higher video resolution than the H300. It can shoot video footage at 1080/30p, while the Sony is limited to 720/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the H300 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm GFX 50R and Sony H300 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
2. | Sony H300 | none | n | 3.0 / 460 | fixed | n | 1/1500s | 0.8/s | Y | Y | |
3. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
4. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
5. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
6. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
7. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
8. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
9. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
10. | Leica M-E Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
11. | Leica Q Typ 116 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
12. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
13. | Nikon D7500 | optical | Y | 3.2 / 922 | tilting | Y | 1/8000s | 8.0/s | Y | n | |
14. | Sony H200 | none | n | 3.0 / 460 | fixed | n | 1/1500s | 0.8/s | Y | Y | |
15. | Sony H400 | 210 | n | 3.0 / 460 | fixed | n | 1/2000s | 0.7/s | Y | Y | |
16. | Sony HX400V | 210 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
17. | Sony RX100 IV | 2359 | n | 3.0 / 1228 | tilting | n | 1/2000s | 16.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50R has a touchscreen, while the H300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50R writes its imaging data to SDXC cards, while the H300 uses SDXC or Memory Stick PRO Duo cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the H300 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the H300 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Sony Cyber-shot DSC-H300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
2. | Sony H300 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
4. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
5. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
6. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
8. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
9. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
10. | Leica M-E Typ 240 | Y | mono / - | - | - | - | 2.0 | - | - | - | |
11. | Leica Q Typ 116 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
12. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y | |
13. | Nikon D7500 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | Y | |
14. | Sony H200 | - | mono / mono | - | - | - | 2.0 | - | - | - | |
15. | Sony H400 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Sony HX400V | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony RX100 IV | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the GFX 50R has a hotshoe, while the H300 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the H300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 50R and the H300 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Fujifilm and Sony. Further information on the features and operation of the GFX 50R and H300 can be found, respectively, in the Fujifilm GFX 50R Manual (free pdf) or the online Sony H300 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 50R and the Sony H300? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm GFX 50R:
- More detail: Offers more megapixels (51.1 vs 19.9MP) with a 60% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (3 vs 0.8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 4 years and 7 months of technical progress since the H300 launch.
Arguments in favor of the Sony Cyber-shot DSC-H300:
- Ready to shoot: Has an integrated lens, whereas the GFX 50R necessitates an extra lens.
- More compact: Is smaller (128x89mm vs 161x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 50R).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the match-up (27 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Sony H300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50R or the H300. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | EUR 4 499 | ebay.com | |
2. | Sony H300 | .. | + | .. | .. | 4.5/5 | 4/5 | Feb 2014 | EUR 219 | ebay.com | |
3. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | EUR 3 499 | ebay.com | |
4. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | EUR 3 699 | ebay.com | |
5. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | EUR 2 099 | amazon.com | |
6. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | EUR 4 999 | amazon.com | |
7. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | EUR 6 499 | ebay.com | |
8. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | EUR 3 999 | amazon.com | |
9. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | EUR 5 999 | ebay.com | |
10. | Leica M-E Typ 240 | .. | .. | .. | .. | .. | .. | Jun 2019 | EUR 3 949 | ebay.com | |
11. | Leica Q Typ 116 | 5/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Jun 2015 | EUR 3 999 | ebay.com | |
12. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | EUR 4 799 | amazon.com | |
13. | Nikon D7500 | 4.5/5 | + + | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Apr 2017 | EUR 1 499 | amazon.com | |
14. | Sony H200 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Jan 2013 | EUR 249 | ebay.com | |
15. | Sony H400 | .. | o | .. | .. | 3.5/5 | 3.5/5 | Feb 2014 | EUR 319 | ebay.com | |
16. | Sony HX400V | 4/5 | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | EUR 499 | ebay.com | |
17. | Sony RX100 IV | 4.5/5 | + + | .. | 85/100 | 4/5 | 4.5/5 | Jun 2015 | EUR 1 149 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 100D vs Fujifilm GFX 50R
- Canon 1D Mark III vs Fujifilm GFX 50R
- Canon 5D Mark III vs Sony H300
- Canon S120 vs Sony H300
- Canon SX530 vs Sony H300
- Fujifilm GFX 50R vs Fujifilm X-T4
- Fujifilm GFX 50R vs Nikon D300
- Fujifilm GFX 50R vs Nikon Z5
- Fujifilm GFX 50R vs Olympus E-510
- Leica M Typ 240 vs Sony H300
- Olympus E-PL5 vs Sony H300
- Panasonic GM1 vs Sony H300
Specifications: Fujifilm GFX 50R vs Sony H300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm GFX 50R | Sony H300 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Fujifilm G mount lenses | 25-875mm f/3.4-6.5 |
Launch Date | September 2018 | February 2014 |
Launch Price | USD 4,499 | USD 219 |
Sensor Specs | Fujifilm GFX 50R | Sony H300 |
Sensor Technology | CMOS | CCD |
Sensor Format | Medium Format Sensor | 1/2.3" Sensor |
Sensor Size | 44.0 x 33.0 mm | 6.17 x 4.55 mm |
Sensor Area | 1452 mm2 | 28.0735 mm2 |
Sensor Diagonal | 55 mm | 7.7 mm |
Crop Factor | 0.79x | 5.6x |
Sensor Resolution | 51.1 Megapixels | 19.9 Megapixels |
Image Resolution | 8256 x 6192 pixels | 5152 x 3864 pixels |
Pixel Pitch | 5.33 μm | 1.19 μm |
Pixel Density | 3.52 MP/cm2 | 70.91 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 1080/30p Video | 720/30p Video |
ISO Setting | 100 - 12,800 ISO | 80 - 3,200 ISO |
ISO Boost | 50 - 102,400 ISO | no Enhancement |
Image Processor | X Processor Pro | BIONZ |
Screen Specs | Fujifilm GFX 50R | Sony H300 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.77x | |
Viewfinder Resolution | 3690k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2360k dots | 460k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Fujifilm GFX 50R | Sony H300 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 3 shutter flaps/s | 0.8 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | no |
Connectivity Specs | Fujifilm GFX 50R | Sony H300 |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Fujifilm GFX 50R | Sony H300 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Fujifilm NP-T125 | Sony 4xAA |
Battery Life (CIPA) | 400 shots per charge | 350 shots per charge |
Body Dimensions |
161 x 97 x 66 mm (6.3 x 3.8 x 2.6 in) |
128 x 89 x 92 mm (5.0 x 3.5 x 3.6 in) |
Camera Weight | 775 g (27.3 oz) | 590 g (20.8 oz) |
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